Image
decorative banner image

Bibliography

Peyser, Joan

Year: 1971
Complete Citation:
Joan Peyser. The New Music: The Sense behind the Sound. New York, NY: Delacorte, 1971.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Piekut, Benjamin

Year: 2019
Complete Citation:
Piekut, Benjamin. “Introduction: What Was Experimentalism?” In Experimentalism Otherwise. Berkeley, California: University of California Press, 2019.
Source: Newsletter
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Pincus, Andrew L.

Year: 1985
Complete Citation:
Pincus, Andrew L. “Nationalism in Music Recognizes No Boundaries.” The New York Times, October 20, 1985.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Piotrowska, Anna G.

Year: 2003
Complete Citation:
Piotrowska, Anna G. Idea muzyki narodowej w ujęciu kompozytorów amerykańskich pierwszej połowy XX wieku. Toruń, Poland: Adam Marszałek, 2003.
Source: Book
VI. Topical Studies
L. Ives and America

Pleasants, Henry

Year: 1955
Complete Citation:
Pleasants, Henry. The Agony of Modern Music. New York, NY: Simon and Schuster.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1969
Complete Citation:
Pleasants, Henry. Serious Music: And All That Jazz: An Adventure in Music Criticism. New York, NY: Simon and Schuster, 1969.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Pollack, Howard

Year: 1999
Complete Citation:
Pollack, Howard. Aaron Copland: The Life and Work of an Uncommon Man. New York, NY: Henry Holt and Co., 1999.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Pollack, Howard. George Gershwin: His Life and Work. Berkeley, CA: University of California Press, 2006.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Porter, Andrew

Year: 1974
Complete Citation:
Porter, Andrew. “Songs His Father Taught Him.” New Yorker 50/37, November 4, 1974, 187-190.
Source: Magazine
VI. Topical Studies
N. Ives’ Childhood

Porter, David

Year: 2011
Complete Citation:
Porter, David. “On the Divide: A Classicist/Musician Who Refused to Grow Up.” The Classical World, vol. 104, no. 4 (2011): 475-481.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives

Potter, Hugh

Year: 1970
Complete Citation:
Potter, Hugh. “Paul Rosenfeld: Criticism and Prophesy.” American Quarterly 22/1 (Spring 1970): 82-94.
Notes:

Quotes from Rosenfeld's review of the Concord Sonata. Adds that “Rosenfeld's great enthusiasm for the music of Charles Ives was partly attributed to Ives’ interest in American subject matter and his use of native themes.”

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Pouzzi, Raffaele, and Louise Forster

Year: 1988
Complete Citation:
Pozzi, Raffaele, and Louise Forster. “Elliott Carter Talking.” Tempo, no. 167 (1988): 14-17.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Prendergast, Mark J.

Year: 2003
Complete Citation:
Prendergast, Mark J. “Charles Ives.” In The Ambient Century: from Mahler to Moby: the Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury, 2003.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Price, Jonathan

Year: 1968
Complete Citation:
Price, Jonathan. “The Rough Way up the Mountain.” Yale Alumni Magazine (April 1968): 28-37.
Source: Journal
Reprints:

Price, Jonathan. “The Rough Way up the Mountain.” <i>Music Educator's Journal</i> 55/2 (October 1968): 38-45.

VI. Topical Studies
O. Ives and Yale

Pütz, Werner, Peter Virnich, and Peter Winz-Luckei

Year: 1987
Complete Citation:
Putz, Werner, Peter Virnich, and Peter Winz-Luckei. “Neue Musik handelnd erfahren: Eine Unterrichtsreihe zu Charles Ives und John Cage.” Musik und Bildung 19/5 (1987): 350-358.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rabinowitz, Peter J.

Year: 1981
Complete Citation:
Rabinowitz, Peter J. “Fictional Music: Toward a Theory of Listening.” In Theories of Reading, Looking, and Listening, edited by Harry R. Garvin, 193-208. Bucknell Review, vol. 26, no. 1. Lewisburg, PA: Bucknell University Press, 1981.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Ramey, Phillip

Year: 1978
Complete Citation:
Ramey, Phillip. “A Talk with Samuel Barber.” Liner notes for Songs of Samuel Barber and Ned Rorem. New World Records 229, 1978, 33.3 RPM.
Source: Liner notes
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rao, Nancy Yunhwa

Year: 2014
Complete Citation:
Rao, Nancy Yunhwa. “Allegro Scorrevole in Carter’s First String Quartet: Crawford and the Ultramodern Inheritance.” Music Theory Spectrum 36/2 (2014): 181-202.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Rappaport, Howard

Year: 2005
Complete Citation:
Rappaport, Howard. “The Infinite Variety of Listening Logs: Your Students May Astound You.” Music Educators Journal 91/3 (2005): 29-33.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Rasmussen, Karl Aage

Year: 1977
Complete Citation:
Rasmussen, Karl Aage. “Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 251-252. Urbana, IL: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship