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Bibliography

Starr, Larry

Year: 1994
Complete Citation:
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange His- tory of American Art Music.” American Music 12 (Summer 1994): 167-187.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange History of American Art Music.” American Music, vol. 12, no. 2 (1994): 167-187.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Stefan, Paul

Year: 1932
Complete Citation:
Stefan, Paul. “Vienna Revisits the Depression.” Modern Music 9/3 (March-April 1932): 127-130.
Notes:

Mentions performance of some of Ives’s songs in a Vienna concert of the Pan American Association of Composers (February 21, 1932: Anton Webern, conductor). Also sponsored by the International Society for New Music.

Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Steinberg, Michael

Year: 2006
Complete Citation:
Steinberg, Michael. “My father knew Charles Ives (2003).” The John Adams reader: essential writings on an American composer, edited by Thomas May, 205-208. Pompton Plains, NJ: Amadeus, 2006.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Steiner, George

Year: 1984
Complete Citation:
Steiner, George. “Das totale Fragment.” In Fragment und Totalität, edited by L. Dällenbach and C.L. Hart Nibbrig, 18-29. Frankfurt am Main, Germany: Suhrkamp Verlag, 1984.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Sterne, Colin

Year: 1971
Complete Citation:
Sterne, Colin. “The Quotations in Charles Ives’s Second Symphony.” Music and Letters 52 (1971): 39-45.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Stern, Max

Year: 1989
Complete Citation:
Stern, Max. “Portrait of an Original.” Jerusalem Post, June 6, 1989, 15. 
Source: Newspaper
VI. Topical Studies
A. Short Biographies and Profiles

Stevenson, Robert

Year: 1978
Complete Citation:
Stevenson, Robert. “American Musical Scholarship: Parker to Thayer.” 19th- Century Music 1, no.3 (March 1978): 191--210.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Stevenson, Robert M.

Year: 1966
Complete Citation:
Stevenson, Robert M. Protestant Church Music in America: A Short Survey of Man and Movements from 1564 to the Present, 118-119, 126, 129. New York, NY: W.W. Norton, 1966.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Stiller, Andrew

Year: 1986
Complete Citation:
Stiller, Andrew. “Who Owns American Music?” Opus 3/1 (December 1986): 18, 60.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Stoddard, Hope

Year: 1951
Complete Citation:
Stoddard, Hope. “Music in Connecticut.” International Musician (March 1951).
Source: Journal
VI. Topical Studies
L. Ives and America

Stolba, K. Marie

Year: 1990
Complete Citation:
Stolba, K. Marie. “Late Nineteenth-Century—Early Twentieth-Century Music.” In The Development of Western Music: An History, 789-793. Madison, WI: Brown and Benchmark, 1990.
Notes:

Discusses "The Alcotts" from the Concord Sonata, which is supplied with the supplementary recordings {D101}.

Source: Chapter in Book
VII. Entries in Larger Volumes
A. Textbook Accounts

Stout, Jesseca

Year: 2016
Complete Citation:
Stout, Jesseca. “‘Swinging Sound of Cymbals’: Symphonic Form in ‘A Winter Walk.’” The Thoreau Society Bulletin, no. 292 (2016): 1-2.
Source: Bulletin
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Straub, Dorothy A.

Year: 1993
Complete Citation:
Straub, Dorothy A. “MENC Connections.” Music Educators Journal, vol. 79, no. 5 (1993): 4-51.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Straus, Noel

Year: 1940
Complete Citation:
Straus, Noel. “Composers Unite: Contemporaries Join in Venture to Publish Their Own Scores.” The New York Times, September 22, 1940 sec. 9, 7.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Stravinsky, Igor and Craft, Robert

Year: 1962
Complete Citation:
Stravinsky, Igor, and Craft, Robert. Expositions and Developments, 92, 97-99, 104. Garden City, NY: Doubleday, 1962.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1966
Complete Citation:
Stravinsky, Igor, and Craft, Robert. Themes and Episodes, 15-16, 48. 106, 154. New York, NY: Alfred A. Knopf, 1966.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1969
Complete Citation:
Stravinsky, Igor, and Craft, Robert. Retrospectives and Conclusions, 30-32. New York, NY: Alfred A. Knopf, 1969.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Streller, Friedbert

Year: 1997
Complete Citation:
Streller, Friedbert. “Besprechungen: “‘Jazz’ in der Kunstmusik. Studien zur Funktion afro-amerikansicher Muisk in Kompositionen des 20. Jahrhunderts,” von Peter W. Schatt.” Die Musikforschung, Vol. 50, No. 2 (1997): 256-257.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Suhor, Charles

Year: 1976
Complete Citation:
Suhor, Charles. “To Charles Ives.” The English Journal, vol. 65, no. 5 (1976): 45-46.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship