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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

no author listed

Year: 1974
Complete Citation:
“Ives the Innovator.” Time 104/19, November 4, 1974, 85, 87, 89-90.
Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1974
Complete Citation:
Galkin, Elliot W. “Two Prophets of Music Recognized at Last.” The Sun, October 13, 1974, D3.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1976
Complete Citation:
“Charles Ives: Master of Strange Harmonies: Making Music.” South China Morning Post, May 21, 1976, 11.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1978
Complete Citation:
“The Charles Ives Society - Past, Present, and Future.” Newsletter - Institute for Studies in American Music 7, no. 2 (Spring 1978): 1, 12.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1980
Complete Citation:
“In the Name of Ives.” Newsletter - Institute for Studies in American Music IX, no. 2 (Spring 1980): 2.
Source: Newsletter
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1985
Complete Citation:
“Copyright Dilemma of Inverted Sonata; Charles Ives Case Against Hungarian Composer.” The Times, August 20, 1985.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1987
Complete Citation:
“On the Rating of Composers: Letter.” The New York Times, April 26, 1987.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1991
Complete Citation:
“Notes for Notes.” Notes 48/2 (1991): 449.
Notes:

Tells of a $99,619 grant to the Charles Ives Society from the National Endowment for the Humanities for a thematic catalogue.

Source: Journal
VI. Topical Studies
V. Awards
Year: 1991
Complete Citation:
“Up Front.” Musical America (1991).
Notes:

Regarding a bill in the Connecticut Legislature to name Charles Ives as State Composer of Connecticut. After debate, Ives was named Composer Laureate for the first year.

Source: Journal
VI. Topical Studies
V. Awards
Year: 1993
Complete Citation:
“Local Boy Makes Polyrhythms.” Village Voice 38/34, August 24, 1993, 85.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
Year: 1994
Complete Citation:
“Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23, no. 2 (Spring 1994): 11.
Source: Letter
VI. Topical Studies
M. Ives and Manhattan
Year: 1994
Complete Citation:
“Celebrating American Music from Ives to the Dead.” Sonneck Society for American Music Bulletin 20/2: 15-16.
Notes:

“The Dead” refers to the Rock group, “The Grateful Dead.”

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1994
Complete Citation:
“Gay Composers; Behind Ives's Harmonic Clashes: Letter.” The New York Times, July 10, 1994.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1995
Complete Citation:
Rhein, John von. “Charles Ives and Paul Creston, American Originals: Chicagoland Final Edition.” Chicago Tribune, October 22, 1995.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
“Between the Bandstand and the Concert Hall: Ives and His Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Notes:

Selections of marching band music, choral music, and solo songs from turn-of-the-century America (selected works of Ives drawn from these categories).

Source: [Chapter in] Festival Publication
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1997
Complete Citation:
Charles Ives and Henry David Thoreau: “A transcendental tune of Concord.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1998
Complete Citation:
“Awards Roundup.” Symphony, Vol. 49, No. 4 (1998): 32.
Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1998
Complete Citation:
“Ives and Yale: The Enduring Influence of a College Experience.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Source: Conference paper
Reprints:

“Ives and Yale: The Enduring Influence of a College Experience.” <i>College Music Symposium</i> 39 (1999): 27--42.

VI. Topical Studies
O. Ives and Yale
Year: 1998
Complete Citation:
Inaugural Celebration of the Classical Music Hall of Fame. Music Hall, Cincinnati, Ohio, May 24, 1998.
Notes:

See also Editorials in Cincinnati Post (May 22) and Cincinnati En-quirer (May 24).

Source: Ceremony
VI. Topical Studies
V. Awards
Year: 1998
Complete Citation:
Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.
Notes:

<a target="_blank" href="http://archives.news.yale.edu/ybc/v26.n26.news.01.html">Program of events listed at: http://archives.news.yale.edu/ybc/v26.n26.news.01.html. </a>

Source: Festival
VI. Topical Studies
O. Ives and Yale