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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Pérez Adrián, Enrique

Year: 2009
Complete Citation:
Pérez Adrián, Enrique. “Discos: Lenny en su salsa.” Scherzo: Revista de Música, Vol. 24, (2009): 70-71.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Pincus, Andrew

Year: 1985
Complete Citation:
Pincus, Andrew. "Nationalism in Music Recognizes No Boundaries.” The New York Times, October 20, 1985, sec. 2, 23.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Pollikoff, Max

Year: 1963
Complete Citation:
Pollikoff, Max. “Music in Our Time.” Music Journal 21/5 (May 1963): 27, 34.
Notes:

Includes a photocopy of an article, “Composer Ives Misses Debut,” from Fairfield (CT) <i>Sunday Herald</i> (October 1, 1950).

Source: Journal
V. General Music Studies
C. Other

Poole, Elissa

Year: 2005
Complete Citation:
Poole, Elissa. “New Releases Classical.(A Song -- for Anything: Songs by Charles Ives).” Globe & Mail, October 7, 2005, R34.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
Poole, Elissa. “Classical - Charles Ives: String Quartets.” Globe & Mail. February 27, 2007, R3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2008
Complete Citation:
Poole, Elissa. “CLASSICAL: “Songs by Charles Ives” by Gerald Finley and Julius Drake.” Globe & Mail, April 22, 2008, R3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Quinn, Ian

Year: 2005
Complete Citation:
Quinn, Ian. “Guide to Records: Harbison - Symphony 3, Ives - Symphony 2, Gershwin - “Cuban Overture.”” American Record Guide, Vol. 68, No. 4 (2005): 126-127.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Rankin, Bill

Year: 2003
Complete Citation:
Rankin, Bill. “Disc shows Two Sides of Musical Freethinker: Final Edition.” Edmonton Journal, May 18, 2003.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Ransom, John Crowe and Glenn Horowitz

Year: 1955
Complete Citation:
Ransom, John Crowe and Glenn Horowitz. “The Music of Charles Ives (a communication).” The Kenyon Review Vol. 17, No. 3 (Summer, 1955).
Source: Journal
V. General Music Studies
C. Other

Reel, James

Year: 1993
Complete Citation:
Reel, James. “CD Offers Exquisite Takes on Ives, Barber Works.” The Arizona Daily Star, February 26, 1993.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1999
Complete Citation:
Reel, James. “A Trio of Duos: the Gemini Piano Trio.” Fanfare: The Magazine for Serious Record Collectors, Vol. 22, No. 4 (1999): 128-131.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2005
Complete Citation:
Reel, James. “Collections: Choral - “Heaven To Earth.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 28, No. 3 (2005): 237-238.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2007
Complete Citation:
Reel, James. “Reviews: On Record: “A Century of American Music.”” Strings, Vol. 21, No. 9 (2007): 89.
Source: Magazine (recording review)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Reis, Claire Raphel

Year: 1955
Complete Citation:
Reis, Claire Raphel Reis. Composers, Conductors, and Critics. New York, NY: Oxford University Press, 1955.
Source: Journal
V. General Music Studies
C. Other

Reny, Bob

Year: 2015
Complete Citation:
Reny, Bob. “Between the Ears: DoAM Ensemble - “Mists: Charles Ives For Jazz Orchestra.”” IAJRC Journal, Vol. 48, No. 2 (2015): 70-71.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Reti, Rudolph

Year: 1962
Complete Citation:
Reti, Rudolph. Tonality in Modern Music. New York, NY: Collier Books, 1962.
Source: Book
V. General Music Studies
C. Other

Rich, Alan

Year: 1968
Complete Citation:
Rich, Alan. “The Ives Canon.” Saturday Review 51/17, 27 April 1968, 75, 80.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Riedel, Johannes

Year: 1975-76
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Common Man.” Student Musicologists at Minnesota 6 (1975-76): 225-236.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Riedel, Johannes, complier

Year: 1970
Complete Citation:
Johannes Riedel, compiler. The Ives Liturgy: A Mass of the Common Man (1970); service for reader, flute, brass group, instrumental group, and recordings. Compiled, and/or "created," from the writings and com-positions of Ives and American hymns.
Notes:

Included (in order, an asterisk signifies recorded example) excerpts from: *Variations on "America"; *Sonata No. 2, Concord, Mass., 1840--1860, for piano; “Watchman,TellUs of the Night;"*Hymn Variation—Symphony No. 4: 1; Immortality (as an introit); *The Unanswered Question; *Robert Browning Overture; *Symphony No. 4, 1; "Watch- man, Tell Us of the Night;" At the River, "Shall We Gather At the River"; *Central Park in the Dart, "From Greenland's Icy Mountains;" *Quartet No. 1: I; Musical Creed (a memo by Ives); "O, For a Thousand Tongues to Sing"; "What a Friend We Have in Jesus"; *Symphony No. 3: 1; *From the Steeples and the Mountains', Adeste Fidelis in an Organ Prelude. <br><br>Prf: 1970 May 17: Minneapolis; Episcopal Center, University of Minnesota; Sheila Wolk, soprano; Phillip Sandahl, guitar; Lyle Hagert, organ.

Source: Performance
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Riis, T. L.

Year: 2006
Complete Citation:
Riis, T. L. “Charles Ives, Violin Sonatas Nos. 1-4.” American Music, Vol. 24, No. 2 (2006): 249-250.
Source: Journal (edition/recording review?)
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews