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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Wulfert, Eric J.

Year: 1966
Complete Citation:
Wulfert, Eric J. “Letters to the Recordings Editor: Columbia Cut- Outs.” Saturday Review 49/18 (April 30, 1966): 75.
Notes:

Regarding the fact that several Columbia recordings are unavailable, especially Ives’s Sonata No. 1 for piano and Sonata No. 2, “Concord, Mass., 1840--1860” for piano.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Yates, Frances A.

Year: 1966
Complete Citation:
Yates, Frances A. The Art of Memory. Chicago, Illinois: The University of Chicago Press, 1974.
Source: Chapter in Book
V. General Music Studies
C. Other

Yellin, Victor Fell

Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of the First Recording of The Celestial Country, by Charles Ives.” The Musical Quarterly 60, No. 3 (July 1974): 500-508.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of The Celestial Country.” Musical Quarterly 60/3 (July 1974): 500-508.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

no author listed

Complete Citation:
Moore, Douglas B. “For an Ives Stamp.” High Fidelity 24/2 (February 1974): 8.
Source: Postage Stamp
Reprints:

Letter to the Editor encouraging readers to write to United States Postal Service in support of issuing a commemorative Charles Ives stamp in the American Art Series. Announcements: Baadke, Michael. “Classical Musicians in ’97.” <i>Linn's Stamp News</i> (October 28, 1996): 8.

XVI. Photographs and Artwork
C. Other
Complete Citation:
“Latest in low-cost records: From time to time, the editors report on the best among the new records you can buy at budget prices.” Changing Times, Vol. 21, Iss. 11 (November 1967): 19.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1931
Complete Citation:
“The Genius of American Original Production.” The Phonograph Monthly Review (July 1931).
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1935
Complete Citation:
“Phono Review.” Boston Evening Transcript. October 29, 1935, 37-38.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1938
Complete Citation:
“June Records.” Time XXXII, 1 (July 4, 1938): 20.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1940
Complete Citation:
“Sharps and Flats.” Los Angeles Times, September 22, 1940, C5.
Source: Newspaper
V. General Music Studies
C. Other
Year: 1940, 1941
Complete Citation:
“Prologue.” Twice a Year (1940 Fall-Winter, 1941 Spring-Summer) Double Issue: 5-6: 344-348.
Notes:

Includes excerpt of Essays Before a Sonata. Gives date of <i>Essays </i>incor-rectly as “1916.”

Source: Journal
V. General Music Studies
C. Other
Year: 1946
Complete Citation:
“Neglected Works: A Symposium.” Modern Music XXIII, 1 (Winter 1946): 6-7.
Source: Journal
V. General Music Studies
C. Other
Year: 1948
Complete Citation:
“Milestone in American Music is Recording of Ives’ Sonata.” The Austin American, 1948, 7B.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1953
Complete Citation:
“Features: Charles Ives Recordings.” Vogue 121 (1953): 55.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1955
Complete Citation:
“Notes of the Day.” Monthly Musical Record 85 (July-August 1955): 141-144.
Source: Journal
V. General Music Studies
C. Other
Year: 1957
Complete Citation:
“New LP Releases are Planned: Works of Charles Ives, Liszt Organ Works and Standard Fare.” The New York Times, November 24, 1957, 143.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1957
Complete Citation:
“Reviews of Records.” The Musical Quarterly, Vol. 43, Issue 3 (July 1957): 416.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1961
Complete Citation:
“Orchestra to Spotlight Mahler, Ives Works.” Louisville Times (No-vember 4, 1961): 8.
Notes:

Mentions a performance of Ives's "Decoration Day" in New York.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1966
Complete Citation:
“New Records: A Masterpiece by Charles Ives.” The Sun, January 2, 1966, 81.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1969
Complete Citation:
“Letters to the Editor.” Instrumentalist 23/10 (May 1969): 18.
Notes:

Regarding the band arrangement by William E. Rhoads.

Source: Journal
V. General Music Studies
C. Other