Image
Complete Citation:
Camus, Raoul F. and Roger Kamien. “Charles Ives.” In Study guide and student workbook to accompany Kamien Music: an appreciation. New York, NY: Mcgraw Hill, 1996.
Bibliography
Genres
Camus, Raoul F. and Roger Kamien
Year: 1996
Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Cantrick, Susan Birdsall
Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. “Charles Ives’s ‘String Quartet No. 2’: An Analysis and Evaluation.” M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Year: 1983
Complete Citation:
Cantrick, Susan Birdsall. Charles Ives’ “String Quartet no. 2”: an analysis and evaluation. M.M. thesis, Peabody Institute of the Johns Hopkins University, Peabody Conservatory of Music, 1983.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Cardieu, Martine
Year: 1977
Complete Citation:
Cardieu, Martine. “Charles Ives, or America of the ‘First Romance.’” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 238-241. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Carleton, Chantal
Year: 2015
Complete Citation:
Carleton, Chantal. “The Distance between the Notes: The Journey from Text to Music in American Epiphanic Poetry.” Ph.D. diss., Indiana University, 2015.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Carlson, Michael
Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.Notes:
“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Carlson, Paul Bollinger
Year: 1964
Complete Citation:
Carlson, Paul Bollinger. “An historical background and stylistic analysis of three twentieth century compositions for violin and piano.” Ph.D. diss., University of Missouri at Kansas City, 1964.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Carter, Eilliot
Year: 1939
Complete Citation:
Carter, Elliott. “The Case of Mr. Ives: Winter Nites.” Modern Music 16 (March-April 1939): 3, 172-176.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Carter, Elliot
Year: 1938
Complete Citation:
Carter, Elliott. “Vacation Novelties, New York.” Modern Music (January-February 1938) 15/2: 97.Notes:
A review of Daniel Gregory Mason’s <i>Abraham Lincoln Symphony </i>
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1944
Complete Citation:
Carter, Elliot. “Ives Today, His Vision and Challenge.” Modern Music 21/3 (May-June 1944).Source: Journal
Reprints:
Carter, Elliot. “Ives Today, His Vision and Challenge.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard.
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1946
Complete Citation:
Carter, Elliot. “An American Destiny.” Listen (November, 1946): 4-7.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1948
Complete Citation:
Carter, Elliot. “Genial Sage.” In Paul Rosenfeld: Voyager in the Arts, edited by Jerome Mellquist and Lucie Wiese, 163-165. New York, NY: Creative Age Press, 1948.Source: Chapter in Book
Reprints:
Carter, Elliot. “Genial Sage.” In <i>Collected Essays and Lectures, 1937-1995</i>, 306-307. Edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1955
Complete Citation:
Carter, Elliot. “The Rhythmic Basis of American Music.” Score and I.M.A. Magazine 12, June 1955, 27-32.Source: Magazine
Reprints:
Carter, Elliot. “The Rhythmic Basis of American Music.” In <i>Collected Essays and Lectures, 1937-1995</i>, 57-62. Edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1965
Complete Citation:
Carter, Elliot. “Expressionism and American Music.” Perspectives of New Music (Fall-Winter 1965): 1-13.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1975
Complete Citation:
Carter, Elliot. “Documents of a Friendship with Ives.” Parnassus: Poetry in Review, (Spring-Summer 1975).Source: Journal
Reprints:
Carter, Elliot. “Documents of a Friendship with Ives.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1998
Complete Citation:
Carter, Elliot. “Brass Quintet.” In Collected Essays and Lectures, 1937-1995, edited by Jonathan W. Bernard, 256-258. Rochester, NY: University of Rochester Press, 1998.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Carter, Elliot, Charles Rosen, Allen Edwards, and Heinz Holliger
Year: 1992
Complete Citation:
Carter, Elliot, Charles Rosen, Allen Edwards, and Heinz Holliger. Entretiens avec Elliott Carter. Geneva, Switzerland: Éditions Contrechamps,1992.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Carter, Elliott
Complete Citation:
Carter, Elliott. “Charles Ives Remembered.” In Elliott Carter: collected essays and lectures, 1937-1995, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1939
Complete Citation:
Carter, Elliott. “The Case of Mr. Ives: Winter Notes.” Modern Music Vol. 16, No. 3 (March-April 1939): 172-176.Source: Journal
Reprints:
Carter, Elliot. “The Case of Mr. Ives.” <i>Perspectives of New Music</i> Vol. 2, No. 2 (Spring-Summer 1964). * Carter, Elliot. “The Case of Mr. Ives.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard. Rochester, NY: University of Rochester Press, 1998.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1940
Complete Citation:
Carter, Elliott. “Stravinsky and Other Moderns in 1940.” Modern Music 17/3 (March-April 1940): 164-170.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers