Solomon, Maynard
Year: 1985
Complete Citation:
Solomon, Maynard. “Charles Ives: Some Psychonalytic Implications.” Presented at the New York Psychoanalytic Society, New York, New York, December 10, 1985.Notes: This presentation was a response to Stuart Feder’s “Calcium Light Night and Other Early Memories of Charles Ives,” and is extant as an unpublished mansucript.
Source: Conference Presentation
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Solomon, Maynard. “Communications.” Journal of the American Musico- logical Society 42/1 (1989): 209-218.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1989
Complete Citation:
Maynard Solomon. Counter-response to J. Philip Lambert. Journal of the American Musicological Society xlii (1989): 209-218.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Sonntag, Dawn Lenore
Year: 2000
Complete Citation:
Sonntag, Dawn Lenore. “A recital of art songs by early twentieth-century composers.” M.A. thesis, Antioch University, 2000.Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Spackman, S. G. F.
Year: 1986
Complete Citation:
Spackman, S. G. F. “The American Musical Avant-Garde and Europe.” In European Contributions to American Studies 10 (1986): 189-202.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Specq, François
Year: 2008
Complete Citation:
Specq, François. “« God's Alphabet »: Le Transcendantalisme Musical De John Sullivan Dwight.” Revue Française D'études Américaines, no. 117, (2008): 6-25.Source: Magazine
VI. Topical Studies
A. Transcendentalism or Philosophy
Spies, B., and W. Weyer
Year: 2007
Complete Citation:
Spies, B., and W. Weyer. “‘Music is Life’ - the Influence of Transcendentalist Philosophy on Ives’s Concord Sonata.” TD: The Journal for Transdisciplinary Research in Southern Africa, vol. 3, No. 2 (2007): 239-278.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Spiker, John D.
Year: 2012
Complete Citation:
Spilker, John D. “The Curious Afterlife of Dissonant Counterpoint: Jeanette B. Holland's Class Notes from Henry Cowell’s 1951 Advanced Music Theory Course.” American Music, vol. 30, no. 4 (2012): 405-425.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Spurling, Christina
Year: 2016
Complete Citation:
Spurling, Christina. “Spirituality, creativity and human progress in the work of Charles Ives.” Research & Materials, Longy School of Music, 2016.Source: Academic paper
VI. Topical Studies
A. Transcendentalism or Philosophy
Stace, Stephen
Year: 1974
Complete Citation:
Stace, Stephen. “Charles Ives' concept of organization and unity as revealed in the third symphony.” M.F.A. Thesis, Pennsylvania State University, 1974.Source: M.F.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Staebler, Roger Allen
Year: 1959
Complete Citation:
Staebler, Roger Allen. “Charles Ives: An Evaluation of His Aesthetic Philosophy.” M.M. thesis, University of Cincinnati, 1959.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Stambler, Bernard
Year: 1955
Complete Citation:
Stambler, Bernard. “Four American Composers.” Juilliard Review II (Winter 1955): 7-16.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Starr, Larry
Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1983
Complete Citation:
Starr, Larry. “The Early Styles of Charles Ives.” 19th-Century Music Vol. 7 (Summer 1983): 71-80.Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1994
Complete Citation:
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange His- tory of American Art Music.” American Music 12 (Summer 1994): 167-187.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
Starr, Larry. “Ives, Gershwin, and Copland: Reflections on the Strange History of American Art Music.” American Music, vol. 12, no. 2 (1994): 167-187.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Stavridis, Katherine
Year: 1981
Complete Citation:
Stavridis, Katherine. “Charles E. Ives: an American composer: a study of his music.” M.M. thesis, University of Melbourne, 1981.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses
Stefan, Paul
Year: 1932
Complete Citation:
Stefan, Paul. “Vienna Revisits the Depression.” Modern Music 9/3 (March-April 1932): 127-130.Notes: Mentions performance of some of Ives’s songs in a Vienna concert of the Pan American Association of Composers (February 21, 1932: Anton Webern, conductor). Also sponsored by the International Society for New Music.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Steinberg, Michael
Year: 2006
Complete Citation:
Steinberg, Michael. “My father knew Charles Ives (2003).” The John Adams reader: essential writings on an American composer, edited by Thomas May, 205-208. Pompton Plains, NJ: Amadeus, 2006.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Steinbrink, Lisa Yvonne
Year: 1989
Complete Citation:
Steinbrink, Lisa Yvonne. “Charles Edward Ives: his relationship to other composers, his general composition techniques, and an analaysis[sic] of the second string quartet.” M.M. thesis, University of Colorado, 1989.Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses