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Bibliography

Steiner, George

Year: 1984
Complete Citation:
Steiner, George. “Das totale Fragment.” In Fragment und Totalität, edited by L. Dällenbach and C.L. Hart Nibbrig, 18-29. Frankfurt am Main, Germany: Suhrkamp Verlag, 1984.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Sterne, Colin

Year: 1971
Complete Citation:
Sterne, Colin. “The Quotations in Charles Ives’s Second Symphony.” Music and Letters 52 (1971): 39-45.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Stern, Max

Year: 1989
Complete Citation:
Stern, Max. “Portrait of an Original.” Jerusalem Post, June 6, 1989, 15. 
Source: Newspaper
VI. Topical Studies
A. Short Biographies and Profiles

Stevenson, Robert

Year: 1978
Complete Citation:
Stevenson, Robert. “American Musical Scholarship: Parker to Thayer.” 19th- Century Music 1, no.3 (March 1978): 191--210.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Stevenson, Robert M.

Year: 1966
Complete Citation:
Stevenson, Robert M. Protestant Church Music in America: A Short Survey of Man and Movements from 1564 to the Present, 118-119, 126, 129. New York, NY: W.W. Norton, 1966.
Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives

Stieglitz-Goffre, Anne-Marie

Year: 1982
Complete Citation:
Stieglitz-Goffre, Anne-Marie. “Musiques festives en Crète et dans les Cyclades aujourd'hui. Réflexions sur l’ évolution des performances, du comportement des auteurs et sur les contenus musicaux partir d’observations sur la pan gyrique religieux.” L’École des hautes études en sciences sociales, 1982.
Source: ?
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Stiller, Andrew

Year: 1986
Complete Citation:
Stiller, Andrew. “Who Owns American Music?” Opus 3/1 (December 1986): 18, 60.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Stoddard, Hope

Year: 1951
Complete Citation:
Stoddard, Hope. “Music in Connecticut.” International Musician (March 1951).
Source: Journal
VI. Topical Studies
L. Ives and America

Stojanovic, Gordana

Year: 1972
Complete Citation:
Stojanovic, Gordana. “The study of polyphony and rhythm in selected works by Charles Ives.” M.A. Thesis, University of California, San Diego, 1972.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Stout, Andrew

Year: 2016
Complete Citation:
Stout, Andrew. “Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius.” M.M. thesis, University of Missouri-Kansas City, 2016.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Stout, Andrew H.

Year: 2016
Complete Citation:
Stout, Andrew H. “Influence, Innovation, and Structure: Modernist Evaluative Criteria in the Reception Histories of Charles Ives and Jean Sibelius.” M.M. thesis, University of Missouri-Kansas City, 2016.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Stout, Jesseca

Year: 2016
Complete Citation:
Stout, Jesseca. “‘Swinging Sound of Cymbals’: Symphonic Form in ‘A Winter Walk.’” The Thoreau Society Bulletin, no. 292 (2016): 1-2.
Source: Bulletin
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Straub, Dorothy A.

Year: 1993
Complete Citation:
Straub, Dorothy A. “MENC Connections.” Music Educators Journal, vol. 79, no. 5 (1993): 4-51.
Source: Journal
VI. Topical Studies
T. Ives in Music Education

Straus, Noel

Year: 1940
Complete Citation:
Straus, Noel. “Composers Unite: Contemporaries Join in Venture to Publish Their Own Scores.” The New York Times, September 22, 1940 sec. 9, 7.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Stravinsky, Igor and Craft, Robert

Year: 1962
Complete Citation:
Stravinsky, Igor, and Craft, Robert. Expositions and Developments, 92, 97-99, 104. Garden City, NY: Doubleday, 1962.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1966
Complete Citation:
Stravinsky, Igor, and Craft, Robert. Themes and Episodes, 15-16, 48. 106, 154. New York, NY: Alfred A. Knopf, 1966.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1969
Complete Citation:
Stravinsky, Igor, and Craft, Robert. Retrospectives and Conclusions, 30-32. New York, NY: Alfred A. Knopf, 1969.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Streller, Friedbert

Year: 1997
Complete Citation:
Streller, Friedbert. “Besprechungen: “‘Jazz’ in der Kunstmusik. Studien zur Funktion afro-amerikansicher Muisk in Kompositionen des 20. Jahrhunderts,” von Peter W. Schatt.” Die Musikforschung, Vol. 50, No. 2 (1997): 256-257.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Struble, John Warthen

Year: 1978
Complete Citation:
Struble, John Warthen. “The Concord Sonata of Charles E. Ives: A Reference for Pianists and Scholars.” M.A. thesis, University of California at San Diego, 1978.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Suhor, Charles

Year: 1976
Complete Citation:
Suhor, Charles. “To Charles Ives.” The English Journal, vol. 65, no. 5 (1976): 45-46.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship