Sipprell, Clara E.
Year: 1948
Complete Citation:
Sipprell, Clara E. Portrait -photographs of Ives and his wife, alone and to-gether. 1948. Taken in her studio. In American Characters: Selections from the National Portrait Gallery Accompanied by Literary Portraits. New Haven, CT: Yale University Press, 1999: 284.Source: Photograph
Reprints: Sipprell’s photographs are held in the Amon Carter Museum in Fort Worth, TX. Syracuse University also has a collection of her photographic prints.
XVI. Photographs and Artwork
A. Photographs
Slominsky, Nicholas
Year: 1949
Complete Citation:
Slominsky, Nicholas. “Etude Musical Miscellany.” Etude, April, 1949.Source: Magazine
V. General Music Studies
C. Other
Smith, Norman E.
Year: 1986
Complete Citation:
Smith, Norman E. March Music Notes, 219-221. Lake Charles, LA: Program Note Press, 1986.Notes: Brief biography to accompany notes for Country Band March, March VI: Here's to Good Old Yale, Omega Lambda Chi, and A Son of a Gambolier.
Source: Book
V. General Music Studies
C. Other
Smith, W. Eugene
Year: 1947
Complete Citation:
Smith, W. Eugene. Portrait -photographs of Ives, Mrs. Ives, and Julian S. Myrick. April, 1948. Photograph. Life, October 31, 1949, 45.Notes: In the “Life Congratulates” Section for Ives’s 75th birthday. On assignment from <i>Life</i> magazine. Taken in the New York home of the Iveses. In <i>Photographs, 1934-1975</i>, Hill states that this photograph was "a particular favourite of Smith’s" (164).
Source: Photograph
Reprints: Mack Burk, James and Michael J. Budds. <i>A Charles Ives Omnibus</i>, 50. Hillsdale, New York: Pendragon Press, 2008. * Bogan Liquor. Advertisement. <i>El Commercio</i> [Quinto, Ecuador] (July 7, 1970): 10. * Perlis, Vivan. <i>Charles Ives Remembered: an Oral History</i>. New Haven, CT: Yale University Press, 1974. See B0687: 42-44. * <i>Photographs, 1934-1975</i>,<br>edited by Gilles Mora and John T, 165. Hill. Paris: Editions du Seuil, 1998; English translation: London: Thames and Hudson, Ltd., 1998, and New York: Harry N. Abrams, 1998. * Also reproduced: numerous times on other recording covers, and in books.
XVI. Photographs and Artwork
A. Photographs
Year: 1949
Complete Citation:
Smith, W. Eugene, “Charles Ives, a photograph.” Life Magazine. October 31, 1949, 45.Source: Magazine
XVI. Photographs and Artwork
A. Photographs
Thomas, Richard
Year: 2001
Complete Citation:
Thomas, Richard. “Who’s Who in Stamps: Charles Ives, Composer.” Linn’s Stamp News 74/3784 (May 7, 2001): 30.Notes: Short biography to acquaint collectors with Ives on the occasion of the issuing of commemorative postage stamp. Mentions several of Ives’s compositions.
Source: Magazine
XVI. Photographs and Artwork
C. Other
Year: 2001
Complete Citation:
Thomas, Richard. “Who’s Who in Stamps: Charles Ives, Composer.” Linn’s Stamp News 74/3784 (May 7, (2001): 30.Source: Postage Stamp
Reprints: Short biography mentioning several of Ives's compositions.
XVI. Photographs and Artwork
C. Other
Tyler, George Grayson
Year: 1950
Complete Citation:
Tyler, George Grayson. Two color photographs of Ives. July, 1950. Tyler, a lawyer, was Ives's son--in--law.Source: Photograph
XVI. Photographs and Artwork
A. Photographs
Voss, Egon
Year: 1970
Complete Citation:
Voss, Egon. “Bemerkungen zur Musik von Charles E. Ives (1874-1954).” Musik und Kirche 40 (1970): 145-148.Source: Journal
V. General Music Studies
C. Other
Yates, Frances A.
Year: 1966
Complete Citation:
Yates, Frances A. The Art of Memory. Chicago, Illinois: The University of Chicago Press, 1974.Source: Chapter in Book
V. General Music Studies
C. Other
no author listed
Complete Citation:
Moore, Douglas B. “For an Ives Stamp.” High Fidelity 24/2 (February 1974): 8.Source: Postage Stamp
Reprints: Letter to the Editor encouraging readers to write to United States Postal Service in support of issuing a commemorative Charles Ives stamp in the American Art Series. Announcements: Baadke, Michael. “Classical Musicians in ’97.” <i>Linn's Stamp News</i> (October 28, 1996): 8.
XVI. Photographs and Artwork
C. Other
Year: 1932
Complete Citation:
“Charles Ives, A Photograph.” In: Modern Music, Vol. 10, No. 1 (1932): 25.Source: Journal
XVI. Photographs and Artwork
A. Photographs
Year: 1940
Complete Citation:
“Sharps and Flats.” Los Angeles Times, September 22, 1940, C5.Source: Newspaper
V. General Music Studies
C. Other
Year: 1940, 1941
Complete Citation:
“Prologue.” Twice a Year (1940 Fall-Winter, 1941 Spring-Summer) Double Issue: 5-6: 344-348.Notes: Includes excerpt of Essays Before a Sonata. Gives date of <i>Essays </i>incor-rectly as “1916.”
Source: Journal
V. General Music Studies
C. Other
Year: 1946
Complete Citation:
“Neglected Works: A Symposium.” Modern Music XXIII, 1 (Winter 1946): 6-7.Source: Journal
V. General Music Studies
C. Other
Year: 1955
Complete Citation:
“Notes of the Day.” Monthly Musical Record 85 (July-August 1955): 141-144.Source: Journal
V. General Music Studies
C. Other
Year: 1969
Complete Citation:
“Letters to the Editor.” Instrumentalist 23/10 (May 1969): 18.Notes: Regarding the band arrangement by William E. Rhoads.
Source: Journal
V. General Music Studies
C. Other
Year: 1973
Complete Citation:
“A Charles Ives Commemorative Postage Stamp?” American String Teacher, Vol. 23, Issue 4 (November 1973): 37.Source: Journal
XVI. Photographs and Artwork
C. Other
Year: 1974
Complete Citation:
“Notes for NOTES.” Notes 30/3 (1974): 501-504.Source: Journal
VI. Topical Studies
C. Other
Year: 1974
Complete Citation:
“Overtones.” Music Educators Journal, vol. 61, no. 2 (1974): 5.Source: Journal
V. General Music Studies
C. Other
