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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Mickelsen, William Cooper

Year: 1970
Complete Citation:
Mickelsen, William Cooper. “Hugo Riemann's history of harmonic theory with a translation of Harmonielehre.” Ph.D. diss., Indiana University, 1970.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Middleton, Richard

Year: 1974
Complete Citation:
Middleton, Richard. “Ives and Schoenberg: An English View.” Saturday Review World, September 21, 1974, 39-41.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Miller, Ashleé Michele

Year: 2016
Complete Citation:
Miller, Ashleé Michele. “Charles Ives on the Nature of Experience: The Compositional Design and Aesthetic Programs of Three Orchestral Works.” D.M.A. diss., Graduate Center CUNY, 2016.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Miller, Fred

Year: 1969
Complete Citation:
Miller, Fred. “Ives was a Salesman.” The New York Times, September 28, 1969, D40.
Source: Newspaper
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Miller, Leta E.

Year: 2006
Complete Citation:
Miller, Leta E. “Henry Cowell and John Cage: Intersections and Influences, 1933-1941.” Journal of the American Musicological Society, vol. 59, no. 1 (2006): 47-112.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Miller, Leta E., and Rob Collins

Year: 2005
Complete Citation:
Miller, Leta E., and Rob Collins. 2005. “The Cowell--Ives Relationship: A New Look at Cowell's Prison Years.” American Music 23, no. 4 (Winter 2005): 473-492.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Miller, Sarah Bryan

Year: 1999
Complete Citation:
Miller, Sarah Bryan. “The Century’s Composers of Note.” St. Louis Post-Dispatch [Arts & Entertainment] (August 1, 1999): 1-2.
Notes:

An alphabetical chart to accompany the writer's article “Assessing Classical Music of the 20th Century.” Chooses The Unanswered Question and Three Places in New England. No mention of Ives in the article.

Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2004
Complete Citation:
Miller, Sarah Bryan. “Quintessential American Artists.” St. Louis Post- Dispatch. July 4, 2004, sec. E: 5.
Notes:

Various editors chose important artists in sev-eral fields. The classical music editor chose Ives as one of two classical composers in a collective article. [The other chosen was opera com- poser Carlisle Floyd.]

Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Milligan, Terry G.

Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Poverty Flat (1898-1908).” Journal of Band Research 20/1 (Fall 1984): 30-36.
Source: Journal
VI. Topical Studies
I. Compositional Process
Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Yale.” Journal of Band Research 19/2 (Spring 1984): 39-50.
Source: Journal
VI. Topical Studies
O. Ives and Yale

Milligan, Terry Gilbert

Year: 1978
Complete Citation:
Milligan, Terry Gilbert. “Charles Ives: a study of the works for chamber ensemble written between 1898 and 1908 which utilize wind instruments.” D.M.A. diss., University of Texas at Austin, 1978.
Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Mogill, Kenneth M.

Year: 1987
Complete Citation:
Mogill, Kenneth M. “Some reflections on the relationship between the jury system, truth and Charles Ives.” Cooley Law Review (September 1, 1987).
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Moldenhauer, Hans

Year: 1979
Complete Citation:
Moldenhauer, Hans. Anton von Webern: A Chronicle of His Life and Work, 379, 671. New York, NY: Alfred A. Knopf, 1979.
Notes:

Reproduces the program of an American music concert—1932 February 21—on which songs by Ives, Copland, and Caturla were performed by Ruzena Herlinger and either Paul A. Piskor or Eric Simon, piano. Cites a letter in the Moldenhauer Archives from Ives to Adolph Weiss suggesting Schoenberg, Berg, and Webern as “Honorary European-American” for the honorary board of directors of the Pan American Association of Composers (671).

Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Moldenhauer, Hans, and Rosaleen Moldenhauer

Year: 1979
Complete Citation:
Moldenhauer, Hans, and Rosaleen Moldenhauer. Anton von Webern: Chronik seines Lebens und Werkes. Zurich, Switzerland: Atlantis Verlag, 1979.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Monelle, Raymond and Robert Hatten

Year: 2000
Complete Citation:
Monelle, Raymond and Robert Hatten. “Allegory and Deconstruction.” In The Sense of Music: Semiotic Essays, 196-226. Princeton, NJ: Princeton University Press, 2000.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Moore, MacDonald Smith

Year: 1980
Complete Citation:
Moore, MacDonald Smith. “Yankee Blues: Musical Culture and American Identity.” Ph.D. diss., New York University, 1980.
Source: Ph. D. Disseration
Reprints:

Moore, MacDonald Smith. <i>Yankee Blues: Musical Culture and American Identity</i>. Bloomington, IN: Indi-ana University Press, 1985.

VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Moor, Paul

Year: 1950
Complete Citation:
Moor, Paul. “Two Titans.” Theatre Arts XXIV/ii (February 1950): 49-51, 94-95.
Source: Journal
VI. Topical Studies
L. Ives and America

Morehouse, Christopher

Year: 2005
Complete Citation:
Morehouse, Christopher. “Ivesian Borrowing, Imagery, and Place in Eric Stokes’s ‘The Continental Harp and Band Report’: An American Miscellany’ (1975).” D.M.A. diss., University of Cincinnati, 2005.
Notes:

Discusses the various influences of Ives on Eric Stokes in his composition, "The Continental Harp and Band Report."

Source: D.M.A. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Morgan, Phillip

Year: 1967
Complete Citation:
Morgan, Phillip. “Three contemporary trios for piano, violin, and violoncello.” D.M.A. thesis, University of Rochester, 1967.
Source: D.M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Morgan, Robert P.

Year: 1973
Complete Citation:
Morgan, Robert P. “Rewriting Music History: Second Thoughts on Ives and Varèse.” Musical Newsletter 3, no. 1 (January 1973): 3-12, and 3, no. 2 (April 1973): 15-23, 28.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers