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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Sonntag, Brunhilde

Year: 1977
Complete Citation:
Sonntag, Brunhilde. “Untersuchungen zur Collagetechnik in der Musik des 20. Jahrhunderts, Regensburg 1977.” Perspektiven z. Musikpädagogik und Musikwissenschaft, Regensburg (1977).
Source: Journal
V. General Music Studies
B. Special Issue Journals

Swan, Christopher

Year: Year unlisted
Complete Citation:
Swan, Christopher. “Poem After Hearing Charles Ives’ Concord Sonata.” Publisher and year unlisted.
Source: Poem
XIII. Ives in Literature
A. Poetry

Waldrep, G.C.

Year: 2009
Complete Citation:
Waldrep, G.C. “Who is Charles Ives.” In Archicembalo: Poems. North Adams, MA: Tupelo Press, 2009.
Source: Chapter in Book
XIII. Ives in Literature
A. Poetry

Weiss, Mark

Year: 1977
Complete Citation:
Weiss, Mark. “A Meditation on Charles Ives.” Boston, MA: Heron Press, 1977.
Notes:

Poem with woodcut portrait by Bruce Chandler. Available at the Library of Congress, LC 98192956, Portfolio 313, No. 84, Washington D.C. Also available at the Ephemon Collection, New York Public Library, New York, NY.

Source: Poem
XIII. Ives in Literature
A. Poetry

Williams, Jonathan

Year: 1975
Complete Citation:
Williams, Jonathan. “Part Two: Essays Before a Sonata.” A Garland for Charles Ives: Special Supplement to Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 353--373.
Notes:

An extended poem in outline form, divided into six sections parallel to Ives's Essays Before a Sonata {All}.

Source: Poem
XIII. Ives in Literature
A. Poetry
Year: 1975
Complete Citation:
Williams, Jonathan. “A Celestial Centennial Reverie for Charles E. Ives (the Man Who Found Our Music in the Ground).” Parnassus: Poetry in Review 3, no. 2 (Spring/Summer 1975): 350-373.
Source: Book
XIII. Ives in Literature
A. Poetry
Year: 1975
Complete Citation:
Williams, Jonathan. “A Celestial Centennial Reverie for Charles E. Ives (the Man Who Found Our Music in the Ground).” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 350-373.
Source: Journal
XIII. Ives in Literature
A. Poetry

Yother, Mark

Year: 1975
Complete Citation:
Yother, Mark. “Letters to the Editor: Ives Demurrers.” Stereo Review (June 1975) 34/6: 6.
Notes:

A poem (very negative in tone) in response to William Anderson's editorial, “Composer Charles Ives Enters History.” <i>Review </i>34/3 <i>(</i>March 1975): 4.

Source: Poem
XIII. Ives in Literature
A. Poetry

no author listed

Year: 1980
Complete Citation:
Neuland: Ansatze zur Musik der Gegenwart. Volume 1. Cologne, Germany: Herbert Henck, 1980.
Source: Journal
V. General Music Studies
B. Special Issue Journals
Year: 2004
Complete Citation:
Various abstracts. Musik-Konzepte 123: Charles Ives (January 2004): 123-125.
Source: Chapter in Book
V. General Music Studies
B. Special Issue Journals