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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Kunze, Stefan

Year: 1974
Complete Citation:
Kunze, Stefan. “Raumvorstellungen in der Musik.” Archiv für Musikwissenschaft 31/1 (1974): 1-21.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Kupferberg, Herbert

Year: 1974
Complete Citation:
Kupferberg, Herbert. “Ives Centennial Hits Crescendo.” National Observer, October 26, 1974: 26.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

La Motte-Haber, Helga de

Year: 1986
Complete Citation:
La Motte-Haber, Helga de. “Zum Raum wird hier die Zeit.” Osterreichische Musikzeitschrift 41/6 (June 1986): 282-288.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lambert. J. Philip

Year: 1989
Complete Citation:
Lambert. J. Philip. “Communications.” Journal of the American Musicological Society 42/1 (Spring 1989): 204-209.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Lambert, J. Philip

Year: 1990
Complete Citation:
Lambert, J. Philip. “Interval Cycles as Compositional Resources in the Music of Charles Ives.” Music Theory Spectrum 12/1 (Spring 1990): 43-82.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1990
Complete Citation:
Lambert, J. Philip. “Aggregate Structures in Music of Charles Ives.” Journal of Music Theory 34 (1990): 29-55.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1991
Complete Citation:
Lambert, J. Philip. “Ives and Counterpoint.” American Music 9, No. 2 (Summer 1991).
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1993
Complete Citation:
Lambert, J. Philip. “Toward a Theory of Chord Structure for the Music of Charles Ives.” Journal of Music Theory 37/1 (Spring 1993): 55-83.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1996
Complete Citation:
Lambert, J. Philip. “Ives and Berg: “Normative” Procedures and Post-Tonal Alternatives.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lambert, Jay Philip

Year: 1987
Complete Citation:
Lambert, Jay Philip. “Compositional procedures in experimental works of Charles E. Ives.” Ph.D. diss., University of Rochester, 1987.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lambourn, David

Year: 1986
Complete Citation:
Lambourn, David. “Grainger and Ives.” Studies in Music 20 (1986): 46-61.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lapsley, James N.

Year: 2007
Complete Citation:
Lapsley, James N. “Charles Ives and the Reformed Tradition: A Musical Pilgrimage.” Theology Today, vol. 64, no. 3 (2007): 305-321.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

LaRocca, David

Year: 2013
Complete Citation:
LaRocca, David. Estimating Emerson: an anthology of criticism from Carlyle to Cavell. New York, NY: Bloomsbury Academic, 2013.
Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Larson, Gary O.

Year: 1975-76
Complete Citation:
Larson, Gary O. “Charles Ives and American Studies.” Student Musicologists at Minnesota 6 (1975-76): 237-249.
Source: Journal
VI. Topical Studies
L. Ives and America

Larson, Thomas

Year: 1981-1982
Complete Citation:
Larson, Thomas. “Unanswering the Question.” Perspectives of New Music 20/1-2 (1981-1982): 363-405.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lash, Dominic

Year: 2018
Complete Citation:
Lash, Dominic. “Druids fielding questions: Eva-Maria Houben, Emily Dickinson and Charles Ives.” In Writing the field recording: sound, word, environment. Edinburgh, Scotland: Edinburgh University Press, 2018.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Laskowich, Lisa

Year: 2003
Complete Citation:
Laskowich, Lisa. “Charles Ives: a reference guide for college students in thirty-three sketches.” D.M.A. Thesis, Manhattan School of Music, 2003.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Lea, Henry

Year: 1985
Complete Citation:
Lea, Henry. Gustav Mahler: Man on the Margin, 75-78. Modern German Studies, Vol. 15. Bonn, Germany: Bouvier, 1985.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Lederman, Minna

Year: 1947
Complete Citation:
Lederman, Minna, “Some American Composers.” Vogue. February 1, 1947.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1983
Complete Citation:
Lederman, Minna. The Life and Death of a Small Magazine (Modern Music, 1924-46). No. 18. I.S.A.M. Monographs. Brooklyn: Institute for Studies in American Music, 1983.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship