Wintle, Christopher, and Kate Hopkins, eds.
Year: 2010
Complete Citation:
Black, Leo. “Harry Croft-Jackson with a Note on Charles Ives.” In BBC Music in the Glock Era and After: A Memoir, edited by Christopher Wintle and Kate Hopkins. Woodbridge, Suffolk; Rochester, NY: Boydell & Brewer, 2010.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wright, James K. And Allyson Wright
Year: 2019
Complete Citation:
Wright, James K. and Allyson Wright. “‘Name Dropping’: Encounters with Schoenberg, Varèse, Ives, Thomson, Sorabji, and Havergal Brian.” In They Shot, He Scored: The Life and Music of Eldon Rathburn, 127-149. Montreal, Canada: McGill-Queen’s University Press, 2019.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Wuorinen, Charles
Year: 1967
Complete Citation:
Charles Wuorinen. “An Interview with Barney Childs, 1962” (368--375). In Contemporary Composers on Contemporary Music, edited by Elliott Schwartz and Barney Childs, 221-242. New York, NY: Holt, Rinehart and Winston, 1967.Notes: Includes several acerbic remarks about Ives and his music.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Yates, Frances A.
Year: 1966
Complete Citation:
Yates, Frances A. The Art of Memory. Chicago, Illinois: The University of Chicago Press, 1974.Source: Chapter in Book
V. General Music Studies
C. Other
Yates, Peter
Year: 1960
Complete Citation:
Yates, Peter. “Lou Harrison.” American Composers Alliance Bulletin 9/2: 2-6.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Young, Douglas
Year: 1972
Complete Citation:
Young, Douglas. “Copland’s Dickinson Songs.” Tempo 103 (1972): 33-37.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
no author listed
Complete Citation:
Moore, Douglas B. “For an Ives Stamp.” High Fidelity 24/2 (February 1974): 8.Source: Postage Stamp
Reprints: Letter to the Editor encouraging readers to write to United States Postal Service in support of issuing a commemorative Charles Ives stamp in the American Art Series. Announcements: Baadke, Michael. “Classical Musicians in ’97.” <i>Linn's Stamp News</i> (October 28, 1996): 8.
XVI. Photographs and Artwork
C. Other
Year: 1928
Complete Citation:
“Associacion Panamericana de Compositores." Musicalia [Havana] 1/1 (May--June): 29-30.Notes: A notice of this newly- formed organization; indicates that the group performs works by Ives and others. Henry Cowell is the director; Nicolas Slonimsky, the conductor.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1932
Complete Citation:
“New York Artists Reshape America over the Week End.” New York Herald Tribune, July 10, 1932, sec. 1, 14.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1933
Complete Citation:
“Ives und Ruggles.” Hamburger Freudblatt. September 12, 1933: 2.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1935
Complete Citation:
“Cowell’s New Music Society.” San Francisco Chronicle. March 31, 1935, 39.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1936
Complete Citation:
Musiciens Americains à la ‘Spirale.’” La Revue Musicale, no. 165 (April 1936): 293.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1940
Complete Citation:
“Sharps and Flats.” Los Angeles Times, September 22, 1940, C5.Source: Newspaper
V. General Music Studies
C. Other
Year: 1940, 1941
Complete Citation:
“Prologue.” Twice a Year (1940 Fall-Winter, 1941 Spring-Summer) Double Issue: 5-6: 344-348.Notes: Includes excerpt of Essays Before a Sonata. Gives date of <i>Essays </i>incor-rectly as “1916.”
Source: Journal
V. General Music Studies
C. Other
Year: 1941
Complete Citation:
Copland, Aaron. “The Ives Case.” In Our New Music, 149-161. New York, New York: Whittlesey House, McGraw--Hill, 1941.Source: Chapter in Book
Reprints: Copland, Aaron. “The Ives Case.” <i>The New Music 1900--1960</i>, 109-117<i>. </i>New York: W.W. Norton, 1968. * Copland, Aaron. <i>The New Music 1900--1960 </i>[Unsere neue Musik]. Translated by Reinhardt, Minna and Adalbert Brunner. Munich, Germany: Edition Kasparek, 1947.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
“Barber Concerto Gets Critics Prize.” The New York Times. June 28, 1946: 16.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1946
Complete Citation:
“Neglected Works: A Symposium.” Modern Music XXIII, 1 (Winter 1946): 6-7.Source: Journal
V. General Music Studies
C. Other
Year: 1954
Complete Citation:
“Musical Whitman.” Newsweek 43, May 31, 1954, 78.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1955
Complete Citation:
“Notes of the Day.” Monthly Musical Record 85 (July-August 1955): 141-144.Source: Journal
V. General Music Studies
C. Other
Year: 1969
Complete Citation:
“Letters to the Editor.” Instrumentalist 23/10 (May 1969): 18.Notes: Regarding the band arrangement by William E. Rhoads.
Source: Journal
V. General Music Studies
C. Other
