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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Overmyer, Grace

Year: 1827
Complete Citation:
Overmyer, Grace. “Quarter -Tones and Less.” American Mercury- 12/46 (Octo-ber 1927): 207-210.
Notes:

An article dealing with infinite tunings (1/4, 1/8, 1/16 tones); cites concert of 1925 February 14 for the Franco-American Musical Society (music by Hans Barth and Ives; Barth and Sigmund Klein, pianos). States that Ives is “a New York business man and an enthusiastic musical amateur.”

Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Owens, Thomas

Year: 2005
Complete Citation:
Owens, Thomas. “Chord and Dissonance: The Relationship of Peter Yates and Charles Ives and the Role of Los Angeles in the Reception of Ives’s Music.” Paper presented at The Thirty--first Annual Conference of the Society for American Music. Eugene, Oregon, February 17, 2005.
Source: Conference paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Owens, Thomas Clarke

Year: 1999
Complete Citation:
Owens, Thomas Clarke. "Charles Ives and his American context: images of "Americanness" in the arts.” Ph.D. diss., Yale University, 1999.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Owens, Tom

Year: 2006
Complete Citation:
Owens, Tom. “Concord and Dissonance: The Relationship of Peter Yates and Charles Ives and the Role of Los Angeles in the Reception of Ives's Music.” Paper presented at Joint Meeting of Amer-ican Musicological Society and Society for Music Theory. November 3, 2006.
Source: Paper at Conference
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Owens, Tom C.

Year: 2009
Complete Citation:
Owens, Tom C. “Charles Ives and His Tunes.” American Music Review, vol. XXXVIII, no. 2 (2009): 12.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Page, Tim

Year: 1987
Complete Citation:
Page, Tim. “Judging Composers: High Notes, and Low.” The New York Times, March 22, 1987.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Palisca, Claude V.

Year: 1975
Complete Citation:
Palisca, Claude V. “Report on the Musicological Year 1974 in the United States.” Acta Musicologica 47/2 (July-December 1975): 283-289.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Palmer, Kenneth Robert

Year: 1986
Complete Citation:
Palmer, Kenneth Robert. “A performer's guide to Charles Ives' piano sonata no. 2 "Concord, Mass., 1840-1860"; Quintet for piano and strings.” Ph.D. diss., Washington University, 1986.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Panel Discussion

Year: 1996
Complete Citation:
“Rethinking Charles Ives: Issues of Psychology and Politics.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1996
Complete Citation:
“Charles Ives and Turn of the Century.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
K. Stylistic Influences on Ives

Pannain, Guido

Year: 1932
Complete Citation:
Pannain, Guido. Modern Composers. Translated from Italian by Michael R. Bonavia. London, United Kingdom: J.M. Dent.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Park, Hyun

Year: 2008
Complete Citation:
Park, Hyun. “Selected American Violin Works and their European Context.” D.M.A. diss., University of Maryland, College Park, 2012.
Source: D.M.A. Dis-sertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Parker, Imogen

Year: 2008
Complete Citation:
Parker, Imogen. “The Time of Music: The Music of Time.” Critical Quarterly 50, no. 3 (2008): 43-76.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Patterson, Frank

Year: 1922
Complete Citation:
Patterson, Frank. “The Perfect Modernist: A Little Primer of Basic Principles (Twelfth Installment).” Musical Courier, February 16, 1922, 7.
Source: Magazine/Journal
VI. Topical Studies
I. Compositional Process

Paul, David C.

Year: 2005
Complete Citation:
Paul, David C. “Charles Ives, Autonomy, and Cold War Politics.” Paper presented at the American Musicological Society Annual Meeting. Washington, D.C., October 29, 2005.
Source: Conference Paper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2005
Complete Citation:
Paul, David C. “Conversing Paths to Canonicity: Charles Ives, Gustav Mahler, and American Culture.” Ph.D. diss., University of Cali-fornia at Berkeley, 2005.
Notes:

Awarded the Alvin H. Johnson A.M.S. 50 Fellow-ship.

Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Paul, David C. 2006. “From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell.” Journal of the American Musicological Society 59, no. 2 (Summer 2006): 399--458.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2006
Complete Citation:
Paul, David C. “From American Ethnographer to Cold War Icon: Charles Ives through the Eyes of Henry and Sidney Cowell.” Journal of the American Musicological Society 59/2 (Summer 2006): 399--457.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Paul, David Christopher

Year: 2006
Complete Citation:
Paul, David Christopher. “Converging paths to the canon: Charles Ives, Gustav Mahler, and American culture.” Ph.D. Diss., University of California, Berkeley, 2006.
Source: Ph.D. Dissertation
VIII. Dissertations, Theses, and Baccalaureate Essays
A. Dissertations

Pearsall, Ronald

Year: 1986-87
Complete Citation:
Pearsall, Ronald. “Ives in Performance.” Music Review 47/1 (1986-87): 24-28.
Source: Journal
VI. Topical Studies
R. Performance Approaches