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Bibliography

Ross, Alex

Year: 2007
Complete Citation:
Ross, Alex. The Rest Is Noise: Listening to the Twentieth Century, 130--135. New York, NY: Farrar, Straus and Giroux, 2007.
Notes:

Several other references. Uses the misquotation of Schoenberg (132) {B0290}.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ross, Alex and Laurent Slaars

Year: 2010
Complete Citation:
Ross, Alex and Laurent Slaars. The rest is noise: à l'écoute du xxe siècle la modernité en musique. Arles, France: Actes Sud, 2010.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rossi, Nick

Year: 1969
Complete Citation:
Rossi, Nick. “Charles Ives.” In Music of Our Time, 209-220. Boston, MA: Crescendo Publishing, 1969.
Notes:

Includes discussion and anal-ysis of second movement of Symphony No. 4.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rossi, Nick and Sadie Rafferty

Year: 1981
Complete Citation:
Rossi, Nick and Sadie Rafferty. “Music of the United States.” In Music through the centuries. University Press of America: Washington, D.C. 1981.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Rossiter, Frank R.

Year: 1981
Complete Citation:
Rossiter, Frank R. “The ‘Genteel Tradition’ in American Music.” Journal of American Culture 4 (1981): 107-115.
Source: Journal
VI. Topical Studies
L. Ives and America

Rothstein, Edward

Year: 1980
Complete Citation:
Rothstein, Edward. “Ives Country.” The New York Times, August 22, 1980, sec. C, 8.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Routh, Francis

Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.
VII. Entries in Larger Volumes
A. Textbook Accounts

Roy, David J.

Year: 2013
Complete Citation:
Roy, David J. “The Unanswered Question?” Journal of Palliative Care 29, no. 2 (2013): 67-68.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Roy, Klaus George

Year: 1952
Complete Citation:
Roy, Klaus George. “Copland Harvard Talk.” The Christian Science Monitor, March 20, 1952, 4.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rublowsky, John

Year: 1967
Complete Citation:
Rublowsky, John. “Gershwin and Ives: The Triumph of the Popular Spirit.” In Music in America, 9, 155--166, 173. New York, NY: Crowell- Collier, 1967.
Notes:

A book for teenagers

Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rudhyar, Dane

Year: 1938
Complete Citation:
Rudhyar, Dane. “The Birth of the Transcendental Movement and Its Manifestations in Music and the Modern Dance.” New Mexico Daily Examiner (August 21, 1938).
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Rufener, Rudolf

Year: 1969
Complete Citation:
Rufener, Rudolf. “Charles Ives, ein amerikanischer Komponist.” Du- Kulturelle Monatsschrift 29 (November 1969): 360, 364, 366.
Source: Journal
VI. Topical Studies
L. Ives and America

Ryan, Norris

Year: 1949
Complete Citation:
Ryan, Norris. “A Connecticut Yankee.” News [La Crosse, WI]. May 5, 1949.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Saal, Hubert

Year: 1974
Complete Citation:
Saal, Hubert. “Connecticut Yankee.” Newsweek 84, November 4, 1974: 71.
Source: Magazine
VI. Topical Studies
L. Ives and America

Sachs, Joel

Year: 2012
Complete Citation:
Sachs, Joel. “Henry and His Circle.” In Henry Cowell: A Man Made of Music. Oxford, United Kingdom: Oxford University Press, 2012.
Source: Newsletter
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2012
Complete Citation:
Sachs, Joel. “Collaborations and an Ives Biography.” In Henry Cowell: A Man Made of Music. Oxford, United Kingdom: Oxford University Press, 2012.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Sadie, Stanley, and Alison Latham, ed.

Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.
Notes:

The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).

Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Sadownik, Tomasz Paweł

Year: 2016
Complete Citation:
Sadownik, Tomasz Paweł. W poszukiwaniu amerykańskiego idiomu muzyki narodowej : analiza “Old American Songs” Aarona Coplanda oraz wybranych pieśni Charlesa Ivesa. Katowice, Poland: Akademia Muzyczna im. Karola Szymanowskiego, 2016.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Saffle, Michael, ed.

Complete Citation:
Saffle, Michael, ed. Perspectives on American music, 1900-1950. New York, NY: Routledge, 2000.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Sakae, Yoneda

Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses