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Bibliography

Massey, Drew

Year: 2013
Complete Citation:
Massey, Drew. John Kirkpatrick, American music, and the printed page. Rochester, NY: University of Rochester Press, 2013.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Nielsen, Gert Skipper and Jytte Stjerne Pedersen

Year: 1987
Complete Citation:
Nielsen, Gert Skipper and Jytte Stjerne Pedersen. Charles Ives: tanker og musik. Unlisted publisher, 1987.
Source: Book
V. General Music Studies
C. Other

Northcott, Bayan

Year: 1973
Complete Citation:
Northcott, Bayan. “Sorting the Potatoes.” Music & Musicians 21/28 (April 1973): 48-49.
Source: Journal
V. General Music Studies
C. Other

Perlis, Vivian

Complete Citation:
Perlis, Vivian. “‘Monumenta Americana’ Revisited.” In A Celebration of American Music: Words and Music in Honor of H. Wiley Hitchcock, 439-448. Edited by Richard Crawford, R. Allen Lott, and Carol J. Oja. Ann Arbor: Univer-sity of Michigan Press, 1990.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Phillips, Burrill

Year: 1951
Complete Citation:
Phillips, Burrill. “Symphony No. 2 for Large Orchestra. New York: Southern Music Publishing Co., 1951.” Notes 9, no. 3 (June 1952): 499-500.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Pollikoff, Max

Year: 1963
Complete Citation:
Pollikoff, Max. “Music in Our Time.” Music Journal 21/5 (May 1963): 27, 34.
Notes:

Includes a photocopy of an article, “Composer Ives Misses Debut,” from Fairfield (CT) <i>Sunday Herald</i> (October 1, 1950).

Source: Journal
V. General Music Studies
C. Other

Ransom, John Crowe and Glenn Horowitz

Year: 1955
Complete Citation:
Ransom, John Crowe and Glenn Horowitz. “The Music of Charles Ives (a communication).” The Kenyon Review Vol. 17, No. 3 (Summer, 1955).
Source: Journal
V. General Music Studies
C. Other

Rathert, Wolfgang

Year: 1989
Complete Citation:
Rathert, Wolfgang. “The Unanswered Questions of the Ives Edition,” translated by James Lum. Musical Quarterly 73 (1989): 575-584.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1989
Complete Citation:
Rathert, Wolfgang. “The Unanswered Questions of the Ives Edition.” Musical Quarterly 73 (1989): 575-584.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1993
Complete Citation:
Rathert, Wolfgang. “Werk und Text bei Charles Ives.” In Musik als Text. Bericht über den Internationalen Kongreß der Gesellschaft für Musikforschung. Freiburg im Breisgau 1993, Vol. 1, edited by Hermann Danuser and Tobias Plebuch, 281-286. Kassel, Germany: 281-286.
Source: Conference Proceedings Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Reis, Claire Raphel

Year: 1955
Complete Citation:
Reis, Claire Raphel Reis. Composers, Conductors, and Critics. New York, NY: Oxford University Press, 1955.
Source: Journal
V. General Music Studies
C. Other

Reny, Bob

Year: 2015
Complete Citation:
Reny, Bob. “Between the Ears: DoAM Ensemble - “Mists: Charles Ives For Jazz Orchestra.”” IAJRC Journal, Vol. 48, No. 2 (2015): 70-71.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Reti, Rudolph

Year: 1962
Complete Citation:
Reti, Rudolph. Tonality in Modern Music. New York, NY: Collier Books, 1962.
Source: Book
V. General Music Studies
C. Other

Riedel, Johannes

Year: 1975-76
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Common Man.” Student Musicologists at Minnesota 6 (1975-76): 225-236.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Riedel, Johannes, complier

Year: 1970
Complete Citation:
Johannes Riedel, compiler. The Ives Liturgy: A Mass of the Common Man (1970); service for reader, flute, brass group, instrumental group, and recordings. Compiled, and/or "created," from the writings and com-positions of Ives and American hymns.
Notes:

Included (in order, an asterisk signifies recorded example) excerpts from: *Variations on "America"; *Sonata No. 2, Concord, Mass., 1840--1860, for piano; “Watchman,TellUs of the Night;"*Hymn Variation—Symphony No. 4: 1; Immortality (as an introit); *The Unanswered Question; *Robert Browning Overture; *Symphony No. 4, 1; "Watch- man, Tell Us of the Night;" At the River, "Shall We Gather At the River"; *Central Park in the Dart, "From Greenland's Icy Mountains;" *Quartet No. 1: I; Musical Creed (a memo by Ives); "O, For a Thousand Tongues to Sing"; "What a Friend We Have in Jesus"; *Symphony No. 3: 1; *From the Steeples and the Mountains', Adeste Fidelis in an Organ Prelude. <br><br>Prf: 1970 May 17: Minneapolis; Episcopal Center, University of Minnesota; Sheila Wolk, soprano; Phillip Sandahl, guitar; Lyle Hagert, organ.

Source: Performance
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Ring, Gordon

Year: 1991
Complete Citation:
Gordon, Ring. “Variations on ‘America'—A Comparison of Three Versions.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Rosenfeld, Paul

Year: 1929
Complete Citation:
Rosenfeld, Paul. An Hour with American Music. Philadelphia, PA: J.B. Lippincott, 1929.
Source: Book
V. General Music Studies
C. Other

Rosenfeld, Paul, ed. Herbert A. Leibowitz

Year: 1969
Complete Citation:
Rosenfeld, Paul, ed. Herbert A. Leibowitz. Musical Impressions. New York, New York: Hill & Wang, 1969.
Source: Book
V. General Music Studies
C. Other

Salazar, Adolfo

Year: 1946
Complete Citation:
Salazar, Adolfo. Music of Our Times: Trends in Music since the Roman-tic Era. Translated from Spanish by Isabel Pope. New York, NY: W.W. Norton, 1946.
Source: Book
V. General Music Studies
C. Other

Saminsky, Lazare

Year: 1939
Complete Citation:
Saminsky, Lazare. Music of Our Day: Essentials and Prophecies. New York, New York: Thomas Y. Crowell, 1939.
Source: Book
Reprints:

Saminsky, Lazare. <i>Music of Our Day: Essentials and Prophecies</i>, 151, 166, 167, 170, 173-75. Freeport, NY: Books for Libraries Press, 1970.

V. General Music Studies
C. Other