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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Weyer, Waldo Wilhelm

Year: 2004
Complete Citation:
Weyer, Waldo Wilhelm. “Die interpretasie van Charles E. Ives se Concord Sonate volgens sy Essays before a sonata.” M.Mus. Thesis, North-West University, Potchefstroom Campus, 2004.
Source: M.Mus. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

White, Michael J.

Year: 1982
Complete Citation:
White, Michael J. “Hazel Smith in Ives.” The Guardian, June 12, 1982, 12.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Whitesell, Lloyd

Year: 1994
Complete Citation:
Whitesell, Lloyd. “Reckless Form, Uncertain Audiences: Responding to Ives.” American Music 12.3 (Autumn 1994): 304-319.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Wickstrom, Fred

Year: 1976
Complete Citation:
Wickstrom, Fred. “Ives and Percussion, A Forerunner on All Fronts.” In South Florida's Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 57-58. Coral Gables, FL: University of Miami at Coral Gables, 1976.
Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches

Wiebe, Michael G.

Year: 1998
Complete Citation:
Wiebe, Michael G. “The use and influence of nineteenth-century campmeeting and revival music in the songs of Charles Ives and Aaron Copland.” M.A. Thesis, Boise State University, 1998.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wiecki, Ronald Victor

Year: 1992
Complete Citation:
Wiecki, Ronald V. “Two Musical Idealists—Charles Ives and E. Robert Schmitz: A Friendship Reconsidered.” American Music, 10/1 (Spring 1992): 1-19.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Wiens, Carl K.

Year: 1992
Complete Citation:
Wiens, Carl K. “Structural organization in selected songs from Charles Ives's 114 songs.” M.A. thesis, McGill University, 1992.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wiig, John

Year: 1972
Complete Citation:
Wiig, John. “An analysis of transcendental influences in selected choral works of Charles Ives.” M.M. Thesis, Mankato State College, 1972.
Source: M.M. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wilder, Robert D.

Year: 1969
Complete Citation:
Wilder, Robert D. Twentieth--Century Music, 95-98. Brown Music Horizons Series. Dubuque, IA: Wm. C. Brown, 1969.
Notes:

Includes other passing refer-ences.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Wiley, Joan Mary

Year: 1981
Complete Citation:
Wiley, Joan Mary. “A comparative analysis of Charles E. Ives' "First Sonata" and "Sonata No. 2”.” M.A. thesis, California State University, 1981.
Source: M.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Willgren, John

Year: 2007
Complete Citation:
Willgren, John. “Charles Ives orkesterverk i Sverige: en receptionshistorisk studie.” Thesis, Stockholms Universitet, Institutionen för musik-och teatervetenskap, 2007.
Source: Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Williams, Jonathan

Year: 1967
Complete Citation:
Williams, Jonathan. The old (transcendental) college try: some notes & inventions on Mr. Ives. Aspen, Colorado: Publisher unlisted, 1967.
Notes:

Book of poetry.

Source: Book
VI. Topical Studies

Wilshire, Bruce W.

Year: 2016
Complete Citation:
Wilshire, Bruce W. “Music of Science, Thought, and the Body.” In The Much-at-Once: Music, Science, Ecstasy, the Body, 167-196. New York, NY: Fordham University, 2016.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Wilson-Dickson, Andrew

Year: 2003
Complete Citation:
Wilson-Dickson, Andrew. “The United States and the European classical tradition: Charles Ives.” In The story of Christian music: an illustrated guide to all the major traditions of music in worship. Oxford, United Kingdom: Lion, 2003.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Wilson, Peter Niklas

Year: 2001
Complete Citation:
Wilson, Peter Niklas. “«Sound Come into Its Own»: Vond Der Selbstfindung Amerikanischer Musik.” Neue Zeitschrift Für Musik 162/5 (2001): 12-17.
Source: Magazine
VI. Topical Studies
L. Ives and America

Wilson, Richard

Year: 1996
Complete Citation:
Wilson, Richard. “Ives: American Experimentalism and Modernism.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 37-38. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Wintle, Christopher, and Kate Hopkins, eds.

Year: 2010
Complete Citation:
Black, Leo. “Harry Croft-Jackson with a Note on Charles Ives.” In BBC Music in the Glock Era and After: A Memoir, edited by Christopher Wintle and Kate Hopkins. Woodbridge, Suffolk; Rochester, NY: Boydell & Brewer, 2010.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Wirt, Ronald L.

Year: 1976
Complete Citation:
Wirt, Ronald L. “Musical quotation in the works of Charles Ives.” B.A. Thesis, Reed College, 1976.
Source: B.A. Thesis
VIII. Dissertations, Theses, and Baccalaureate Essays
B. Theses

Wise, Brian

Year: 2005
Complete Citation:
Wise, Brian. “The Flip Side of American Music.” The New York Times, November 13, 2005, 1.
Source: Newspaper
VI. Topical Studies
D. Other

Wolfgang Rathert, Hans G. Helms, Christian Wolff, Malcolm Goldstein, and Frederic Rzewski

Year: 2004
Complete Citation:
Wolfgang Rathert, Hans G. Helms, Christian Wolff, Malcolm Goldstein, and Frederic Rzewski. “Politics and Aesthetics.” Panel presented at Symposium at MarzMusik Festival: Festival fur aktuelle Musik. Berlin, Germany, March 18-28, 2004.
Source: Festival
VI. Topical Studies
A. Transcendentalism or Philosophy