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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kisselgoff, Anna

Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.
Notes:

Claims that Ives is the “granddaddy of American music's 20th century experimentalists.”

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Cir-cus, with Tricycle.” The New York Times. June 19, 1999.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Kramer, Jonathan D.

Year: 1988
Complete Citation:
Kramer, Jonathan D. “Charles Ives.” In The time of music: new meanings, new temporalities, new listening strategies. New York, NY: Schirmer Books, 1988.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles
Year: 1991
Complete Citation:
Kramer, Jonathan D. “Charles Ives.” In Listening to music: the essential guide to the classical repertoire. London, United Kingdom: Lime Tree, 1991.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Křenek, Ernst

Year: 1955
Complete Citation:
Křenek, Ernst. “Charles Ives, 1874-1954.” Schweizerische Musikzeitschrift 95 (1955): 141-144.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1955
Complete Citation:
Krenek, Ernst. “Charles Ives, 1874-1954.” Schweizerische Musikzeitung 95/4 (April 1955): 141-144.
Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles

L., Barbara

Year: 2001
Complete Citation:
Barbara L. “Atlanta Ballet nearly Flawless: All Edition."Sarasota Herald-Tribune, 2001, October 2.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Ladell, Madeleine

Year: 2004
Complete Citation:
Ladell, Madeleine. “Charles Ives: Life & Times.” BBC Music Magazine, Vol. 12, No. 10 (2004): 51.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Leeuw, Reinbert de

Year: 1965
Complete Citation:
Leeuw, Reinbert de. “Charles Ives.” De Gids 118/7 (1965): 147--149.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Levine, Mark

Year: 1996
Complete Citation:
Levine, Mark. “Annals of Composing: The Outsider.” The New Yorker, Vol. 72, No. 25 (1996): 150-159.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Lubovitch, Lar, chroeographer

Complete Citation:
Lar Lubovitch, choreographer. Scherzo for Massah Jack (1973); ballet; American Ballet Theater.
Notes:

Music: Trio for violin, cello, and piano (Adagio and Scherzo), includ-ing "My Old Kentucky Home."

Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Lück, Hartmut

Year: 1982
Complete Citation:
Lück, Hartmut. “‘Immer an der Grenze zur Unspielbarkeit’/Kauziger Sonderling und musikalischer Revolutionar: Der amerikanische Komponist Charles Ives.” Musik und Medizin 8/3 (February 1982): 55-58, 61.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Lunday, Elizabeth and Zucca, Mario

Year: 2009
Complete Citation:
Lunday, Elizabeth and Zucca, Mario. “Charles Ives.” In Secret Lives of Great Composers: What Your Teachers Never Told You about the World’s Musical Masters. Philadelphia, PA: Quirk Books, 2009.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Lynch, Janet Nichols

Year: 1990
Complete Citation:
Nichols, Janet. American Music Makers: An Introduction to American Com-posers. New York, NY: Walker & Co., 1990.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Machlis, Joseph

Year: 1963
Complete Citation:
Machlis, Joseph. “Charles Ives.” In American Composers of Our Time. New York, NY: Thomas Y. Crowell Company, 1963.
Source: Chapter in Book
Reprints:

Machlis, Joseph. “Charles Ives.” In <i>American Composers of Our Time</i>. Westport, CT: Greenwood Press, 1990.

V. General Music Studies
A. Short Biographies and Profiles
Year: 1963
Complete Citation:
Machlis, Joseph. “Charles Ives.” In The enjoyment of music: an introduction to perceptive listening. New York, NY: W.W. Norton, 1963.
Source: Book
V. General Music Studies
A. Short Biographies and Profiles

Mackrell, Judith

Year: 2000
Complete Citation:
Mackrell, Judith. “Witching Hour: Black Magic and Slapstick Are an Unlikely Mix for a Night of American-Themed Ballet.” The Guardian, April 15, 2000, 5.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance