Image
Complete Citation:
Abraham, Gerald. The Concise Oxford History of Music, 824. London, United Kingdom: Oxford University Press, 1979.
Bibliography
Genres
Abraham, Gerald
Year: 1979
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Alexander, J. Heywood
Year: 2002
Complete Citation:
Alexander, J. Heywood. “Charles Ives.” In To stretch our ears: a documentary history of America's music. New York, NY: W.W. Norton, 2002.VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Anderson, Jack
Year: 1989
Complete Citation:
Anderson, Jack. “Small--Town America.” The New York Times, February 14, 1989, sec. C, 16.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Austin, William F.
Year: 1966
Complete Citation:
Austin, William F. Music in the Twentieth Century, from Debussy through Stravinsky. New York, New York: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Austin, William W.
Complete Citation:
Austin, William W. Music in the 20th Century, 57-61. New York, NY: W.W. Norton, 1966.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Baily, Dee
Year: 1978
Complete Citation:
Baily, Dee. “A Report on the American Musicological Society/Music Library Association Translations Center.” Notes 35/1 (1978): 57-60.Source: Journal
V. General Music Studies
C. Other
C. Other
Bässler, Hans
Year: 2010
Complete Citation:
Bässler, Hans. “Thema: Kein Geld - keine Musik. Einfach nur schnell: Musizierstück “Rapido.” Workshop Pop: “Komm, wir malen uns das Leben.” SMS short music stories: “Die GEMA” und "Charles Ives.”” Mainz, Germany: Schott, 2010.Source: Book
V. General Music Studies
C. Other
C. Other
Bemlef, J.
Year: 1974
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 232-238. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Bernstein, Martin and Martin Picker
Year: 1966
Complete Citation:
Bernstein, Martin and Martin Picker. “Contemporary American Music.” In An Introduction to Music, 525, 541-549. Third Edition. Englewood Cliffs, NJ: Prentice-Hall, 1966.Notes:
Section on Charles Ives
Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Brandstätterer, Ursula
Year: 1998
Complete Citation:
Ursula, Brandstätterer. “Sprechen über Musik… in Bildern.” Musik in der Schule 3 (May--June 1998): 114--118.Notes:
Regarding The Unanswered Question.
Source: Journal
V. General Music Studies
C. Other
C. Other
Brandt, Maarten
Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Brown, Marshall
Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Broyles, Michael
Year: 1998
Complete Citation:
Broyles, Michael. “Art Music from 1860 to 1920.” In The Cambridge His-tory of American Music, edited by David Nicholls, 244-249. Cambridge, United Kingdom: Cambridge University Press, 1998.Source: Chapter in Book
V. General Music Studies
C. Other
C. Other
Burbank, Richard
Year: 1984
Complete Citation:
Burbank, Richard. Twentieth Century Music. London, UK: Thomas and Hudson, 1984.Source: Book
V. General Music Studies
C. Other
C. Other
Burk, James M.
Year: 1973
Complete Citation:
See: James M. Burk. “From Our Readers.” Music Journal 31/10 (De-cember 1973): 38.Source: Postage Stamp
XVI. Photographs and Artwork
C. Other
C. Other
Burkholder, J. Peter
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Cameron, Catherine M.
Year: 1996
Complete Citation:
Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.Notes:
In a dis-cussion of Ives's life (p. 21-22) and works (p. 43-49), the author cites quo-tations from several other sources. Musical examples taken from <i>Three Places in New England</i>; Symphonies Nos. 1-4; <i>Concord Sonata</i>; and <i>Essays Before a Sonata. </i>
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Carpenter, Patricia
Year: 1967
Complete Citation:
Carpenter, Patricia. “The Musical Object.” Current Musicology, No. 5 (1967).Source: Journal
V. General Music Studies
C. Other
C. Other
Cazé, Antoine
Year: 2008
Complete Citation:
Cazé, Antoine. “Introduction.” Revue Française D'études Américaines, no. 117 (2008): 3-5.Source: Magazine
V. General Music Studies
C. Other
C. Other
Cazé, Antoine and Adam Marks
Year: 2008
Complete Citation:
Cazé, Antoine and Adam Marks. Les musiques savantes américaines: questions d’esthétique. Paris, France: Belin, 2008.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles