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Bibliography

Sanders, Donald

Year: 1976
Complete Citation:
Sanders, Donald. “Plaques Mark Homes of Ives, Ellington.” Boston Globe, August 17, 1976, 20.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Sandifer, Edward

Year: 2015
Complete Citation:
Sandifer, C. Edward. “Life and Death - Part 1: (July 2008).” In How Euler Did Even More, 1st ed, 67-73. Washington, DC: Mathematical Association of America, 2015.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Sarette, Gregory L.

Year: 1977
Complete Citation:
Sarette, Gregory L. “Rhythm(ic?) Devices in Selected Works in Charles Ives.” M.A. Thesis, University of Wyoming, 1977.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Schafer, R. Murray

Year: 1967
Complete Citation:
Schafer, R. Murray. “Charles Ives and Perspective.” Ear Clearing: Notes for an Experimental Music Course, 31-36. Don Mills, Ontario: BMI Canada Limited, 1967.
Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education
Year: 1976
Complete Citation:
Schafer, R. Murray. “Charles Ives and Perspective.” In Creative music education: a handbook for the modern music teacher. New York, NY: Schirmer Books, 1976.
Source: Book
VI. Topical Studies
T. Ives in Music Education
Year: 1988
Complete Citation:
Schafer, R. Murray. “Charles Ives and Perspective.” In The Thinking Ear: Complete Writings on Music Education. Indian River, Ontario, Canada: Arcana Editions, 1988.
Source: Chapter in Book
VI. Topical Studies
T. Ives in Music Education

Schafer, William J.

Year: 1975-1976
Complete Citation:
Schafer, William J. “Introducing Charles Ives: A Multi-Media Experience.” Student Musicologists at Minnesota 6 (1975-76): 5-15.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Scharnhorst, Gary

Year: 1988
Complete Citation:
Scharnhorst, Gary. “From Soldier to Saint: Robert Gould Shaw and the Rhetoric of Racial Justice.” Civil War History 34 (December 1988): 321.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Schemanske, Joyce Anne

Year: 1983
Complete Citation:
Schemanske, Joyce Anne. “The organ music of William Bolcom as it reflects the musical legacy of Charles Ives.” D. Mus. Thesis, Northwestern University, 1983.
Source: D. Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Scherer, Barrymore Laurence

Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. New England Iconoclast: Charles Ives. Naperville, IL: Sourcebooks, 2007.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. “New England Icono-clast: Charles Ives.” In A History of American Classical Music, 66-69. Naperville, IL: Sourcebooks, 2007.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. “New England Iconoclast: Charles Ives.” In A history of American classical music. Naxos Books, 2012.
Source: Book
VI. Topical Studies
L. Ives and America

Schermer, Richard

Year: 1980
Complete Citation:
Schermer, Richard. “The Aesthetics of Charles Ives in Relation to his ‘String Quartet No. 2’.” M.A. thesis, California State University, 1980.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Scheuer, Philip K.

Year: 1964
Complete Citation:
Scheuer, Philip K. “Movies and the Sound of Great Music.” Los Angeles Times, January 26, 1964, A2.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schiff, David

Year: 1983
Complete Citation:
Schiff, David. The Music of Elliot Carter, 17-19 and passim. London, United Kingdom: Eulenberg Books, 1983.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2018
Complete Citation:
Schiff, David. Carter. New York, New York: Oxford University Press, 2018.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Schlocker, Georges

Year: 1998
Complete Citation:
Schlocker, Georges. “Christoph Marthaler: Memory Resurrected.” Art Press 232 (February 1998): 54-56.
Source: Journal
VI. Topical Studies
R. Performance Approaches

Schlumpf, Brightin Rose

Year: 2007
Complete Citation:
Schlumpf, Brightin Rose. “Honoring national character and identity through music: Hungarian Béla Bartók's 44 duos for two violins and American Charles Ives's Second violin sonata.” In Senior honors thesis collection (Music), 2000-2007. Ithaca, NY: Cornell University, 2007.
Source: Book
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays

Schmidt, Christian Martin

Year: 1977
Complete Citation:
Schmidt, Christian Martin. Brennpunkte der Neuen Musik: historisch-systematisches zu wesentlichen Aspekten. Cologne, Germany: Musikverlag Gerig, 1977.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Schneider, Frank

Year: 1989
Complete Citation:
Schneider, Frank. “Masse als kompositorisches Phaenomen.” Disso-nant/Dissonance 20 (May 1989): 16-17.
Notes:

Regarding Orchestral Set No.2: “From Hanover Square North at the End of a Tragic Day the Voice of the People Again Arose.”

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers