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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Copland, Aaron

Year: 1972
Complete Citation:
Copland, Aaron. Music and Imagination. Cambridge, MA: Harvard University Press, 1972.
Source: Book
V. General Music Studies
C. Other

Cowell, Henry

Year: 1955
Complete Citation:
Cowell, Henry. “Ivesiana.” Musical Quarterly 41/1 (January 1955): 85-89.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Crawford, John C. and Dorothy L. Crawford

Year: 1993
Complete Citation:
Crawford, John C. and Dorothy L. Crawford. Charles Ives. In Expressionism in Twentieth-Century Music. Bloomington, IN: Indiana University Press, 1993.
Source: Chapter in Book
V. General Music Studies
C. Other

Currier, Ruth

Complete Citation:
Ruth Currier, choreographer. Phantasmagoriad; Jose Limon Dance Com-pany.

Music: Song for Harvest Season; From the Steeples and the Mountains.
Notes:

Music: Song for Harvest Season; From the Steeples and the Mountains.

Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Davis, Francis

Year: 1987
Complete Citation:
Davis, Francis. “Jazz Quartet’s New Work Owes a Debt to Charles Ives.” The Philadelphia Inquirer, October 10, 1987.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Dubal, David

Year: 2001
Complete Citation:
Dubal, David. The essential canon of classical music. New York, NY: North Point Press, 2001.
Source: Book
V. General Music Studies
C. Other

Duke, Vernon [Vladimir Dukelsky]

Year: 1963
Complete Citation:
Duke, Vernon [Vladimir Dukelsky]. Listen Here! A Critical Essay on Music Depreciation. New York, NY: Ivan Obolensky, 1963.
Notes:

Gives numerous interesting and incisive remarks about various musical topics and com- posers; places Ives high in the overall picture of American music.

Source: Book
V. General Music Studies
C. Other

Dunning, Jennifer

Year: 1985
Complete Citation:
Dunning, Jennifer. “Dance: Sokolow Group in a Suite Set to Ives.” The New York Times, December 15, 1985.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1998
Complete Citation:
Dunning, Jennifer. “Venturing out to the Limits of Partnering.” The New York Times, 13 June 1998, sec. B: 7.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2000
Complete Citation:
Dunning, Jennifer. “A Serving of American, Garnished with Russian.” The New York Times, February 4, 2000, sec. E, 17.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 2001
Complete Citation:
Dunning, Jennifer. “Care to Try the Special? It’s Beefcake.” The New York Times, March 29, 2001, sec. E, 9.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Emons, Hans

Year: 2017
Complete Citation:
Emons, Hans. Komplizenschaften: zur Beziehung zwischen Musik und Kunst in der amerikanischen Moderne. Berlin, Germany: Frank & Timme, Verlag für wissenschaftliche Literatur, 2017.
Source: Book
V. General Music Studies
C. Other

Epperson, Gordon

Year: 1967
Complete Citation:
Epperson, Gordon. The Musical Symbol, A Study of the Philosophic Theory of Music. New York, New York: Da Capo Press, 1986.
Source: Book
V. General Music Studies
C. Other

Ewen, David

Year: 1968
Complete Citation:
Ewen, David. The World of Twentieth-Century Music. Englewood Cliffs, NJ: Prentice-Hall, 1968.
Source: Book
V. General Music Studies
C. Other

Feld, Eliot, choreographer

Year: 1988
Complete Citation:
Eliot Feld, choreographer. The Unanswered Question (1988); New York City Ballet. Music: The Unanswered Question; Calcium Light Night; Fugue in Four Keys; "The Housatonic at Stockbridge" from Orchestral Set No. 1 [Three Places in New England]; Sonata No. 2 for violin and piano (2nd movement): "In the Barn;" Remembrance; An Old Song De-ranged.

Prf: 1988 April 30: New York; Paul Zukovsky, violin; Jeananne Albee, piano. 1999 June 17: New York; New York State Theater; Guillermo Figueroa, violin; Cameron Grant, piano.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Ferris, Jean

Year: 2010
Complete Citation:
Ferris, Jean. America’s Musical Landscape. Boston, MA: McGraw-Hill, 2010.
Source: Book
V. General Music Studies
C. Other

Field, Eliot, choreographer

Year: 1977
Complete Citation:
Eliot Feld, choreographer. Variations on "America"-, (1977); ballet; New York City Ballet.
Prf: 1977 March 9: New York; City Center. 2003 March 11: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Fisher, Barbara Milberg

Year: 2005
Complete Citation:
Fisher, Barbara Milberg. “Rehearsing with Mr. B: Stravinsky, Schoenberg, Ives.” Dance Chronicle 28/3 (2005): 293-322.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Helm, Everett

Year: 1963
Complete Citation:
Helm, Everett. “Three Hits and a Miss.” Musical America 83/2 (February 1963): 52.
Source: Journal
V. General Music Studies
C. Other

Helms, Hans G., Stefan Fricke and Achim Huber

Year: 2016
Complete Citation:
Helms, Hans G., Stefan Fricke and Achim Huber. Konstruktionen: Texte zur Musik und Kunst, 1954-2010. Büdingen, Germany: Pfau, 2016.
Source: Book
V. General Music Studies
C. Other