Marshall, Ingram
Year: 2006
Complete Citation:
Marshall, Ingram. “John Adams on conducting Ives.” In The John Adams reader: essential writings on an American composer, edited by Thomas May, 264-270. Pompton Plains, NJ: Amadeus, 2006.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Marstal, Henrik
Year: 1994
Complete Citation:
Marstal, Henrik. “Mahler og Ives: modernitetsaspekter: kollage-og citatanvendelser i udvalgte værker af Gustav Mahler og Charles E. Ives.” Thesis, Musikvidenskabeligt Institut, Københavns Universitet, 1994.Source: Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Martin, Robert
Year: 1996
Complete Citation:
Martin, Robert. “American Musical Life: 1890-1914.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 28-29. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
L. Ives and America
Martin, Warren Charles
Year: 1974
Complete Citation:
Martin, Warren Charles. “Techniques of rhythmic variation in the songs for solo voice and piano written by Charles Ives in 1921.” Ph.D. diss., East Texas State University, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Martin, William R. and Julius Drossin
Complete Citation:
Martin, William R. and Julius Drossin. Charles Ives, Edgard Varèse and Elliott Carter. Englewood Cliffs, NJ: Prentice-Hall, 1980.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Masse, Thomas Gilmore
Year: 1997
Complete Citation:
Masse, Thomas Gilmore. “Revisions, Chronology and Redating of the Largo of Charles Ives.” Clarinet 24/3 (1997): 36--41.Notes: Regarding the Largo for violin, clarinet, and piano.
Source: Journal
VI. Topical Studies
C. Chronology
Massey, Drew
Year: 2010
Complete Citation:
Massey, Drew. An ““Unobtrusive minister of genius”: John Kirkpatrick and the editing of contemporary American music.” Ph.D. diss., Harvard University, 2010.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Mauceri, John, moderator
Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches
Mauk, David C.
Year: 1999
Complete Citation:
Mauk, David C. “New England Transcendentalism versus Virulent Nationalism: The Evolution of Charles Ives’ Patriotic March Music.” American Studies in Scandinavia 31/1 (1999): 24-33.Notes: Remarks about A Sym-phony: New England Holidays: “Washington'sBirthday"; Orchestral Set No. I: Three Places in New England: "Putnam's Camp”; Sonata No. 2, Concord, Mass., 1840- 1860," for piano: "Hawthorne"; Sym-phonies Nos. 2 and 3, and Symphony No. 4: second and third move-ments.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Maus, Fred Everett
Year: 1991
Complete Citation:
Maus, Fred Everett. 1991. “Music as Narrative.” Indiana Theory Review 12: 1-34.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Mays, Kenneth Robert
Year: 1961
Complete Citation:
Mays, Kenneth Robert. “The use of hymn tunes in the works of Charles Ives.” M.M. Thesis, Indiana University, 1961.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Maynard, Solomon
Year: 1987
Complete Citation:
Maynard, Solomon. “Charles Ives: Some Questions of Veracity.” Journal of the American Musicological Society Vol. 40, No. 3 (Fall 1987): 443-470.Notes: Presented at Indiana University (October, 1987) and Brooklyn College (October, 1987).
Source: Journal
VI. Topical Studies
C. Chronology
McCalla, James
Complete Citation:
McCalla, James. “Before World War I: Ravel, Schoenberg, Webern, Stravinsky, and Ives.” In Twentieth-Century Chamber Music. New York, NY: Routledge, 2003.VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1973
Complete Citation:
McCalla, James. “Structural and harmonic innovations in the music of Schoenberg, Stravinsky and Ives prior to 1915.” M.M. thesis, New England Conservatory of Music, 1973.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
McCandless, William Edgar
Year: 1974
Complete Citation:
McCandless, William Edgar. “Cantus firmus techniques in selected instrumental compostions, 1910-1960.” Ph.D. diss., Indiana University, 1974.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
McCarrell, Stuart
Year: 1991
Complete Citation:
McCarrell, Stuart. “Charles Ives.” In New York: Visions, Struggles, Voices. Chicago, IL: Xenia, 1991.Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan
McClees, Nancy Susan
Year: 1971
Complete Citation:
McClees, Nancy Susan. “The musical of Charles Ives as applied in his trio for violin and 'cello and piano.” M.A. Thesis, Dominican College of San Rafael, 1971.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
McClendon, James W.
Year: 1994
Complete Citation:
McClendon, James W. “Charles Edward Ives: Theologian in Music.” In Theomusicology, edited by Jon Michael Spencer. Durham, NC: Duke University Press, 1994.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
McClendon, Jr., James Wm.
Year: 1990
Complete Citation:
McClendon, Jr., James William. “Expanding the Theory: Charles Edward Ives — Theologian in Music.” In Biography as theology: how life stories can remake today’s theology. Eugene, OR: Wipf and Stock Publishers, 1990.Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
McCorkle, Donald, ed.
Year: 1970
Complete Citation:
McCorkle, Donald, ed. “The Composer in Academia: Reflections on a Theme of Stravinsky.” College Music Symposium, Vol. 10 (Fall 1970): 57-58. Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers