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Bibliography

Abell, Arthur M.

Year: 1964
Complete Citation:
Abell, Arthur M. Gesprache mit beruhmten Komponisten, so entstand- en ihre unsterblichen Meisterwerke. Eschwege, West Germany: G.E. Schroeder Verlag, 1964.
Source: Book
Reprints:

Abell, Arthur M. <i>Gesprache mit beruhmten Komponisten, so entstand- en ihre unsterblichen Meisterwerke </i>[Talks with Great Composers]. New York, NY: Citadel Publishing, 1964.

VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Acker, Emma

Year: 2009
Complete Citation:
Acker, Emma. “Artistic Identity in a Transatlantic Age Patrick Heron, Peter Lanyon, and the New American Painting.” The British Art Journal, vol. 10, no. 3 (2009): 158-170.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Acton, Charles

Year: 1968
Complete Citation:
Acton, Charles. “The Charles Ives Enigma.” The Irish Times, 1968.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Adams, John

Year: 1994
Complete Citation:
Adams, John. “Ives: The Amount to Carry.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.
Source: Program Booklet
VI. Topical Studies
D. Insurance

Addiss, Stephen

Year: 1957
Complete Citation:
Addiss, Stephen. “The vocal music of Charles Ives.” B.A. thesis, Harvard University, 1957.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Adkins, Cecil, and Alis Dickinson.

Year: 1974
Complete Citation:
Adkins, Cecil, and Alis Dickinson. “Supplement (1974) to Doctoral Dissertations in Musicology.” Journal of the American Musicological Society 27, 110.3 (Fall): 475-514.
Source: Journal
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Adorno, Theodor W.

Year: 1966
Complete Citation:
Adorno, Theodor W. “Mahler.” In Wagner, Mahler: Due Studi, 215-217. Translated to Italian by Giacomo Mazoni. Torino, Italy: Giulio Einaudi Editore, 1966.
Notes:

Relates Ives to Mahler.

Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Albèra, Philippe

Year: 2001
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Albert, Thomas Russell

Year: 1974
Complete Citation:
Albert, Thomas Russell. “The Harmonic Language of Charles Ives’ Concord Sonata.” D.M.A. diss., University of Illinois, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Alexander, Charles C.

Year: 1980
Complete Citation:
Alexander, Charles C. Here the Country Lies: Nationalism and the Arts in Twentieth-Century America. Bloomington, IN: Indiana University Press, 1980.
Notes:

Many references to Ives.

Source: Book
VI. Topical Studies
L. Ives and America

Alexander, Michael

Year: 1986
Complete Citation:
Alexander, Michael. “Improvisation in the Music of Charles.” Ph.D. diss., Keele University, 1986.
Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Allen, Andrew J.

Year: 2014
Complete Citation:
Allen, Andrew J. “Repertoire Today for Saxophone: The Saxophone Works of Composer Robert Jager.” Saxophone Today (2014): 28-30.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Allen, Barbara Oakley

Year: 1979
Complete Citation:
Allen, Barbara Oakley. “An analysis of six Ives songs: with suggestions for performance.” D.M.A. term project, Stanford University, 1979.
Source: D.M.A. Term Project
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Allen, Sandra Gillette

Year: 1966
Complete Citation:
Allen, Sandra Gillette. “Salient formal and thematic structures in the four violin sonatas of Charles Ives.” M.A. Thesis, University of Washington, 1966.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Almen, Byron, and Robert Hatten

Year: 2012
Complete Citation:
Almen, Byron, and Robert Hatten. 2012. “Narrative Engagement with Twentieth -Century Music: Possibilities and Limits.” In Music and Narrative since 1900, edited by Michael Klein and Nicholas Reyland, 59--85. Bloomington, IN: Indiana University Press, 2012.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Alves, Bill and Brett Campbell

Year: 2017
Complete Citation:
Alves, Bill and Brett Campbell. “Day of Ascension: (1946-1947).” In Lou Harrison: American Musical Maverick, 124-130. Bloomington, Indiana: Indiana University Press, 2017.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Andersen, Lena Susanne

Year: 1995
Complete Citation:
Andersen, Lena Susanne. “Charles Edward Ives - Hans Musik Og Musikfilosofi.” Copenhagen, Denmark, 1995.
Source: Archival Material
VI. Topical Studies

Anderson, Clifford Hugh

Year: 1970
Complete Citation:
Anderson, Clifford Hugh. “An Analytical Study of the Fourth Symphony of Charles Ives.” M.A. Thesis, University of Wyoming, 1970.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Anderson, David E.

Year: 1974
Complete Citation:
Anderson, David E. “Ives Heritage: ‘Vision of a Vanished America in Music.’” Los Angeles Times, December 14, 1974, A9.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Anderson, Martin

Year: 2003
Complete Citation:
Anderson, Martin. “Obituary: Lou Harrison; Unconventional Composer Whose Music Fused East and West: FOREIGN Edition.” The Independent, February 5, 2003.
Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues