Abbot, Christopher
Year: 2002
Complete Citation:
Abbot, Christopher. “Ives: “An American Journey.”” Fanfare: The Magazine for Serious Record Collectors, Vol. 25, No. 6 (2002): 142-144.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 2003
Complete Citation:
Abbot, Christopher. “The Want List 2003 [Christopher Abbot].” Fanfare: The Magazine for Serious Record Collectors, Vol. 27, No. 2 (2003): 71.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Abdul, Raoul
Year: 1998
Complete Citation:
Abdul, Raoul. “Cleveland premieres Ives’ Emerson Concerto.” Amsterdam News. October 15, 1998, 20.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Abell, Arthur M.
Year: 1964
Complete Citation:
Abell, Arthur M. Gesprache mit beruhmten Komponisten, so entstand- en ihre unsterblichen Meisterwerke. Eschwege, West Germany: G.E. Schroeder Verlag, 1964.Source: Book
Reprints: Abell, Arthur M. <i>Gesprache mit beruhmten Komponisten, so entstand- en ihre unsterblichen Meisterwerke </i>[Talks with Great Composers]. New York, NY: Citadel Publishing, 1964.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Acker, Emma
Year: 2009
Complete Citation:
Acker, Emma. “Artistic Identity in a Transatlantic Age Patrick Heron, Peter Lanyon, and the New American Painting.” The British Art Journal, vol. 10, no. 3 (2009): 158-170.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Acton, Charles
Year: 1968
Complete Citation:
Acton, Charles. “The Charles Ives Enigma.” The Irish Times, 1968.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Adams, John
Year: 1994
Complete Citation:
Adams, John. “Ives: The Amount to Carry.” In American Transcendentalists [Program Booklet]. Brooklyn Philharmonic Orchestra, Brooklyn Academy of Music, Brooklyn, New York, November 11-13, 1994. Da Camera of Houston, The Menil Collection, Houston, Texas, November 21-22, 1994.Source: Program Booklet
VI. Topical Studies
D. Insurance
Addiss, Stephen
Year: 1957
Complete Citation:
Addiss, Stephen. “The vocal music of Charles Ives.” B.A. thesis, Harvard University, 1957.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Adkins, Cecil, and Alis Dickinson.
Year: 1974
Complete Citation:
Adkins, Cecil, and Alis Dickinson. “Supplement (1974) to Doctoral Dissertations in Musicology.” Journal of the American Musicological Society 27, 110.3 (Fall): 475-514.Source: Journal
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Adorno, Theodor W.
Year: 1966
Complete Citation:
Adorno, Theodor W. “Mahler.” In Wagner, Mahler: Due Studi, 215-217. Translated to Italian by Giacomo Mazoni. Torino, Italy: Giulio Einaudi Editore, 1966.Notes: Relates Ives to Mahler.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Alan M. Kriegsman
Year: 1968
Complete Citation:
Kriegsman, Alan M. “A.U.’s Mandel to Unveil Ives Piano Works.” The Washington Post and Times Herald, March 17, 1968, G8.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Albèra, Philippe
Year: 2001
Complete Citation:
Albèra, Philippe. “Mensch und Maschine.” Dissonanz (2001): 46-47.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Albert, Thomas Russell
Year: 1974
Complete Citation:
Albert, Thomas Russell. “The Harmonic Language of Charles Ives’ Concord Sonata.” D.M.A. diss., University of Illinois, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Alburger, Mark
Year: 2000
Complete Citation:
Alburger, Mark. “Concert Reviews: Marin Symphony Goes All-American.” 21st Century Music, Vol. 7, No. 6 (2000): 25.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
Alburger, Mark. “Two Visionaries in Two Centuries [Concert Review].” 21st Century Music, Vol. 9, No. 4 (2002): 6-7.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Alburger, Mark. “Concert Reviews: Three (or Four) Great Orchestrators; Symphonies from Symphony.” 21st Century Music, Vol. 10, No. 10 (2003): 6.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Alexander, Charles C.
Year: 1980
Complete Citation:
Alexander, Charles C. Here the Country Lies: Nationalism and the Arts in Twentieth-Century America. Bloomington, IN: Indiana University Press, 1980.Notes: Many references to Ives.
Source: Book
VI. Topical Studies
L. Ives and America
Alexander, Michael
Year: 1986
Complete Citation:
Alexander, Michael. “Improvisation in the Music of Charles.” Ph.D. diss., Keele University, 1986.Source: Ph.D. Disseration
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Allen, Andrew J.
Year: 2014
Complete Citation:
Allen, Andrew J. “Repertoire Today for Saxophone: The Saxophone Works of Composer Robert Jager.” Saxophone Today (2014): 28-30.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Allen, Barbara Oakley
Year: 1979
Complete Citation:
Allen, Barbara Oakley. “An analysis of six Ives songs: with suggestions for performance.” D.M.A. term project, Stanford University, 1979.Source: D.M.A. Term Project
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations