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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Cowell, Henry Dixon

Year: 1955
Complete Citation:
Cowell, Henry Dixon. “New York.” The Musical Quarter-ly 41/1 (January 1955): 85--89.
Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Cowell, Sidney

Year: 1974
Complete Citation:
Cowell, Sidney. “Ivesiana: ‘More than Something Just Usual.’” High Fidelity and Musical America, (October 1974): MA-14-MA-16.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Crawford, John C. and Dorothy L. Crawford

Year: 1993
Complete Citation:
Crawford, John C. and Dorothy L. Crawford. Charles Ives. In Expressionism in Twentieth-Century Music. Bloomington, IN: Indiana University Press, 1993.
Source: Chapter in Book
V. General Music Studies
C. Other

Croce, Arlene

Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: Free and More Than Equal.” The New Yorker 51/1 (February 24, 1975): 120--122.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1975
Complete Citation:
Croce, Arlene. “Dancing: American Space.” The New Yorker 51/13 (May 19, 1975).
Notes:

Details the dances. “The piece is one of those on an American subject in which Balan- chine becomes completely an American choreographer —not the Stravinsky-Balanchine, or the Balanchine of ‘Western Symphony’ or ‘Stars and Stripes,’ who ex- presses America from a European point of view, but a Balanchine who sees us at the same distance from which we see Ourselves.”

Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Davis, Francis

Year: 1987
Complete Citation:
Davis, Francis. “Jazz Quartet’s New Work Owes a Debt to Charles Ives.” The Philadelphia Inquirer, October 10, 1987.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Denby, Edwin

Year: 1954
Complete Citation:
Reviews: Edwin Denby. "Balanchine's American Ballet [Ivesiana]." Center 1 (October 1954): 14--18.
Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Dingle, Christopher

Year: 2013
Complete Citation:
Dingle, Christopher. “DVD and Blu-Ray Review: From the New World.” BBC Music Magazine, Vol. 22, No. 2 (2013): 104.
Source: Magazine
XV. Television Broadcasts, Films, and Videocassettes
D. Reviews

Dubal, David

Year: 2001
Complete Citation:
Dubal, David. The essential canon of classical music. New York, NY: North Point Press, 2001.
Source: Book
V. General Music Studies
C. Other

Duke, Vernon [Vladimir Dukelsky]

Year: 1963
Complete Citation:
Duke, Vernon [Vladimir Dukelsky]. Listen Here! A Critical Essay on Music Depreciation. New York, NY: Ivan Obolensky, 1963.
Notes:

Gives numerous interesting and incisive remarks about various musical topics and com- posers; places Ives high in the overall picture of American music.

Source: Book
V. General Music Studies
C. Other

Dunning, Jennifer

Year: 1983
Complete Citation:
Dunning, Jennifer. “Dance: ‘Calcium Light’ Performed by City Ballet.” The New York Times, June 26, 1983, 45.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1985
Complete Citation:
Dunning, Jennifer. “Dance: Sokolow Group in a Suite Set to Ives.” The New York Times, December 15, 1985.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1992
Complete Citation:
Dunning, Jennifer. “Extracting the Essence of Charles Ives.” The New York Times, February 8, 1992, 16.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1998
Complete Citation:
Dunning, Jennifer. “Dance Review; Venturing out to the Limits of Partnering.” The New York Times. June 13, 1998, sec. B: 7.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 2000
Complete Citation:
Dunning, Jennifer. “A Serving of Americana Gar-nished with Russian.” The New York Times (February 4, 2000) sec. E, 17.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Eberson, Sharon

Year: 2013
Complete Citation:
Eberson, Sharon. “Hoops and Harmony City's ‘Charles Ives Take Me Home’ Pits Musical Father Against Athletic Daughter.” Pittsburgh Post-Gazett, November 14, 2013.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Emons, Hans

Year: 2017
Complete Citation:
Emons, Hans. Komplizenschaften: zur Beziehung zwischen Musik und Kunst in der amerikanischen Moderne. Berlin, Germany: Frank & Timme, Verlag für wissenschaftliche Literatur, 2017.
Source: Book
V. General Music Studies
C. Other

Epperson, Gordon

Year: 1967
Complete Citation:
Epperson, Gordon. The Musical Symbol, A Study of the Philosophic Theory of Music. New York, New York: Da Capo Press, 1986.
Source: Book
V. General Music Studies
C. Other

Ewen, David

Year: 1968
Complete Citation:
Ewen, David. The World of Twentieth-Century Music. Englewood Cliffs, NJ: Prentice-Hall, 1968.
Source: Book
V. General Music Studies
C. Other

Ferris, Jean

Year: 2010
Complete Citation:
Ferris, Jean. America’s Musical Landscape. Boston, MA: McGraw-Hill, 2010.
Source: Book
V. General Music Studies
C. Other