Image
Complete Citation:
Deming, Clarence. Yale Yesterdays. New Haven, CT: Yale University Press, 1915.
Bibliography
Genres
Deming, Clarence
Year: 1915
Source: Book
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Denahan, Donal
Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.Notes:
“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”
Source: Newspaper
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Denave, Laurent
Year: 2012
Complete Citation:
Denave, Laurent. Un siècle de création musicale aux États-Unis Histoire sociale des productions les plus originales du monde musical américain, de Charles Ives au minimalisme (1890-1990). Geneva, Switzerland: Éditions Contrechamps, 2012.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Denhoff, Michael
Year: 1988
Complete Citation:
Denhoff, Michael. “Stille und Umkehr. Betrachtungen zum Phanomen Zeit.” MusikTexte 24 (1988): 27-38.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Deri, Otto
Year: 1968
Complete Citation:
Deri, Otto. Exploring-Century Music. New York, NY: Holt, Rinehart and Winston, 1968.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Dervan, Michael
Year: 2019
Complete Citation:
Dervan, Michael. “Getting to Know One of the most Unknown of the Unknown Composers: A Peer of Charles Ives and George Gerswhin, Irish-American Pianist and Composer Swan Hennessy has almost been Written Out of Music History.” The Irish Times, March 27, 2019.Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Deutsch, Lawrence
Year: 1989
Complete Citation:
Deutsch, Lawrence. “Overstimulation by a Father: An Alternate View of Charles Ives.” In Fathers and Their Families, edited by Stanley H. Cath, Alan Gurwitt et al., 327-336. Hillsdale, NJ: Analytic Press, 1989.Source: Chapter in Book
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
DeVenney, David P.
Year: 1999
Complete Citation:
DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.Notes:
In Chapter 5, “The End of the Century: Impressionism and the Flowering of Roman-ticism,” some details are given about General William Booth Enters into Heaven, Psalm 90, Psalm 24, Psalm 54, Psalm 135, The Celestial Country, and Three Harvest Home Chorales.
Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Dickinson, Peter
Year: 1968
Complete Citation:
Dickinson, Peter. “Charles Ives.” Music in Education 32/331 (May--June 1968): 138--140, 157.Notes:
Includes seven musical examples (139). Closes with the infamous misquotation of Schoenberg (157).
Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” The Musical Times 115 (September 1974): 836-8-38.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1979
Complete Citation:
Dickinson, Peter. “The Achievement of Ragtime: An Introductory Study with Some Implications for British Research in Popular Music.” In Proceedings of the Royal Music Association 105, 63-76. Oxford, United Kingdom: Oxford University Press, 1979.Notes:
Ives is in-cluded in list of composers influenced by ragtime.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1989
Complete Citation:
Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1996
Complete Citation:
Dickinson, Peter. “Style-modulation as a compositional technique: an inaugural lecture.” London, United Kingdom: Goldsmiths, University of London, 1996.Source: Book/Lecture
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 2016
Complete Citation:
Dickinson, Peter. “Charles Ives and Aaron Copland.” In Words and Music. Woodbridge, United Kingdom: The Boydell Press, 2016.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
DiMaggio, Kenneth
Year: 2013
Complete Citation:
DiMaggio, Kenneth. “Charles Ives: making noise.” In Every page should explode: a genealogy of romantic and post-romantic theory of creativity. Champaign, IL: Common Ground Publishing, 2013.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
DiYanni, Robert
Year: 1981
Complete Citation:
DiYanni, Robert. “In the American Grain: Charles Ives and the Transcendentalists.” Jazz and Culture 4 (1981): 139-151.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Dobos, Lora Gingerich
Year: 1986
Complete Citation:
Dobos, Lora Gingerich. “A Technique for Melodic Motive Analysis in Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Notes:
Uses Sonata No. 4 for violin and piano for her example.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Domin, Wolfgang
Year: 1997
Complete Citation:
Domin, Wolfgang. “Unterricht: Schülerinnen und Schüler gehen eigene Wege: Charles Ives: “The Unanswered Question” in einem 9. Schuljahr.” Musik in der Schule, Vol. 10, No. 5 (1997): 240-244.Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Donner, Gregory
Year: 1984-1985
Complete Citation:
Donner, Gregory. “Ives’s Harmonic Language.” Journal of Musicology 5 (1984-1985): 237-249.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Donohue, John and Michael Petersen
Year: 1974
Complete Citation:
Donohue, John and Michael Petersen. “Connecticut's Music Man: Charles Ives.” The Hartford Courant Magazine, October 20, 1974, 2H.Source: Newspaper
VI. Topical Studies
L. Ives and America
L. Ives and America