Image
Complete Citation:
Price, Jonathan. “The Rough Way up the Mountain.” Yale Alumni Magazine (April 1968): 28-37.
Bibliography
Genres
Price, Jonathan
Year: 1968
Source: Journal
Reprints:
Price, Jonathan. “The Rough Way up the Mountain.” <i>Music Educator's Journal</i> 55/2 (October 1968): 38-45.
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Priest, Charles T.
Year: 2008
Complete Citation:
Priest, Charles T. “Regionalism in Selected Musical Works of Charles Faulkner Bryan (1911–1955).” D.M.A. diss., The Southern Baptist Theological Seminary, 2008.Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Pütz, Werner, Peter Virnich, and Peter Winz-Luckei
Year: 1987
Complete Citation:
Putz, Werner, Peter Virnich, and Peter Winz-Luckei. “Neue Musik handelnd erfahren: Eine Unterrichtsreihe zu Charles Ives und John Cage.” Musik und Bildung 19/5 (1987): 350-358.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Quackenbush, Margaret Diane
Year: 1976
Complete Citation:
Quackenbush, Margaret Diane. “Form and texture in the works for mixed chamber ensemble by Charles Ives.” M.A. Thesis, University of Oregon, 1976.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Rabinowitz, Peter J.
Year: 1981
Complete Citation:
Rabinowitz, Peter J. “Fictional Music: Toward a Theory of Listening.” In Theories of Reading, Looking, and Listening, edited by Harry R. Garvin, 193-208. Bucknell Review, vol. 26, no. 1. Lewisburg, PA: Bucknell University Press, 1981.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Ramey, Phillip
Year: 1978
Complete Citation:
Ramey, Phillip. “A Talk with Samuel Barber.” Liner notes for Songs of Samuel Barber and Ned Rorem. New World Records 229, 1978, 33.3 RPM.Source: Liner notes
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Randall, Todd J.
Year: 1993
Complete Citation:
Randall, Todd J. “Charles Ives and his champions.” B.A. Honors Thesis, State University of New York College, Geneseo, 1993.Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
C. Baccalaureate Essays
Rangell, Andrew
Year: 1976
Complete Citation:
Rangell, Andrew. “The violin-piano sonatas of Charles Ives: an analytical discussion.” D.M.A. Thesis, The Juilliard School, 1976.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Rao, Nancy Yunhwa
Year: 2014
Complete Citation:
Rao, Nancy Yunhwa. “Allegro Scorrevole in Carter’s First String Quartet: Crawford and the Ultramodern Inheritance.” Music Theory Spectrum 36/2 (2014): 181-202.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rappaport, Howard
Year: 2005
Complete Citation:
Rappaport, Howard. “The Infinite Variety of Listening Logs: Your Students May Astound You.” Music Educators Journal 91/3 (2005): 29-33.Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Rarig, Howard Raymond
Year: 1952
Complete Citation:
Rarig, Howard Raymond. “The second string quartet of Charles Ives.” M.M. Thesis, Ithaca College, 1952.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
B. Theses
Rasmussen, Karl Aage
Year: 1977
Complete Citation:
Rasmussen, Karl Aage. “Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 251-252. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Rasmussen, Karl Aagi
Year: 1975
Complete Citation:
Rasmussen, Karl Aagi. “Music on Music — a study of quotation and college.” Lecture, First American Music Conference, Keene University, England, April 18-21, 1975.Source: Lecture
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Rathert, Wolfgang
Year: 1983
Complete Citation:
Rathert, Wolfgang. “Musik als Philosophie—Ives und Cage in der Nachfolge des Transzendentalismus.” In Der Hang zum Gesamtkunstwerk: Europäische Utopien seit 1800, 53-59. Berlin, Germany: Berliner Künstlerprogramm des DAAD, 1983.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Philosophische Grundlagen der Musik von Charles Ives.” In Entgrenzungen in der Musik, edited by Otto Kolleritsch, 123-137. Studien zur Wertungsforschung, Vol. 18. Vienna, Austria: Universal Edition, 1983.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Studien zum Werk von Charles Ives.” Ph.D. dis-s., Freie Universität Berlin, 1987.Notes:
Revised and printed: The Seen and the Unseen: Studien zum Werke von Charles Ives. (1991)
Source: Ph.D. Dis-sertation
Reprints:
Rathert, Wolfgang. <i>The Seen and the Unseen: Studien zum Werke von Charles Ives</i>. Berliner Musikwissenschaftliche Arbeiter, 38. Series edited by Carl Dahlhaus and Rudolf Stephan. Munich/Salzburg, Germany: Musikverlag Emil Katzbichler, 1991.
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Ives-Studien.” Ph.D. diss., Freie Universität Berlin, 1987.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Year: 1989
Complete Citation:
Rathert, Wolfgang. “Aspekte Asthethik Modernität bei Ives und Mahler.” In Das Gustav-Mahler-Fest: Bericht über der Internationalen Gustav Mahler Kongress, edited by Matthia Theodor Vogt, 333-444. Kassel, Germany: Bärenreiter, 1991.Source: Chapter in Book/Conference Paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives: Gibt es eine 'geheime Zeitgenossen- schaff?” Neue Zeitschrift für Musik 151/10 (October 1990): 7-12.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1991
Complete Citation:
Rathert, Wolfgang. “Aspekte asthetischer Modernitat bei Mahler und Ives.” In Das Gustav-Mahler-Fest Hamburg 1989, edited by Matthias Theodor Vogt, 333-343. Kassel, Germany: Barenreiter, 1991.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers