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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
A. Transcendentalism or Philosophy
B. Musical Quotation or Borrowing
C. Chronology
D. Insurance
E. Comparisons and Relationships with Other Composers, Artists, and Writers
F. Polytonality
G. Music Theory Analyses
H. Ives, 20th Century Music, and Experimental Styles
I. Compositional Process
J. Extra-Musical Themes in Ives’s Compositions
K. Stylistic Influences on Ives
L. Ives and America
M. Ives and Manhattan
N. Ives’ Childhood
O. Ives and Yale
P. Ives Collaborators and Colleagues
Q. Ives Scholars
R. Performance Approaches
S. Reception Studies and Related Scholarship
T. Ives in Music Education
U. Institutions and Ives’ Legacy
V. Awards
W. Obituaries
VII. Entries in Larger Volumes
A. Dissertations
B. Theses
C. Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Von Glahn [Cooney], Denise

Year: 1996
Complete Citation:
Von Glahn [Cooney], Denise. “Narration and Landscape.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 33-37. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Von Glahn, Denise

Year: 2001
Complete Citation:
Von Glahn, Denise. “Renewing Immortality: The Musical Monument of Charles Ives.” In Hope and Glory: Essays on the Legacy of the Fifty- Fourth Massachusetts Regiment, edited by Martin H. Blatt, Thomas J. Brown, and Donald Yacovone, 191--201. Amherst, MA: University of Massachusetts Press in Association with the Massachusetts Historical Society, 2001.
Notes:

In re: "Colonel Robert Shaw and His Colored Regiment" from Orchestral Set No. 1: Three Places In New England.

Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys and Indians: Aspects of the Other Side of Pioneering.” American Music 19/3 (Fall 2001): 291-314.
Notes:

De-tailed discussion of two songs: The Indians and Charlie Rutlage.

Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys, and Indians: Aspects of the ‘Other Side of Pioneering.’” American Music, vol. 19, no. 3 (2001): 291-314.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2003
Complete Citation:
Von Glahn, Denise. “From Country to City in the Music of Charles Ives.” In The Sounds of Place: Music and the American Cultural Landscape, 64--109. Boston, MA: Northeastern University Press, 2003.
Source: Chapter in Book
VI. Topical Studies
M. Ives and Manhattan

von Rhein, John

Year: 1999
Complete Citation:
von Rhein, John. “Millennial Masterworks.” Chicago Tribune [Arts & Entertainment] (July 25, 1999): 5.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Vulpi, Frank

Year: 1982
Complete Citation:
Vulpi, Frank. “Charles Ives’ Concord Sonata: transcendental unity and mechanic form.” M.A. thesis, Ohio State University, 1982.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wagner, Jeanine F.

Year: 1981
Complete Citation:
Wagner, Jeanine F. “A comparison of Charles Ives’ “The Children's hour” and Carl Ruggles’ “Toys”.” M.M. thesis, Southern Illinois University at Carbondale, 1981.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Walker, Gwyneth

Year: 1976
Complete Citation:
Walker, Gwyneth. “Tradition and the breaking of tradition in the string quartets of Ives and Schoenberg.” D.M.A. thesis, Hartt School of Music, University of Hartford, 1976.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wallach, Laurence

Year: 1973
Complete Citation:
Wallach, Laurence. “The New England Education of Charles Ives.” Ph.D. diss., Columbia University, 1973.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Wallner, Bo

Year: 1968
Complete Citation:
Wallner, Bo. Var tids musik i Norden: Fran 20--Tal Till 60--Tal, 252, 255, 260. Stock-holm, Sweden: Nordiska Musikforlaget, 1968.
Notes:

Otto Henrik Donner quoted: "I Charles Ives har jag upplevten tonsdattare som inte laste sig vid nagon skenbar logik eller nagot system." Also mentions Donner’s Symphonie (I'Hommage a Ives) of 1964 {E080}.

Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Walton, Scott

Year: 2003
Complete Citation:
Walton, Scott. “An improvisational reading of Charles Ives's Concord sonata.” D.M.A. thesis, University of California, San Diego, 2003.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Warburton, Thomas

Year: 1982
Complete Citation:
Thomas, Warburton,. “Abstract: Ives’s Modular Rags and a Skit for Danbury Fair.” Sonneck Society for American Music Bulletin (Spring) 9: 18.
Notes:

A paper read at the American Musicological Society meeting (November 7: Ann Arbor, MI).

Source: Conference Paper
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1999
Complete Citation:
Warburton, Thomas. “Charles Ives and the Ragtime.” Studi Musicali 27/1 (1999): 209-238.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Ward, Charles

Year: 1969
Complete Citation:
Ward, Charles. “The Use of Hymn Tunes as an Expression of ‘Substance’ and ‘Manner’ in the Music of Charles E. Ives.” Master’s Essay, University of Texas at Austin, 1969.
Notes:

Unpublished Master’s Thesis

Source: Master’s Thesis
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives’s Concept of Music.” Current Musicology, no. 18 (1974): 114-19.
Source: Journal
VI. Topical Studies
I. Compositional Process

Ward, Charles Wilson

Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives: The Relationship Between Aesthetic Theories and Compositional Processes.” Ph.D. diss., University of Texas at Austin, 1974.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Ward, Keith C.

Complete Citation:
Ward, Keith C. “Ives, Schoenberg, and the Musical Ideal.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 87-104. New Haven, CT: Yale University Press, 1996.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1984
Complete Citation:
Ward, Keith C. “Abstract: Charles Ives and the Over-Soul.” Sonneck Society for American Music Bulletin (Fall) 10: 63.
Notes:

Compares Ives to Emerson.

Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Ward, Keith Charles

Year: 1985
Complete Citation:
Ward, Keith C. "Musical Idealism: A Study of the Aesthetics of Arnold Schoenberg and Charles Ives." D.M.A. diss., Northwestern University, 1985.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations