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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
(-) XVI. Photographs and Artwork
XVII. Radio Broadcasts

no author listed

Complete Citation:
Drawing. National Portrait Gallery, Smithsonian Institution, Washington, DC.
Notes:

Based on the (double exposure) snapshot of Ives and Mandeville Mullally in their room at Yale University, 76 South Middle Street. The photograph is held in the Charles Ives Papers, Yale University.

Source: Drawing
XVI. Photographs and Artwork
B. Artwork
Complete Citation:
Moore, Douglas B. “For an Ives Stamp.” High Fidelity 24/2 (February 1974): 8.
Source: Postage Stamp
Reprints:

Letter to the Editor encouraging readers to write to United States Postal Service in support of issuing a commemorative Charles Ives stamp in the American Art Series. Announcements: Baadke, Michael. “Classical Musicians in ’97.” <i>Linn's Stamp News</i> (October 28, 1996): 8.

XVI. Photographs and Artwork
C. Other
Year: 1932
Complete Citation:
“Charles Ives, A Photograph.” In: Modern Music, Vol. 10, No. 1 (1932): 25.
Source: Journal
XVI. Photographs and Artwork
A. Photographs
Year: 1954
Complete Citation:
Death Mask. Sculptrue, 1954. Danbury, CT: Danbury Museum and Historical Society (formerly Scott--Fanton Museum).
Source: Sculpture
Reprints:

In <i>A Charles Ives Omnibus</i>, by James Mack Burk and Michael J. Budds, 59. Hillsdale, New York: Pendragon Press, 2008.

XVI. Photographs and Artwork
B. Artwork
Year: 1973
Complete Citation:
“A Charles Ives Commemorative Postage Stamp?” American String Teacher, Vol. 23, Issue 4 (November 1973): 37.
Source: Journal
XVI. Photographs and Artwork
C. Other
Year: 1980
Complete Citation:
Neuland: Ansatze zur Musik der Gegenwart. Volume 1. Cologne, Germany: Herbert Henck, 1980.
Source: Journal
V. General Music Studies
B. Special Issue Journals
Year: 1996
Complete Citation:
“Linn's 1997 U. S. Stamp Program.” Linn's Stamp News (October 28, 1996): 34.
Source: Postage Stamp
XVI. Photographs and Artwork
C. Other
Year: 1997
Complete Citation:
- “1997 U. S. Stamp Program, Designs Revealed.” Linn's Stamp News (November 11, 1996): 8.
Source: Postage Stamp
XVI. Photographs and Artwork
C. Other
Year: 1997
Complete Citation:
Various drawings and sketches, 1997. United States Post Office, September 12, 1997.
Notes:

Designed for special first- day covers for the United States postage stamp.

Source: Sketches/Drawings
XVI. Photographs and Artwork
B. Artwork
Year: 1998
Complete Citation:
“United States Postal Service Issues Classical Composers and Con-ductors Stamps.” American Music Teacher 47/3 (1997 December/1998 January): 6-7.
Source: Postage Stamp
XVI. Photographs and Artwork
C. Other
Year: 2004
Complete Citation:
Various abstracts. Musik-Konzepte 123: Charles Ives (January 2004): 123-125.
Source: Chapter in Book
V. General Music Studies
B. Special Issue Journals