Image
Complete Citation:
Emmery, Laura. “An American Modernist: Teatime with Elliott Carter.” Tempo, Vol. 67 (2013): 22-29.
Bibliography
Genres
Emmery, Laura
Year: 2013
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Emmery, Laura and Elliot Carter
Year: 2013
Complete Citation:
Emmery, Laura, and Elliott Carter. “An American Modernist: Teatime with Elliott Carter.” Tempo, vol. 67, no. 264 (2013): 22-29.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Emmerik, Paul van
Complete Citation:
Paul van Emmerik. “Review of Silencing the Sounded Self: John Cage and the Ameri-can Experimental Tradition.” Notes (March 2000) 56/3: 729.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Engel, Lehman
Year: 1973
Complete Citation:
Engel, Lehman. This Bright Day. New York, New York: The Macmillan Company, 1974.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
English, David
Year: 2001
Complete Citation:
English, David. “How Ives Won [Response to the Harmonist].” The New Yorker 7, January 22, 2001.Notes:
Contradicts Ross’s use of the word “failure” in refer-ence to Ives’s career.
Source: Magazine
VI. Topical Studies
Year: 2001
Complete Citation:
David English. “How Ives Won [Response to the Harmonist].” New Yorker 7 (January 22, 2001).Notes:
Contradicts Ross’s use of the word “failure” in refer-ence to Ives’s career.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Ericson, Raymond
Year: 1964
Complete Citation:
Ericson, Raymond. “Charles Ives: After 55 Years, Still Avant-Garde.” The New York Times, May 24, 1964, sec. 2, 113, 18.Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1969
Complete Citation:
Ericson, Raymond. “Retrospective Cowell Program Honors the Music Experimenter.” The New York Times (March 20, 1969): 55.Notes:
A review of a concert. Only mention of Ives: “A member of the audience sported a button ‘Ives Lives.’ This reference to the great innovator in American music, Charles Ives, might just as well have read ‘Cowell Lives.’”
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Etheridge, Elizabeth
Year: 1991
Complete Citation:
Etheridge, Elizabeth. “Ives the Insurance man.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.Source: Conference paper
VI. Topical Studies
D. Insurance
D. Insurance
Evseeva, Marina
Year: 1989
Complete Citation:
Evseeva, Marina. “Fortepiannaja sonata v tvorcestve kompozitorov SSA XX veka: Carl’z Ajvz, Aaron Koplend, Vinsent Persiketti.” Ph.D. diss., Gosudarstvennaja Konservatorija, Moscow, 1989.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Ewing, James William
Year: 1965
Complete Citation:
Ewing, James William. “A study of selected songs of Charles Edward Ives.” D. Mus. thesis, Northwestern University.Source: D.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Ewen, David
Year: 1934
Complete Citation:
Ewen, David. Composers of Today. New York, NY: Wilson, 1934: 132-133.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1942
Complete Citation:
Ewen, David. Music Comes to America, 277, 289. New York, NY: Allen, Towne & Heath, 1947.Notes:
Two passing citations. Submits that American music will follow “the futuristic music of Charles Ives.”
Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1950
Complete Citation:
Ewen, David. “The Belated Discovery of Charles Ives.” Tomorrow 9/9 (May 1950): 10-14.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1969
Complete Citation:
Ewen, David. “The Eccentrics.” In David Ewen Introduces Modern Music: A History and Appreciation: From Wagner to the Avant--Garde, 51-60. New York, NY: Chilton Publishing, 1969.Notes:
Discusses Quartet No. 2; Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; Symphony No. 2; and Symphony No. 4.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1971
Complete Citation:
Ewen, David. Composers of tomorrow’s music: a non-technical introduction to the musical avant-garde movement. Westport, CT: Greenwood Press, 1971.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Fairfield, Patrick K.
Year: 2000
Complete Citation:
Fairfield, Patrick K. “Representations of gender and sexuality in the music and writings of Charles Ives.” Ph.D. diss., Brandeis University, 2000.Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations
A. Dissertations
Farwell, Arthur
Year: 1935
Complete Citation:
Farwell, Arthur. “Pioneering for American Music.” Modern Music 12 (March-April 1935): 116-122.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Faucett, Bill F. (Compiled, prepared, and introduced by)
Year: 2008
Complete Citation:
Faucett, Bill F., ed. Music in America, 1860--1918: Essays, Reviews, and Remarks on Critical Issues. Monographs and Bibliographies in American Music, series edited by Michael J. Budds. Hillsdale, NY: Pendragon Press, 2008.Notes:
Cites and quotes from the review of The Celestial Country from the Musical Courier {CI08}.
Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Feder, Stuart
Complete Citation:
Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” The Annual of Psychoanalysis Vol. 10 (1982), pp. 301-332.Source: Journal
Reprints:
Feder, Stuart. “The Nostalgia of Charles Ives: An Essay in Affects and Music.” In <i>Psychoanalytic Explorations in Music</i>, edited by Stuart Feder, Richard L. Karmel, and George H. Pollock, 233-266. Volume 3 of <i>Applied Psychoanalysis Series</i>. Madison, CT: International Universities Press, 1990.
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions