Image
Complete Citation:
Duke, Vernon [Vladimir Dukelsky]. Listen Here! A Critical Essay on Music Depreciation. New York, NY: Ivan Obolensky, 1963.
Bibliography
Genres
Duke, Vernon [Vladimir Dukelsky]
Year: 1963
Notes:
Gives numerous interesting and incisive remarks about various musical topics and com- posers; places Ives high in the overall picture of American music.
Source: Book
V. General Music Studies
C. Other
C. Other
Dunning, Jennifer
Year: 1985
Complete Citation:
Dunning, Jennifer. “Dance: Sokolow Group in a Suite Set to Ives.” The New York Times, December 15, 1985.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Eiseman, David
Year: 1975
Complete Citation:
Eiseman, David. “George Ives as Theorist: Some Unpublished Documents.” Perspectives of New Music 14, No. 1 (Fall-Winter 1975): 139-47.Source: Journal
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Emons, Hans
Year: 2017
Complete Citation:
Emons, Hans. Komplizenschaften: zur Beziehung zwischen Musik und Kunst in der amerikanischen Moderne. Berlin, Germany: Frank & Timme, Verlag für wissenschaftliche Literatur, 2017.Source: Book
V. General Music Studies
C. Other
C. Other
Epperson, Gordon
Year: 1967
Complete Citation:
Epperson, Gordon. The Musical Symbol, A Study of the Philosophic Theory of Music. New York, New York: Da Capo Press, 1986.Source: Book
V. General Music Studies
C. Other
C. Other
Ewen, David
Year: 1968
Complete Citation:
Ewen, David. The World of Twentieth-Century Music. Englewood Cliffs, NJ: Prentice-Hall, 1968.Source: Book
V. General Music Studies
C. Other
C. Other
Feder, Stuart
Year: 1981
Complete Citation:
Feder, Stuart. “Charles and George Ives: The Veneration of Boyhood.” The Annual of Psychoanalysis Vol. 9 (1981): 265-316.Source: Journal
Reprints:
Feder, Stuart. “Charles and George Ives: The Veneration of Boyhood.” In <i>Psychoanalytic Explorations in Music</i>, edited by Stuart Feder, Richard L. Karmel, and George H. Pollock. Volume 3 of <i>Applied Psychoanalysis Series</i>. Madison, CT: International Universities Press, 1990.
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Ferris, Jean
Year: 2010
Complete Citation:
Ferris, Jean. America’s Musical Landscape. Boston, MA: McGraw-Hill, 2010.Source: Book
V. General Music Studies
C. Other
C. Other
Friesen, Eric
Year: 2005
Complete Citation:
Friesen, Eric. “The artist as a child.” Queen’s Quarterly 112 (Fall 2005): 458-465.VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Garber, J. Ryan
Year: 1996
Complete Citation:
Garber, J. Ryan. “The Influence of George Ives on His Son Charles.” Clas-sical Music Pages Quarterly (June 1996).Notes:
<a target="_blank" href="http://www.ryangarber.com/ives.html">Available at http://www.ryangarber.com/ives.html. </a>
Source: Journal
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Gerstein, Mordecai
Year: 2002
Complete Citation:
Gerstein, Mordecai. What Charlie Heard. New York: Frances Foster, 2002.Source: Book
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Grover, Sharon, and Lizette D. Hannegan
Year: 2005
Complete Citation:
Grover, Sharon, and Lizette D. Hannegan. “What Charlie Heard.” Book Links 14, no. 5, 2005: 18.Source: Magazine
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Helm, Everett
Year: 1963
Complete Citation:
Helm, Everett. “Three Hits and a Miss.” Musical America 83/2 (February 1963): 52.Source: Journal
V. General Music Studies
C. Other
C. Other
Helms, Hans G., Stefan Fricke and Achim Huber
Year: 2016
Complete Citation:
Helms, Hans G., Stefan Fricke and Achim Huber. Konstruktionen: Texte zur Musik und Kunst, 1954-2010. Büdingen, Germany: Pfau, 2016.Source: Book
V. General Music Studies
C. Other
C. Other
Highet, Gilbert
Year: 1957
Complete Citation:
Highet, Gilbert. Talent and Geniuses: The Pleasures of Appreciation. New York, New York: Oxford University Press, 1957.Source: Book
V. General Music Studies
C. Other
C. Other
Hitchcock, H. Wiley
Year: 1975
Complete Citation:
Hitchcock, H. Wiley. “Sources for the Study of American Music.” American Studies International 14/2 (1975): 3-9.Source: Journal
V. General Music Studies
C. Other
C. Other
Hitchcock, H. Wiley, and Vivian Perlis, eds.
Year: 1977
Complete Citation:
Hitchcock, H. Wiley, and Vivian Perlis, eds. “Appendix 1: Essays by For-eign Participants.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 227-256. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
V. General Music Studies
C. Other
C. Other
Hodier, André
Year: 1961
Complete Citation:
Hodier, André. Since Debussy: A View of Contemporary Music, trans-lated from French by Noel Burch. New York, NY: Grove Press, 1961.Source: Book
V. General Music Studies
C. Other
C. Other
Hornsby, Bruce R.
Year: 1986
Complete Citation:
Hornsby, Bruce R. Every Little Kiss (1986); rock composition. Recording: RCA PCDI 5904 (CD 1986; cassette 1986; no notes) The Way It Is.Notes:
Bruce Hornsby, lead vocals, piano, accordian, synthe-sizer, hammered dulcimer; and the Range (David Mansfield, gui-tar, mandolin, violin; George Marinelli, electric and acoustic gui-tars, vocals; Joe Puerta, bass, vocals; John Molo, drums, percus-sion). Begins with excerpt from beginning of "The Alcotts" move- ment of the Concord Sonata. Neither Concord nor Ives is identi-fied on the recording.
Source: Rock Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Howard, John Tasker and James Lyons
Year: 1962
Complete Citation:
Howard, John Tasker and James Lyons. Modern music: a popular guide to greater musical enjoyment. New York, NY: New American Library, 1962.Source: Book
V. General Music Studies
C. Other
C. Other