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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Betz, Marianne

Year: 2004
Complete Citation:
Betz, Marianne. “The Voice of the City: New York in Der Musik Von Charles Ives.” Archiv Für Musikwissenschaft, vol. 61, no. 3 (2004): 207-225.
Source: Journal
VI. Topical Studies
M. Ives and Manhattan

Elkus, Jonathan

Year: 2005
Complete Citation:
Elkus, Jonathan. “Charles Ives's Manhattan.” In The wind band in and around New York ca. 1830-1950: essays presented at the 26th biennial conference of the College Band Directors National Association, New York, NY, Feb., 2005, edited by Frank J. Cipolla and Donald Hunsberger. Van Nuys, CA: Alfred, 2007.
Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan

Ford, Keith

Year: 2007
Complete Citation:
Ford, Keith. Musicological Research - Charles Ives: Handle with Care. The Triangle of Mu Phi Epsilon, Vol. 101, No. 1 (2007): 4.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Kehrmann, Boris

Year: 2000
Complete Citation:
Voices of Our Time Series. "A Contemporary Songs Selection."TDK (DVD DVUS-VTDU, 2000), 91 minutes. Recital of 2000 January 26 at the Teatre Musical de Paris—Chatelet; Dawn Upshaw, soprano; Gilbert Kalish, piano. Booklet Notes in English, German, and French by Boris Kehrmann. Includes Memories and The Circus Band.
Source: DVD
B. Films

Lopate, Phillip

Year: 1999
Complete Citation:
Lopate, Phillip. “Above the Battle, Musing on the Profundities.” The New York Times. January 17, 1999, sec. 2, 11.
Source: Newspaper
XV. Television Broadcasts, Films, and Videocassettes
B. Films

McCarrell, Stuart

Year: 1991
Complete Citation:
McCarrell, Stuart. “Charles Ives.” In New York: Visions, Struggles, Voices. Chicago, IL: Xenia, 1991.
Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan

Redmond, Michael

Year: 1975
Complete Citation:
Redmond, Michael. “Filmers Give Bloomfield Church a Second ‘Look’ at Charles Ives.” Star-Ledger (New Jersey), October 21, 1975, 29.
Source: Newspaper
B. Films

Riedel, Johannes

Year: 1975-1976
Complete Citation:
Riedel, Johannes. “Centennial Ives’s issue celebrating the USA's 200th birthday.” Student Musicologists at Minnesota, v. 6. Minneapolis, MN: University of Minnesota, Department of Music, 1976.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Riedel, Johannes, ed.

Year: 1975-1976
Complete Citation:
Riedel, Johannes, ed. Student musicologists at Minnesota: Centennial Ives issue celebrating the USA's 200th Birthday. Minneapolis: University of Minnesota, College of Liberal Arts, Dept. of Music, 1975-1976.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Riedel, Johannes (editor)

Year: 1975-1976
Complete Citation:
Riedel, Johannes. Student Musicologists at Minnesota, Vol. VI: Centennial Ives Issue Celebrating the USA’s 200th Birthday. Minneapolis, Minnesota: University of Minnesota, 1975-1976.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Rosenfeld, Paul

Year: 1943
Complete Citation:
Rosenfeld, Paul. “When New York Became Central.” Modern Music 20 (January-February, 1943): 83-89.
Source: Journal
VI. Topical Studies
M. Ives and Manhattan

Scheffer, Frank, producer and director

Year: 2004
Complete Citation:
Frank Scheffer, producer and director. Elliott Carter: Labryinth of Time. Allegri Film/ldeale Audience International, DVD 9DS17, 2004. Color and black and white, 90 minutes. Includes excerpts from The Unanswered Question and Concord Sonata when Carter discusses Ives. Later an ex-cerpt from Figment No. 2— Remembering Mr. Ives {El52} is played.
Source: DVD
B. Films

Sonntag, Brunhilde

Year: 1977
Complete Citation:
Sonntag, Brunhilde. “Untersuchungen zur Collagetechnik in der Musik des 20. Jahrhunderts, Regensburg 1977.” Perspektiven z. Musikpädagogik und Musikwissenschaft, Regensburg (1977).
Source: Journal
V. General Music Studies
B. Special Issue Journals

Timreck, Theodor W.

Year: 1977
Complete Citation:
Timreck, Theodor W., director and producer. “A Good Dissonance Like a Man.” Made-for-television movie. Under the supervision of Vivian Perlis, 1977.
Source: Made-for-television movie
B. Films

Von Glahn, Denise

Year: 2003
Complete Citation:
Von Glahn, Denise. “From Country to City in the Music of Charles Ives.” In The Sounds of Place: Music and the American Cultural Landscape, 64--109. Boston, MA: Northeastern University Press, 2003.
Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan

Weiler, A.H.

Year: 1977
Complete Citation:
Weiler, A.H. “Film Forum: Charles Ives and Harry Partch, 2 Originals.” The New York Times, April 22, 1977, 73.
Source: Newspaper
B. Films

no author listed

Year: 1970
Complete Citation:
Virgil Fox Plays the Wanamaker Grand Court Organ, Philadelphia. See- Music DVD (SMD-042; 2004). From "La Belle Epoque," Camera Three television program WCBS-TV, 1970 Fall {E290}. Includes Variations on "America."
Source: DVD
B. Films
Year: 1978
Complete Citation:
“A Good Dissonance Like A Man.” Call and Post, September 2, 1978, 19A.
Source: Newspaper
B. Films
Year: 1980
Complete Citation:
Neuland: Ansatze zur Musik der Gegenwart. Volume 1. Cologne, Germany: Herbert Henck, 1980.
Source: Journal
V. General Music Studies
B. Special Issue Journals
Year: 1994
Complete Citation:
“Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23, no. 2 (Spring 1994): 11.
Source: Letter
VI. Topical Studies
M. Ives and Manhattan