Image
Complete Citation:
Reichert, Linda. “Charles Ives and quarter-tone music: a transcription of "Three Quarter-tone Pieces for Two Pianos.” D.M.A. Thesis, Temple University, 1996.
Bibliography
Genres
Reichert, Linda
Year: 1996
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Reitz, Howard D.
Year: 1969
Complete Citation:
Reitz, Howard D. “Performance-related research document no. 1.” D.M.A. research project, University of Colorado, 1969.Source: D.M.A. Research Project
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Reny, Bob
Year: 2015
Complete Citation:
Reny, Bob. “Between the Ears: DoAM Ensemble - “Mists: Charles Ives For Jazz Orchestra.”” IAJRC Journal, Vol. 48, No. 2 (2015): 70-71.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Reti, Rudolph
Year: 1962
Complete Citation:
Reti, Rudolph. Tonality in Modern Music. New York, NY: Collier Books, 1962.Source: Book
V. General Music Studies
C. Other
C. Other
Riedel, Johannes
Year: 1975-76
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Common Man.” Student Musicologists at Minnesota 6 (1975-76): 225-236.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Riedel, Johannes, complier
Year: 1970
Complete Citation:
Johannes Riedel, compiler. The Ives Liturgy: A Mass of the Common Man (1970); service for reader, flute, brass group, instrumental group, and recordings. Compiled, and/or "created," from the writings and com-positions of Ives and American hymns.Notes:
Included (in order, an asterisk signifies recorded example) excerpts from: *Variations on "America"; *Sonata No. 2, Concord, Mass., 1840--1860, for piano; “Watchman,TellUs of the Night;"*Hymn Variation—Symphony No. 4: 1; Immortality (as an introit); *The Unanswered Question; *Robert Browning Overture; *Symphony No. 4, 1; "Watch- man, Tell Us of the Night;" At the River, "Shall We Gather At the River"; *Central Park in the Dart, "From Greenland's Icy Mountains;" *Quartet No. 1: I; Musical Creed (a memo by Ives); "O, For a Thousand Tongues to Sing"; "What a Friend We Have in Jesus"; *Symphony No. 3: 1; *From the Steeples and the Mountains', Adeste Fidelis in an Organ Prelude. <br><br>Prf: 1970 May 17: Minneapolis; Episcopal Center, University of Minnesota; Sheila Wolk, soprano; Phillip Sandahl, guitar; Lyle Hagert, organ.
Source: Performance
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Rinehart, John McLain
Year: 1970
Complete Citation:
Rinehart, John McLain. “Ives’ Compositional Idioms: An Investigation of Selected Short Compositions as Microcosms of His Musical Language.” Ph.D. diss., Ohio State University, 1970.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Robinson, Bradley Craig
Year: 1999
Complete Citation:
Robinson, Bradley Craig. “A study of Charles Ives's use of self-borrowing in the composition of selected songs for solo voice and piano.” D.M.A. diss., University of Illinois at Urbana-Champaign, 1999.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Robison, Richard William
Year: 1969
Complete Citation:
Robison, Richard William. “Reading contemporary choral literature : an analytical study of selected contemporary choral compositions with recommendations for the improvement of choral reading skills.” Ph.D. diss., Brigham Young University, 1969.VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Roeder, Matthew James
Year: 2005
Complete Citation:
Roeder, Matthew James. “Select ragtime music of Scott Joplin, Charles Ives, and Igor Stravinsky: a set of analyses.” D.M.A. Thesis, University of Colorado, 2005.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Roller, Jonathan Brian
Year: 1995
Complete Citation:
Roller, Jonathan Brian. “An analysis of selected movements from the symphonies of Charles Ives using linear and set theoretical analytical models.” Ph.D. diss., University of Kentucky, 1995.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Rosenfeld, Paul
Year: 1929
Complete Citation:
Rosenfeld, Paul. An Hour with American Music. Philadelphia, PA: J.B. Lippincott, 1929.Source: Book
V. General Music Studies
C. Other
C. Other
Rosenfeld, Paul, ed. Herbert A. Leibowitz
Year: 1969
Complete Citation:
Rosenfeld, Paul, ed. Herbert A. Leibowitz. Musical Impressions. New York, New York: Hill & Wang, 1969.Source: Book
V. General Music Studies
C. Other
C. Other
Rossiter, Frank R.
Year: 1970
Complete Citation:
Rossiter, Frank R. “Charles Ives and American Culture: The Process of Development, 1874-1921.” Ph.D. diss., Princeton University, 1970.Source: Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Rothstein, Evan
Year: 2001
Complete Citation:
Rothstein, Evan. “‘What Its Signs of Promise Are’: The tradition of developing variation and the problem of “folkloristic” music in Ives’s First violin sonata. D. Mus. thesis, Indiana University, 2001.Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Ruhleder, Kathleen
Year: 2012
Complete Citation:
Ruhleder, Kathleen. “Art Songs of Charles Ives Accessible to Beginning Singers.” D.M.A. diss., Arizona State University, 2012.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Rycenga, Joanne
Year: 1992
Complete Citation:
Rycenga, Jennifer Joanne. “The Composer as a Religious Person in the Context of Pluralism.” Ph.D. diss., Graduate Theological Union, 1992.Notes:
Compares Ives’s Transcendentalist philosophy with his compositional materials.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Sadoff, Ronald
Year: 1986
Complete Citation:
Sadoff, Ronald. “The Solo Piano Music of Charles Ives: A Performance Guide.” Ph.D. diss., New York University, 1986.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Sahr, Hadassah Gallup
Year: 1969
Complete Citation:
Sahr, Hadassah Gallup. “Performance and analytic study of selected piano music by American composers.” Ed.D. diss., Columbia University, 1969.Source: Ed. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Salazar, Adolfo
Year: 1946
Complete Citation:
Salazar, Adolfo. Music of Our Times: Trends in Music since the Roman-tic Era. Translated from Spanish by Isabel Pope. New York, NY: W.W. Norton, 1946.Source: Book
V. General Music Studies
C. Other
C. Other