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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
A. Short Biographies and Profiles
C. Other
VI. Topical Studies
A. Transcendentalism or Philosophy
B. Musical Quotation or Borrowing
C. Chronology
D. Insurance
E. Comparisons and Relationships with Other Composers, Artists, and Writers
F. Polytonality
G. Music Theory Analyses
H. Ives, 20th Century Music, and Experimental Styles
J. Extra-Musical Themes in Ives’s Compositions
K. Stylistic Influences on Ives
L. Ives and America
N. Ives’ Childhood
O. Ives and Yale
P. Ives Collaborators and Colleagues
Q. Ives Scholars
R. Performance Approaches
S. Reception Studies and Related Scholarship
T. Ives in Music Education
U. Institutions and Ives’ Legacy
V. Awards
W. Obituaries
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Betz, Marianne

Year: 2004
Complete Citation:
Betz, Marianne. “The Voice of the City: New York in Der Musik Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 61, no. 3 (2004): 207-225.
Source: Journal
VI. Topical Studies
M. Ives and Manhattan

Budiansky, Stephen

Year: 2013
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.
Source: Journal
VI. Topical Studies
I. Compositional Process

Carlson, Michael

Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.
Notes:

“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”

Source: Journal
VI. Topical Studies
I. Compositional Process

Cave II, Lawrence Harold

Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.
Source: Journal
VI. Topical Studies
I. Compositional Process

Denahan, Donal

Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.
Notes:

“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”

Source: Newspaper
VI. Topical Studies
I. Compositional Process

Elkus, Jonathan

Year: 2005
Complete Citation:
Elkus, Jonathan. “Charles Ives's Manhattan.” In The wind band in and around New York ca. 1830-1950: essays presented at the 26th biennial conference of the College Band Directors National Association, New York, NY, Feb., 2005, edited by Frank J. Cipolla and Donald Hunsberger. Van Nuys, CA: Alfred, 2007.
Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan

Ford, Keith

Year: 2007
Complete Citation:
Ford, Keith. Musicological Research - Charles Ives: Handle with Care. The Triangle of Mu Phi Epsilon, Vol. 101, No. 1 (2007): 4.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Heister, Hanns-Werner

Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process

Isham, Howard

Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.
Source: Journal
VI. Topical Studies
I. Compositional Process

Kolter, Horst

Year: 1972
Complete Citation:
Koller, Horst. “Zur Kompositionstechnik von Charles Edward Ives.” Neue Zeitschrift für Musik 133 (1972): 559-567.
Source: Journal
VI. Topical Studies
I. Compositional Process

McCarrell, Stuart

Year: 1991
Complete Citation:
McCarrell, Stuart. “Charles Ives.” In New York: Visions, Struggles, Voices. Chicago, IL: Xenia, 1991.
Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan

Mellers, Wilfrid H.

Year: 1964
Complete Citation:
Mellers, Wilfrid H. “Jottings of Charles Ives” [Appendix I]. In Music in a New Found Land: Themes and Developments in the History of American Music, 441-443. London, United Kingdom: Barrie and Rockliff, 1964.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process

Milligan, Terry G.

Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Poverty Flat (1898-1908).” Journal of Band Research 20/1 (Fall 1984): 30-36.
Source: Journal
VI. Topical Studies
I. Compositional Process

Patterson, Frank

Year: 1922
Complete Citation:
Patterson, Frank. “The Perfect Modernist: A Little Primer of Basic Principles (Twelfth Installment).” Musical Courier, February 16, 1922, 7.
Source: Magazine/Journal
VI. Topical Studies
I. Compositional Process

Rathert, Wolfgang

Year: 1997
Complete Citation:
Rathert, Wolfgang. “The idea of potentiality in the music of Charles Ives.” In Ives Studies, edited by Philip Lambert, 105-132. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process

Riedel, Johannes

Year: 1975-1976
Complete Citation:
Riedel, Johannes. “Centennial Ives’s issue celebrating the USA's 200th birthday.” Student Musicologists at Minnesota, v. 6. Minneapolis, MN: University of Minnesota, Department of Music, 1976.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Riedel, Johannes, ed.

Year: 1975-1976
Complete Citation:
Riedel, Johannes, ed. Student musicologists at Minnesota: Centennial Ives issue celebrating the USA's 200th Birthday. Minneapolis: University of Minnesota, College of Liberal Arts, Dept. of Music, 1975-1976.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Riedel, Johannes (editor)

Year: 1975-1976
Complete Citation:
Riedel, Johannes. Student Musicologists at Minnesota, Vol. VI: Centennial Ives Issue Celebrating the USA’s 200th Birthday. Minneapolis, Minnesota: University of Minnesota, 1975-1976.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Rosenfeld, Paul

Year: 1943
Complete Citation:
Rosenfeld, Paul. “When New York Became Central.” Modern Music 20 (January-February, 1943): 83-89.
Source: Journal
VI. Topical Studies
M. Ives and Manhattan

Sonntag, Brunhilde

Year: 1977
Complete Citation:
Sonntag, Brunhilde. “Untersuchungen zur Collagetechnik in der Musik des 20. Jahrhunderts, Regensburg 1977.” Perspektiven z. Musikpädagogik und Musikwissenschaft, Regensburg (1977).
Source: Journal
V. General Music Studies
B. Special Issue Journals