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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Buckley, Dan

Year: 1998
Complete Citation:
Dan Buckley. “Slatkin Speaks.” Stereophile (March 1998): 85--87.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

Eatock, Colin

Year: 2013
Complete Citation:
Eatock, Colin. “Marc-Andre Hamelin on the Road Less Travelled.” Queen’s Quarterly 120, no. 2 (Summer 2013): 290.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

Ford, Keith

Year: 2007
Complete Citation:
Ford, Keith. Musicological Research - Charles Ives: Handle with Care. The Triangle of Mu Phi Epsilon, Vol. 101, No. 1 (2007): 4.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Hartke, Stephen

Year: 2004
Complete Citation:
Hartke, Stephen. “Center Stage: Ives: Our Musical Grandfather.” In Charles Ives: An American Original in Context, 22, 24, 26. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.
Source: Program Booklet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes

Jolly, James

Year: 2004
Complete Citation:
Jolly, James. Interview: “Aimard Flies Free with Concord [Interview].” Gramophone 82/980 (June 2004): 30--31.
Notes:

A discussion of Pierre -Laurent Aimard's performances and recording of Sonata No. 2, “Concord, Mass., 1840--1860,” for piano.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

Keller, James M.

Year: 2004
Complete Citation:
Keller, James M. “Notes on the Program.” May 12 (35--38); May 15, 19-20 (45--49); May 11, 13 (35--39); May 21-22, 25 (35--40, 40D, 40E); May 27--29 (38, 45-48). In Charles Ives: An American Original in Context. Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.
Source: Program Booklet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes

Riedel, Johannes

Year: 1975-1976
Complete Citation:
Riedel, Johannes. “Centennial Ives’s issue celebrating the USA's 200th birthday.” Student Musicologists at Minnesota, v. 6. Minneapolis, MN: University of Minnesota, Department of Music, 1976.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Riedel, Johannes, ed.

Year: 1975-1976
Complete Citation:
Riedel, Johannes, ed. Student musicologists at Minnesota: Centennial Ives issue celebrating the USA's 200th Birthday. Minneapolis: University of Minnesota, College of Liberal Arts, Dept. of Music, 1975-1976.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Riedel, Johannes (editor)

Year: 1975-1976
Complete Citation:
Riedel, Johannes. Student Musicologists at Minnesota, Vol. VI: Centennial Ives Issue Celebrating the USA’s 200th Birthday. Minneapolis, Minnesota: University of Minnesota, 1975-1976.
Source: Journal
V. General Music Studies
B. Special Issue Journals

Ross, Alex

Year: 1993
Complete Citation:
Ross, Alex. “A Battleground for Iconoclasts: A Piano Series shows American Composers at War for the New.” The New York Times, November 14, 1993, 79.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes

Sachs, Joel

Year: 2004
Complete Citation:
Sachs, Joel. “All About Ives—Half a Century Later.” Program notes for seven programs. Lincoln Center, Juilliard School of Music, New York, New York, January 23-30, 2004.
Source: Program Notes
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes

Seibert, Donald C.

Year: 2006
Complete Citation:
Seibert, Donald C. “In Conversation with Richard Burns: An Oral History & Discography of Overtone Records.” ARSC Journal 37, no. 1, 2006: 21-35.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

Sonntag, Brunhilde

Year: 1977
Complete Citation:
Sonntag, Brunhilde. “Untersuchungen zur Collagetechnik in der Musik des 20. Jahrhunderts, Regensburg 1977.” Perspektiven z. Musikpädagogik und Musikwissenschaft, Regensburg (1977).
Source: Journal
V. General Music Studies
B. Special Issue Journals

Wyatt, Judith

Year: 1985
Complete Citation:
Wyatt, Judith. “The Beaux Arts Trio: Experience Speaks: Fifth Edition.” The Morning Call, March 29, 1985.
Notes:

Book review for “The Beaux Arts Trio: A Portrait”

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

no author listed

Year: 1980
Complete Citation:
Neuland: Ansatze zur Musik der Gegenwart. Volume 1. Cologne, Germany: Herbert Henck, 1980.
Source: Journal
V. General Music Studies
B. Special Issue Journals
Year: 2004
Complete Citation:
“Charles Ives: An American Original in Context.” Program booklet [Playbill]. New York, NY: Avery Fischer Hall, May 11-29, 2004.
Notes:

Six concerts devoted to Ives's compositions and others for contrast and comparison. An-nounced as the Philharmonic's “First Ever Celebration of America's Break-through Musical Genius.”

Source: Program Booklet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
D. Program Notes
Year: 2004
Complete Citation:
Various abstracts. Musik-Konzepte 123: Charles Ives (January 2004): 123-125.
Source: Chapter in Book
V. General Music Studies
B. Special Issue Journals