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Bibliography

Monkman, Martin H.

Year: Year unlisted
Complete Citation:
Monkman, Martin H. “Charles Ives (1874-1954).” Coastnet. Webpage no longer active.
Source: Online Resource
V. General Music Studies
A. Short Biographies and Profiles

Moor, Paul

Year: 1948
Complete Citation:
Moor, Paul. “On Horseback to Heaven: Charles Ives.” Harper’s Magazine, Vol. 197, No. 1180, September, 1948.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Year: 1950
Complete Citation:
Moor, Paul. “Two Titans.” Theatre Arts XXIV/ii (February 1950): 49-51, 94-95.
Source: Journal
VI. Topical Studies
L. Ives and America

Morgan, Robert P.

Year: 1973
Complete Citation:
Morgan, Robert P. “Rewriting Music History: Second Thoughts on Ives and Varèse.” Musical Newsletter 3, no. 1 (January 1973): 3-12, and 3, no. 2 (April 1973): 15-23, 28.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1974
Complete Citation:
Morgan, Robert P. “Charles Ives.” Stagebill 2/2, October 1974, 6-11.
Source: Magazine
V. General Music Studies
A. Short Biographies and Profiles
Year: 1976
Complete Citation:
Morgan, Robert P. “American Music and the Hand-Me-Down Habit.” High Fidel-ity, June 1976, 70-72.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1978
Complete Citation:
Morgan, Robert P. “Ives and Mahler: Mutual Responses at the End of an Era.” 19th-Century Music Vol. 2 (1978), pp. 72-81.
Source: Journal
Reprints:

Morgan, Robert P. “Ives and Mahler: Mutual Responses at the End of an Era.” In <i>Charles Ives and the Classical </i>Tradition, edited by Geoffrey Block and J. Peter Burkholder, 75-86. New Haven, CT: Yale University Press, 1996. * Morgan, Robert P. “Morgan, Robert P. “Ives and Mahler: Mutual Responses at the End of an Era.” In <i>Music Theory, Analysis, and Society: Selected Essays</i>, 171-180. Surrey, England: Ashgate, 2015.

VI. Topical Studies
Year: 1990
Complete Citation:
Morgan, Robert P. “Charles Ives und die europäische Tradition.” In Bericht über das Internationale Symposion "Charles Ives und die amerikanische Musiktradition bis zur Gegenwart," Köln 1988, edited by Klaus Wolfgang Niemöller, Manuel Gervink, and Paul Terse, 17--36. Kölner Beiträge zur Musikforschung, 164. Regensburg, Germany: Gustav Bosse, 1990.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1991
Complete Citation:
Morgan, Robert. "Charles Ives and American Music." In 20th-century Music. New York, NY: W.W. Norton, 1991, 137-148.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 2015
Complete Citation:
Morgan, Robert P. ““The things our fathers loved”: Charles Ives and the European tradition.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.
Source: Chapter in Book
Reprints:

Morgan, Robert P. ““The things our fathers loved”: Charles Ives and the European tradition.” In <i>Music theory, analysis, and society: selected essays</i>. Surrey, England: Ashgate, 2015.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Morgan, Robert P., Jan Swafford, Gayle Sherwood, Tom C. Owens.

Year: 1998
Complete Citation:
Panel: Robert P. Morgan (chair), Jan Swafford, Gayle Sherwood, Tom C. Owens. Panel at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Festival Panel
Reprints:

<i>College Music Symposium</i> 39 (1999) 39: 27--42.

VI. Topical Studies
O. Ives and Yale

Morin, Alexander

Year: 2002
Complete Citation:
Morin, Alexander. “Charles Ives.” In Classical music: the listener's companion. San Francisco, CA: Backbeat Books; Berkeley, CA, 2002.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Moross, Jerome

Year: 1976
Complete Citation:
Moross, Jerome. “Some Thoughts On Ives.” In South Florida's Historic Ives Festival, 1974-1976, 38. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
V. General Music Studies
A. Short Biographies and Profiles

Morrison, Richard

Year: 1996
Complete Citation:
Morrison, Richard. “Art’s Secret Geniuses, from A to Z.” Times, January 17, 1996.
Source: Newspaper
V. General Music Studies
A. Short Biographies and Profiles

Mortenson, Gary Curtis

Year: 1987
Complete Citation:
Mortenson, Gary C. “Father to Son: The Education of Charles Ives.” Music Educator's Journal 73/7 (March 1987): 33-37.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Morton, Lawrence

Year: 1945
Complete Citation:
Morton, Lawrence. “Jerome Moross; Young Man Goes Native.” Mod-ern Music 22/2 (January-February 1945): 111--114.
Notes:

A review of an all -Ives program with some songs (October 30, 1944: Los Angeles. “Evenings on the Roof”; Elizabeth Vermeulen, voice; Frances Mullen, piano).

Source: Journal (Concert Review)
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1950
Complete Citation:
Morton, Lawrence. “American Culture and the Serious Composer.” Score [Los Angeles] 4/3 (May 1950): 4-9.
Source: Journal
VI. Topical Studies
L. Ives and America

Müller, Hermann Christoph

Year: 2004
Complete Citation:
Müller, Hermann- Christoph. “Natur wozu? Zwei Anmerkungen zur
nordamerikanischen Musik und zu Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 106-115. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Mundy, Rachel

Year: 2013
Complete Citation:
Mundy, Rachel. “The ‘League of Jewish Composers’ and American Music.” The Musical Quarterly, vol. 96, no. 1 (2013): 50-99.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Musgrave, Thea

Year: 1973
Complete Citation:
Musgrave, Thea. “A New Viola Concerto.” The Musical Times 114/1566 (1973): 790-791.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers