Borgman, George Allan
Year: 1953
Complete Citation:
Borgman, George Allan. “Nationalism in Contemporary Music.” M.M. thesis, Indiana University, 1953.Notes: Numerous citations for Ives.
Source: M.M. thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Borroff, Edith
Year: 1988
Complete Citation:
Borroff, Edith. “American Music since Charles Ives.” Sonneck Society for American Music Bulletin 14/1 (1988): 11-12.Source: Journal
VI. Topical Studies
L. Ives and America
Year: 2003
Complete Citation:
Borroff, Edith. “Charles Ives.” In Music melting round: a history of music in the United States. Lanham, MD: Scarecrow Press, 2003.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Borum, Poul
Year: 1996
Complete Citation:
Borum, Poul. “Musikkens Borum.” Dansk Musik Tidsskrift, Vol. 70, No. 5 (1996): 160-166.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Botstein, Leon
Year: 1996
Complete Citation:
Botstein, Leon. “Innovation and Nostalgia: Ives, Mahler, and the Origins of Modernism.” In Charles Ives and His World, edited by J. Peter Burkholder, 35-74. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2005
Complete Citation:
Botstein, Leon. “Copland Reconfigured.” In Aaron Copland and His World, edited by Carol J. Oja and Judith Tick, 439-484. Princeton, NJ: Princeton University Press, 2005.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bottemanne, Jean-Paul
Year: 1995
Complete Citation:
Bottemanne, Jean-Paul. “L’esprit musical de Charles Ives, 1874-1954: essai sur les specificites techniques et esthitiques de I'oeuvre de Charles Ives.” Doctoral thesis, University of Paris 8, 1995.Source: Doctoral Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Bounds, Charles Evans
Year: 1951
Complete Citation:
Bounds, Charles Evans. “A study of the solo songs of Charles Ives.” M.M. Thesis, North Texas State College, 1951.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Bourne, Patricia Gerald
Year: 1961
Complete Citation:
Bourne, Patricia Gerald. “An American meets Euterpe: Charles Edward Ives.” A.B. thesis, Radcliffe College, 1961.Source: A.B. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
C. Baccalaureate Essays
Bowden, Charles
Year: 2015
Complete Citation:
Bowden, Charles. “On the edge with Edward Abbey, Charles Ives, and the Outlaws.” In Abbey in America: a philosopher's legacy in a new century. Albuquerque, NM: University of New Mexico Press, 2015.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bowden, Derek T.
Year: 2004
Complete Citation:
Bowden, Derek T. “Musical journeys across the American landscape: American sense of place and landscape revealed through national anthems and selected works of Aaron Copland and Charles Ives.” M.A. Thesis, University of Delaware, 2004.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Bowen, Meirion
Year: 1979
Complete Citation:
Bowen, Meirion. “On the long misunderstanding of Charles Ives.” The Guardian, April 17, 1979, 8.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Boziwick, George
Year: 2000
Complete Citation:
Boziwick, George. “Henry Cowell at the New York Public Library: A Whole World of Music.” Notes 57, no. 1 (September 2000): 46-58.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bozynski, Michelle Carole
Year: 1995
Complete Citation:
Bozynski, Michelle Carole. “Transcendentalism and social context as meaning in the music of Charles Ives: a case study of The things our fathers loved.” M.Mus. Thesis, University of Alberta, 1995.Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Brady, Tim
Year: 1995
Complete Citation:
Brady, Tim. “Death of a Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.Notes: Closes with a quotation from the “Epilogue” of Essays Before a Sonata.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1995
Complete Citation:
Brady, Tim. “Death of the Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Bradshaw, James Robert McKeel
Year: 2014
Complete Citation:
Bradshaw, James Robert McKeel. “Historical and musical comparison of cello works by David Stanley Smith and the Fourth violin sonata by Charles Ives.” D.M.A. Thesis, University of Oklahoma, 2014.Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
Brandt, Maarten
Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Brandt, R. Lynne
Year: 1998
Complete Citation:
Brandt, R. Lynne. “Transcendentalism and intertextuality in Charles Ives's war songs of 1917.” M.M. Thesis, University of North Texas, 1998.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Brant, Henry
Year: 1957
Complete Citation:
Brant, Henry. “Henry Cowell—Musician and Citizen.” Etude (February 1957): 15, 47, 58-59; (March, 1957): 20, 60-61; (April 1957): 22, 60-61.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers