Emons, Hans
Year: 2017
Complete Citation:
Emons, Hans. Komplizenschaften: zur Beziehung zwischen Musik und Kunst in der amerikanischen Moderne. Berlin, Germany: Frank & Timme, Verlag für wissenschaftliche Literatur, 2017.Source: Book
V. General Music Studies
C. Other
Epperson, Gordon
Year: 1967
Complete Citation:
Epperson, Gordon. The Musical Symbol, A Study of the Philosophic Theory of Music. New York, New York: Da Capo Press, 1986.Source: Book
V. General Music Studies
C. Other
Ewen, David
Year: 1949
Complete Citation:
Ewen, David. American Composers of Today: A Biographical and Cri-tical Guide, 130-132. New York, NY: H.W. Wilson Company, 1949.Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Year: 1954
Complete Citation:
Ewen, David. “Charles Ives." In Ewen's musical masterworks: the encyclopedia of musical masterpieces. New York: Bonanza Books, 1954.Source: Chapter in Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Year: 1968
Complete Citation:
Ewen, David. The World of Twentieth-Century Music. Englewood Cliffs, NJ: Prentice-Hall, 1968.Source: Book
V. General Music Studies
C. Other
Favre, Roger
Year: 1990
Complete Citation:
Favre, Roger. “Ives, Charles.” In Encyclopédie des grands maîtres de la musique. Paris, France: Hachette, 1990.Source: Chapter in Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Ferris, Jean
Year: 2010
Complete Citation:
Ferris, Jean. America’s Musical Landscape. Boston, MA: McGraw-Hill, 2010.Source: Book
V. General Music Studies
C. Other
Gorlinski, Gini
Year: 2010
Complete Citation:
Gorlinski, Gini. “Charles Ives.” In The 100 most influential musicians of all time. New York, NY: Britannica Educational Publishing, 2010.Source: Book
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Helm, Everett
Year: 1963
Complete Citation:
Helm, Everett. “Three Hits and a Miss.” Musical America 83/2 (February 1963): 52.Source: Journal
V. General Music Studies
C. Other
Helms, Hans G., Stefan Fricke and Achim Huber
Year: 2016
Complete Citation:
Helms, Hans G., Stefan Fricke and Achim Huber. Konstruktionen: Texte zur Musik und Kunst, 1954-2010. Büdingen, Germany: Pfau, 2016.Source: Book
V. General Music Studies
C. Other
Highet, Gilbert
Year: 1957
Complete Citation:
Highet, Gilbert. Talent and Geniuses: The Pleasures of Appreciation. New York, New York: Oxford University Press, 1957.Source: Book
V. General Music Studies
C. Other
Hitchcock, H. Wiley
Year: 1975
Complete Citation:
Hitchcock, H. Wiley. “Sources for the Study of American Music.” American Studies International 14/2 (1975): 3-9.Source: Journal
V. General Music Studies
C. Other
Hitchcock, H. Wiley, and Vivian Perlis, eds.
Year: 1977
Complete Citation:
Hitchcock, H. Wiley, and Vivian Perlis, eds. “Appendix 1: Essays by For-eign Participants.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 227-256. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
V. General Music Studies
C. Other
Hodier, André
Year: 1961
Complete Citation:
Hodier, André. Since Debussy: A View of Contemporary Music, trans-lated from French by Noel Burch. New York, NY: Grove Press, 1961.Source: Book
V. General Music Studies
C. Other
Honegger, Marc
Year: 1970
Complete Citation:
Honegger, Marc. Dictionaire de la musique, 529. Volume 1. Paris, France: Bordas, 1970.Notes: A general survey citing major published scores and some bibliographic items. Indicates that the European premieres of selections from Ives's 114 Songs were given in Paris (1931) and Berlin (1932).
Source: Encyclopedia article
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Hornsby, Bruce R.
Year: 1986
Complete Citation:
Hornsby, Bruce R. Every Little Kiss (1986); rock composition. Recording: RCA PCDI 5904 (CD 1986; cassette 1986; no notes) The Way It Is.Notes: Bruce Hornsby, lead vocals, piano, accordian, synthe-sizer, hammered dulcimer; and the Range (David Mansfield, gui-tar, mandolin, violin; George Marinelli, electric and acoustic gui-tars, vocals; Joe Puerta, bass, vocals; John Molo, drums, percus-sion). Begins with excerpt from beginning of "The Alcotts" move- ment of the Concord Sonata. Neither Concord nor Ives is identi-fied on the recording.
Source: Rock Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Howard, John Tasker
Year: 1939
Complete Citation:
Howard, John Tasker. “Ives, Charles Edward.” The International Cyclo-pedia of Music and Musicians, edited by Oscar Thompson, 885. New York, NY: Dodd, Mead, & Co., 1939.Notes: Approximately a half--column.
Source: Chapter in Book
Reprints: New, Revised and Enlarged (i.e., Second) Edition, 1943; Third Edition, 1944 (Same as First Edition).<br>Fourth through Eighth Editions, edited by Nicolas Slonimsky, 1946, 1949, 1952, 1956, 1958. Article written by Nicolas Slonimsky; a column and a half on page 885 of each edition.<br>Ninth Edition, edited by Robert Sabin, 1964: 1049--1050.<br>Tenth Edition, edited by Bruce Bohle, 1979: 1087-1091. Article<br>written by Frank Peters.
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Howard, John Tasker and James Lyons
Year: 1962
Complete Citation:
Howard, John Tasker and James Lyons. Modern music: a popular guide to greater musical enjoyment. New York, NY: New American Library, 1962.Source: Book
V. General Music Studies
C. Other
Keats, Sheila
Year: 1954
Complete Citation:
Keats, Sheila. “Reference Articles on American Composers: An Index.” Juilliard Review 1 (Fall 1954): 28-29.Source: Journal
VII. Entries in Larger Volumes
B. Encyclopedia Entries
Kerner, Leighton
Year: 1995
Complete Citation:
Kerner, Leighton. “Brave New World.” Village Voice 40. June 6, 1995: 72.Notes: Regarding The Unanswered Question.
Source: Newspaper
V. General Music Studies
C. Other