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Bibliography

Harrison, Lou

Year: 1945
Complete Citation:
Harrison, Lou. “On the Choros of Villa-Lobos.” Modern Music 22/2 (Janu-ary-February 1945): 85--86.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1945
Complete Citation:
Harrison, Lou. “The Rich and Varied New York Scene.” Modern Music 22/3 (March--April 1945): 181--185.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
Harrison, Lou. “On Quotation,” Modern Music, Vol. 23, No. 3 (Summer 1946).
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1946
Complete Citation:
Harrison, Lou. “Reflections at a Spa.” Modern Music XXIII, 4 (Fall 1946): 297-298.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1974
Complete Citation:
Harrison, Lou. “Ives, Ruggles, Varèse.” View 5/4 (November 1945): 11.
Source: Journal
Reprints:

Harrison, Lou. “Ives, Ruggles, Varèse.” <i>Soundings</i>: (Spring 1974): 1-4.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1975
Complete Citation:
Harrison, Lou. “‘Such Melodies and Clutter’: Thoughts Around Ives, 1974.” Parnassus: Poetry In Review 3/2 (Spring/Summer 1975): 316-317.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1987
Complete Citation:
Harrison, Lou. [1945] 1987. “Ruggles, Ives, Varese.” In View (1945). A Lou Harrison Reader,16--17. Edited by Peter Garland. Reprint, Santa Fe: Soundings Press, 1987.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Harvey, Mark Sumner

Year: 1989
Complete Citation:
Harvey, Mark Sumner. “Charles Ives: Prophet of American Civil Religion.” Soundings 72/2-3 (Summer-Fall 1989): 501-525.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Häusler, Josef

Year: 1969
Complete Citation:
Häusler, Josef. “Charles Ives.” In Musik im 20. Jahrhundert: von Schönberg zu Penderecki. Bremen, Germany: Schünemann Verlag, 1969.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Hayes, Malcolm

Year: 2012
Complete Citation:
Hayes, Malcolm. “Composer of the Month: Charles Ives - The Part-Time Pioneer.” BBC Music Magazine, Vol. 20, No. 11 (2012): 56-57, 59-60.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles

Haylock, Julian

Year: 2004
Complete Citation:
Haylock, Julian. “Has Cello, Will Travel.” The Strad, Vol. 115, (2004): 1282-1283, 1285-1286.
Source: Magazine
VI. Topical Studies
R. Performance Approaches

Heister, Hanns Werner

Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Zu musikgeschichter Stellung und musik- asthetischen Stellenwert von Ives: ‘Amerikanischer’ Komponist und internationale 'Neue Musik.’” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 9-24. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Heister, Hanns-Werner

Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process

Helga de la Motte-Haber, Kyle Gann, Wolf-gang Rathert, Tom Johnson, Oliver Schneider, and Walter Zimmermann

Year: 2004
Complete Citation:
Helga de la Motte-Haber, Kyle Gann, Wolf-gang Rathert, Tom Johnson, Oliver Schneider, and Walter Zimmermann. “Charles Ives and Composing Today.” Panel presented at Symposium at MarzMusik Festival: Festival fur aktuelle Musik. Berlin, Germany, March 19, 2004.
Source: Festival
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Hellmons, Matthias

Year: 2002
Complete Citation:
Hellmons, Matthias. “Thema: Geister über den Wassern: Singen im Musikunterricht als Fenster zur Transzendenz.” Musik and Bildung: Praxis Musikerziehung, Vol. 34, No. 3 (2002): 28-35.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Helm, Everett

Year: 1954
Complete Citation:
Helm, Everett. “Charles Ives, American Composer.” The Musical Times, Vol. 95/1337 (1954): 356-361.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles

Helms, Hans G.

Complete Citation:
Helms, Hans G. “Charles Ives—Hommage zur 100. Geburtstag; 1. Zur Physiognomie eines revolutionären Komponisten und Citoyen; 2. Zum Phänomen der Ungleichzeitigkeit kompositoricher Konzeptionen und ihrer technichen Realiserbarkeit.” Student Musicologists at Minnesota 6 (1975-76): 95-127.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1964
Complete Citation:
Helms, Hans G. “Der Komponist Charles Ives: Leben, Werk, und Ein- fluss auf die heutige Generation.” Neue Zeitschrift für Musik (October 1964) 125/10: 425-433.
Source: Journal
V. General Music Studies
A. Short Biographies and Profiles
Year: 1966
Complete Citation:
Helms, Hans G. “Über statistisches Komponieren bel Charles Ives.” Neue Zeitschrift für Musik 127, no. 3 (March 1966): 90-93.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1970
Complete Citation:
Helms, Hans G. “Ives and Politics.” Seminar, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, April 24 1970.
Source: Seminar
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions