Image
Complete Citation:
Martin, Michael Rheta. The Arts: A Guide to Painting, Sculpture, Archi-tecture, Music and Theater. Indianapolis, IN: Bobbs--Merrill, 1965.
Bibliography
Genres
Martin, Michael Rheta
Year: 1965
Notes:
A para-graph with a sketch by Leo R. Summers (after a photograph by Frank Gerratana).
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
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C. Other
McDonagh, Don
Year: 1968
Complete Citation:
McDonagh, Don. “City Ballet Dances Balanchine Works.” The New York Times, January 10, 1968, 51.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Nielsen, Gert Skipper and Jytte Stjerne Pedersen
Year: 1987
Complete Citation:
Nielsen, Gert Skipper and Jytte Stjerne Pedersen. Charles Ives: tanker og musik. Unlisted publisher, 1987.Source: Book
V. General Music Studies
C. Other
C. Other
Northcott, Bayan
Year: 1973
Complete Citation:
Northcott, Bayan. “Sorting the Potatoes.” Music & Musicians 21/28 (April 1973): 48-49.Source: Journal
V. General Music Studies
C. Other
C. Other
Ogden, Gail
Year: 1998
Complete Citation:
Ogden, Gail. “Dansers Studio Offers all Ives’ Colors: City Edition.” Lincoln Journal Star, April 11, 1998.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Pollikoff, Max
Year: 1963
Complete Citation:
Pollikoff, Max. “Music in Our Time.” Music Journal 21/5 (May 1963): 27, 34.Notes:
Includes a photocopy of an article, “Composer Ives Misses Debut,” from Fairfield (CT) <i>Sunday Herald</i> (October 1, 1950).
Source: Journal
V. General Music Studies
C. Other
C. Other
Ransom, John Crowe and Glenn Horowitz
Year: 1955
Complete Citation:
Ransom, John Crowe and Glenn Horowitz. “The Music of Charles Ives (a communication).” The Kenyon Review Vol. 17, No. 3 (Summer, 1955).Source: Journal
V. General Music Studies
C. Other
C. Other
Regner, Otto Friedrich
Year: 1972
Complete Citation:
Hartmut Regitz, Otto Friedrich Regner, and Heinz-Ludwig Schneiders. Reclams Ballet- führer. Stuttgart, Germany: Stuttgart Reclams, 1972.Source: Book
XII. Interdisciplinary Performances with Ives’s Music
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D. Reviews
Reis, Claire Raphel
Year: 1955
Complete Citation:
Reis, Claire Raphel Reis. Composers, Conductors, and Critics. New York, NY: Oxford University Press, 1955.Source: Journal
V. General Music Studies
C. Other
C. Other
Reny, Bob
Year: 2015
Complete Citation:
Reny, Bob. “Between the Ears: DoAM Ensemble - “Mists: Charles Ives For Jazz Orchestra.”” IAJRC Journal, Vol. 48, No. 2 (2015): 70-71.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
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C. Other
Reti, Rudolph
Year: 1962
Complete Citation:
Reti, Rudolph. Tonality in Modern Music. New York, NY: Collier Books, 1962.Source: Book
V. General Music Studies
C. Other
C. Other
Riedel, Johannes
Year: 1975
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Com-mon Man.” Student Musicologists at Minnesota 6 (1975): 225--236.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
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D. Reviews
Year: 1975-76
Complete Citation:
Riedel, Johannes. “The Ives Liturgy: A Mass of the Common Man.” Student Musicologists at Minnesota 6 (1975-76): 225-236.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
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C. Other
Riedel, Johannes, complier
Year: 1970
Complete Citation:
Johannes Riedel, compiler. The Ives Liturgy: A Mass of the Common Man (1970); service for reader, flute, brass group, instrumental group, and recordings. Compiled, and/or "created," from the writings and com-positions of Ives and American hymns.Notes:
Included (in order, an asterisk signifies recorded example) excerpts from: *Variations on "America"; *Sonata No. 2, Concord, Mass., 1840--1860, for piano; “Watchman,TellUs of the Night;"*Hymn Variation—Symphony No. 4: 1; Immortality (as an introit); *The Unanswered Question; *Robert Browning Overture; *Symphony No. 4, 1; "Watch- man, Tell Us of the Night;" At the River, "Shall We Gather At the River"; *Central Park in the Dart, "From Greenland's Icy Mountains;" *Quartet No. 1: I; Musical Creed (a memo by Ives); "O, For a Thousand Tongues to Sing"; "What a Friend We Have in Jesus"; *Symphony No. 3: 1; *From the Steeples and the Mountains', Adeste Fidelis in an Organ Prelude. <br><br>Prf: 1970 May 17: Minneapolis; Episcopal Center, University of Minnesota; Sheila Wolk, soprano; Phillip Sandahl, guitar; Lyle Hagert, organ.
Source: Performance
XII. Interdisciplinary Performances with Ives’s Music
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Rodgers, Harold A.
Year: 1975
Complete Citation:
Rodgers, Harold A. “Lenox Art Center. ‘Ives’ Meeting Mr. Ives.” High Fidelity/Musical America 25/12 (December 1975): 26--27.Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
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D. Reviews
Rosenfeld, Paul
Year: 1929
Complete Citation:
Rosenfeld, Paul. An Hour with American Music. Philadelphia, PA: J.B. Lippincott, 1929.Source: Book
V. General Music Studies
C. Other
C. Other
Rosenfeld, Paul, ed. Herbert A. Leibowitz
Year: 1969
Complete Citation:
Rosenfeld, Paul, ed. Herbert A. Leibowitz. Musical Impressions. New York, New York: Hill & Wang, 1969.Source: Book
V. General Music Studies
C. Other
C. Other
Salazar, Adolfo
Year: 1946
Complete Citation:
Salazar, Adolfo. Music of Our Times: Trends in Music since the Roman-tic Era. Translated from Spanish by Isabel Pope. New York, NY: W.W. Norton, 1946.Source: Book
V. General Music Studies
C. Other
C. Other
Saminsky, Lazare
Year: 1939
Complete Citation:
Saminsky, Lazare. Music of Our Day: Essentials and Prophecies. New York, New York: Thomas Y. Crowell, 1939.Source: Book
Reprints:
Saminsky, Lazare. <i>Music of Our Day: Essentials and Prophecies</i>, 151, 166, 167, 170, 173-75. Freeport, NY: Books for Libraries Press, 1970.
V. General Music Studies
C. Other
C. Other
Schulman, Jennie
Year: 2000
Complete Citation:
Schulman, Jennie. “Eliot Feld Brings Provocation to NYC Ballet.” Back Stage 41, no.7 (February 2000).Source: Magazine
XII. Interdisciplinary Performances with Ives’s Music
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D. Reviews