Groh, Jack
Year: 1978
Complete Citation:
Groh, Jack. “A conductor's analysis of and preparation and approach to polyrhythms: with particular attention to polyrhythms in certain of the choral works of Charles E. Ives.” D.M.A. diss., University of Missouri-Kansas City, 1978.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Grover, Sharon, and Lizette D. Hannegan
Year: 2005
Complete Citation:
Grover, Sharon, and Lizette D. Hannegan. “What Charlie Heard.” Book Links 14, no. 5, 2005: 18.Source: Magazine
VI. Topical Studies
N. Ives’ Childhood
Gruhn, Wilfried
Year: 1989
Complete Citation:
Gruhn, Wilfried. “Die Bedeutungskonstitution in textgebundener Musik: Ansatze zu einer strukturellen Hermeneutik präsentativer Symbole.” In Wort und Ton im Europaischen Raum: Gedenkschrift fur Robert Scholium, 23-40. Edited by Hartmut Krones. Wien, Austria: Böhlau Verlag, 1989.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Grunfeld, Frederic
Year: 1954
Complete Citation:
Grunfeld, Frederic. “Charles Ives: Yankee Rebel.” High Fidelity 4, no. 9 (November 1954): 34-36, 103, 105, 107-108.Source: Journal
VI. Topical Studies
L. Ives and America
Gunden, Heidi von
Year: 1983
Complete Citation:
Gunden, Heidi von. The Music of Pauline Oliveros, 147. Metuchen, NJ: Scarecrow Press, 1983.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Haefeli, Toni
Year: 1998
Complete Citation:
Haefeli, Toni. “Berichte: Opernbetrieb versus Absolute Musik.” Dissonanz (1998): 30-31.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Hair, Ross
Year: 2011
Complete Citation:
Hair, Ross. “‘Local Color’: Ronald Johnson, Charles Ives, and America.” Comparative American Studies an International Journal: Idea of Influence in American Literature, vol. 9, no. 2 (2011): 131-145.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hale, William
Year: 2005
Complete Citation:
Hale, William. “The Difficulty of Ives.” Paper presented at Charles Ives and His World, as Tribute to Iconoclastic American Com-poser. New England Conservatory of Music, Jordan Hall and Williams Hall, Boston, Massachusetts, March 13--17, 2005.Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Hall, Fred M. and Gene Lees
Year: 1996
Complete Citation:
Hall, Fred M. “Time to Expand Horizons.” In It's About Time: The Dave Brubeck Story, 126-142. Fayetteville, AR: University of Arkansas Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Halsey, Jeffrey O.
Year: 1982
Complete Citation:
Halsey, Jeffrey O. “Four compositional analyses, an educational approach.” M.M. thesis, Bowling Green State University, 1982.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Hamilton, Michael
Year: Year unlisted
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hamilton, Susan
Year: 1981
Complete Citation:
Hamilton, Susan. “The 114 songs of Charles Ives.” B.A. Thesis, University of Waterloo, 1981.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Hamm, Charles and Peter Winkler
Year: 1985
Complete Citation:
Hamm, Charles and Peter Winkler. “Interview with Charles Hamm.” Review of Popular Music 1 (1985): 8-10.Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Hamm, Chelsey
Year: 2016
Complete Citation:
Hamm, Chelsey. “Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance.” Ph.D. diss., Jacobs School of Music, Indiana University, 2016.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Hamm, Chelsey L.
Year: 2016
Complete Citation:
Hamm, Chelsey L. “Charles Ives and Democracy: Association, Borrowing, and Treatment of Dissonance in His Music. Jacobs School of Music.” Ph.D. diss., Indiana University, 2016.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Hanks, Sarah Elizabeth
Year: 1963
Complete Citation:
Hanks, Sarah Elizabeth. “Charles Ives: the creative process of the composer especially in the Second pianoforte sonata, Concord, Mass., 1840-1860.” M.A. thesis, Smith College, 1963.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Hansen, Chadwick
Year: 1975-1976
Complete Citation:
Hansen, Chadwick. “One Place in New England: The Fifty-Fourth Massachusetts Volunteer Infantry as a Subject for American Artists.” Student Musicologists at Minnesota 6 (1975-1976).Source: Journal
VI. Topical Studies
L. Ives and America
Hanson, Howard
Year: 1942
Complete Citation:
Hanson, Howard. “Twenty Years’ Growth in America.” Modern Music XX, 1 (November-December 1942): 101.Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1951
Complete Citation:
Hanson, Howard. Music in Contemporary American Civilization. Montgomery Lectures on Contemporary Civilization. Lincoln, NE: University of Nebraska, 1951.Source: Book
VI. Topical Studies
L. Ives and America
Harding, Walter
Year: 1947
Complete Citation:
Harding, Walter. “Thoreau and Music.” Thoreau Society Bulletin 18 (January 1947): 2.Source: Bulletin
Reprints: Harding, Walter. “Thoreau and Music.” <i>Thoreau Society Bulletin</i>, Numbers 1-100 (Fall 1941-Summer 1967 Summer). New York, NY: Johnson Reprint Corp., 1970.
VI. Topical Studies
A. Transcendentalism or Philosophy
