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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
(-) VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Froelich, Andrew I.

Year: 1988
Complete Citation:
Froelich, Andrew I. “The Four Violin Sonatas by Charles Ives.” Ph.D. diss., Michigan State University, 1988.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Fruchterman, Alessandra Astete

Year: 2018
Complete Citation:
Fruchterman, Alessandra Astete. “A red point in a green land: the setting of art song in foreign language by Barber, Britten, and Ives.” M.M. thesis, Belmont University, 2018.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Fruehwald, Robert Douglas

Year: 1985
Complete Citation:
Fruehwald, Robert Douglas. “Motivic transformation in the "Thoreau" movement of Charles Ives' Concord Sonata.” Ph. D. Dissertation, Washington, University 1985.
Source: Ph. D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Frye, Daniel W.

Year: 1974
Complete Citation:
Frye, Daniel W. ““In summer fields" by Charles E. Ives.” M.M.E. thesis, Bowling Green University, Ohio, 1974.
Source: M.M.E. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Fürst-Heidtmann, Monika

Year: 2002
Complete Citation:
Fürst-Heidtmann, Monika. “Reflektierte Eigenständigkeit: Der Pianist, Musikschriftsteller Und -Forscher Herbert Henck.” Neue Zeitschrift Für Musik, vol. 163, no. 6 (2002): 30-33.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Gabbi, Marianna Paone

Year: 1978
Complete Citation:
Gabbi, Marianna Paone. “Charles Ives, the violin sonatas: a lecture recital, together with three recitals of selected works of L. v. Beethoven, J. Brahms, E. Chausson, C. Debussy, W. Latham, G. Tartini, and A. Vivaldi.” D.M.A. diss., North Texas State University, 1978.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gaburo, Kenneth Louis

Year: 1962
Complete Citation:
Gaburo, Kenneth Louis. “Studies in Pitch Symmetry in Twentieth Cen-tury Music.” D.M.A. diss., University of Illinois, 1962.
Notes:

Chapter IV includes references to music by Ives.

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Gail, Dorothea

Year: 2008
Complete Citation:
Gail, Dorothea. “Die 4. Symphonie von Charles Ives, Quellen—Werk- struktur—religios-asthetischer Kontext.” Ph.D. diss., Hochschule fur Musik und darstellende Kunst, Frankfurt am Main, 2008.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Year: 2013
Complete Citation:
Gail, Dorothea. “Charles Ives: la musique comme fabrique de l’existence.” In Théories de la composition musicale au XXe siècle. Lyon, France: Symétrie Publisher, 2013.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Galt, Martha Caroline

Year: 1943
Complete Citation:
Galt, Martha Caroline. Know Your American Music: A Handbook. Augusta, ME: Kennebee Journal Print Shop, 1943.
Source: Book
Reprints:

Ithaca, NY: National Federation of Music Clubs, 1945.

VI. Topical Studies
L. Ives and America

Gammill, Ellen Reed

Year: 1975
Complete Citation:
Gammill, Ellen Reed. “The transcendental philosophy of Charles E. Ives.” M.M. thesis, Southern Methodist University, 1975.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Gann, Kyle

Year: 1991
Complete Citation:
Gann, Kyle. “Pulitzer Hacks: Amateur Composers versus the Profes-sionals.” Village Voice, July 30, 1991.
Notes:

Cites the story from Milton Babbitt that Ives was not a professional composer.

Source: Newspaper
VI. Topical Studies
V. Awards
Year: 1992
Complete Citation:
Gann, Kyle. “Composer’s Clearing House: The Pulitzer Prize.” Village Voice, May 5, 1992.
Notes:

Claims Lou Harrison urged Ives to “expunge the 'ex-perimental' parts of the Third Symphony” [i.e., “shadow parts”].

Source: Newspaper
VI. Topical Studies
V. Awards
Year: 1997
Complete Citation:
Gann, Kyle. American Music in the Twentieth Century. New York, NY: Prentice Hall International, 1997.
Source: Book
VI. Topical Studies
L. Ives and America
Year: 2004
Complete Citation:
Gann, Kyle. “Music: “Call It Special - American Influences Advance on the European Continent.”” The Village Voice, Vol. 49, No. 18 (2004): 93.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2019
Complete Citation:
Gann, Kyle. “Interlude M: Some Quarter-Tone Impressions (Hába, Ives, Wyschnegradsky).” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 218-225. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2019
Complete Citation:
Gann, Kyle. “The Eleven Limit and the Fourth Dimension.” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 138-140. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Garber, J. Ryan

Year: 1996
Complete Citation:
Garber, J. Ryan. “The Influence of George Ives on His Son Charles.” Clas-sical Music Pages Quarterly (June 1996).
Notes:

<a target="_blank" href="http://www.ryangarber.com/ives.html">Available at http://www.ryangarber.com/ives.html. </a>

Source: Journal
VI. Topical Studies
N. Ives’ Childhood

Garda, Michela

Year: 2011
Complete Citation:
Garda, Michela. “Gregor Herzfeld: “Zeit als Prozess und Epiphanie in der experimentellen amerikanischen Musik: Charles Ives bis La Monte Young.”” Il Saggiatore Musicale, Vol. 18, No. 1-2 (2011): 385-387, 392.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Gardner, John

Year: 1967
Complete Citation:
Gardner, John. “Testing Genius by Analysis.” Composer No. 24 (Summer 1967).
Source: Journal
VI. Topical Studies
G. Music Theory Analyses