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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
(-) IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Mackerness, Eric

Year: 1949
Complete Citation:
Mackerness, Eric. “Aspects of American Life.” Music Survey (Autumn 1949) 2/2: 91-95.
Source: Journal
VI. Topical Studies
L. Ives and America

MacLeod, Lynne L.

Year: 1993
Complete Citation:
MacLeod, Lynne L. “Ragtime and Classical Keyboard.” Mississippi Rag 20 (October 1993): 10-11.
Notes:

Discusses works by Ives, Debussy, Gruen- berg, Hindemith, Satie, Sousa, and Stravinsky.

Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing

Magee, Gayle

Year: 2019
Complete Citation:
Magee, Gayle. “‘Every Man in New York’: Charles Ives and the First World War.” In Over Here, Over There: Transatlantic Conversations on the Music of World War I, edited by Gayle Sherwood Magee, et. al., 37-57. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Maisel, Arthur

Year: 1989
Complete Citation:
Maisel, Arthur. “Conference: Ives.” Musical Times 130/106 (February 1989): 107.
Notes:

Report on meeting of the New York Chapter of the American Musicological Society in the Sulzburger Parlour of Barnard College, Columbia University, New York. Session regarding claims set forth by Maynard Solomon. H. Wiley Hitchcock, moderator, with a panel of James Sinclair, Paul Echols, Philip Lambert, J. Peter Burkholder, and Vivian Perlis. Solomon was present to respond.

Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Maisel, Edward M.

Year: 1943
Complete Citation:
Maisel, Edward M. Charles T. Griffes. New York, New York: Alfred A. Knopf Co., 1943.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Malone, Andrew Lindemann

Year: 2005
Complete Citation:
Malone, Andrew Lindemann. “Opening Chorus: Hearsay - Jamie Baum.” JazzTimes: America’s Jazz Magazine, Vol. 35, No. 1 (2005): 37.
Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing

Manenti, Francesco

Year: 2019
Complete Citation:
Manenti, Francesco. “Analisi Compositive - Stravinskij & Ives, guida pratica al viaggio nel tempo.” Academia. 2019. www.academia.edu/42361832/Analisi_Compositive_Stravinskij_and_Ives_guida_pratica_al_viaggio_nel_tempo.
Source: Online article
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Manfred, Frederick

Year: 1975-1976
Complete Citation:
Manfred, Frederick. “Ives and Faulkner.” Student Musicologists at Min-nesota 6 (1975-76): 1-4.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Manfried, Walter

Year: 1948
Complete Citation:
Manfried, Walter. “Composer Won a Pulitzer Prize, But He’s Still the Great Unheard: Charles Ives Has Written Strange Music for Horns, But Doesn’t Toot His Own.” Green Sheet - Milwaukee Journal. June 23, 1948.
Source: Newspaper
VI. Topical Studies
V. Awards

Manulkina, Olga

Year: 2017
Complete Citation:
Manulkina, Olga. “Leonard Bernstein’s 1959 Triumph in the Soviet Union.” In The Rite of Spring at 100, edited by Severine Neff et al., 219-236. Bloomington, IN: Indiana University Press, 2017.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Marcotte, Gilles

Year: 1997
Complete Citation:
Marcotte, Gilles. “Des Musiques Qui Parlent.” Liberté 39/3 (June 1997): 180-186.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Marshall, Bryan

Year: 2003
Complete Citation:
Marshall, Bryan. “Charles Ives and the absent presences of life and work.” Ph.D. diss., Cardiff University, 2003.
Source: Ph.D. Dissertation
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Marshall, Dennis

Complete Citation:
Boatwright, Howard. “Charles Ives' Quotations: Manner or Substance?.” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone, 13-24. New York, NY: W.W. Norton, 1971.
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1971
Complete Citation:
Marshall, Dennis. “Charles Ives’ Quotations: Manner or Substance?” In Perspectives on American Composers, edited by Benjamin Boretz and Edward T. Cone. New York, NY: W.W. Norton, 1971.
Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing

Marshall, Ingram

Year: 2006
Complete Citation:
Marshall, Ingram. “John Adams on conducting Ives.” In The John Adams reader: essential writings on an American composer, edited by Thomas May, 264-270. Pompton Plains, NJ: Amadeus, 2006.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Martin, Robert

Year: 1996
Complete Citation:
Martin, Robert. “American Musical Life: 1890-1914.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 28-29. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
L. Ives and America

Martin, William R. and Julius Drossin

Complete Citation:
Martin, William R. and Julius Drossin. Charles Ives, Edgard Varèse and Elliott Carter. Englewood Cliffs, NJ: Prentice-Hall, 1980.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Masse, Thomas Gilmore

Year: 1997
Complete Citation:
Masse, Thomas Gilmore. “Revisions, Chronology and Redating of the Largo of Charles Ives.” Clarinet 24/3 (1997): 36--41.
Notes:

Regarding the Largo for violin, clarinet, and piano.

Source: Journal
VI. Topical Studies
C. Chronology

Matter, Lothar

Year: 1988
Complete Citation:
Mattner, Lothar. “Komponierren ohne Heiligenschein: Kölner Festival: ‘Charles Ives und die amerikanische Musik.’” Neue Zeitschrift für Musik 149 (May 1988): 46.
Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series

Mauceri, John, moderator

Year: 1977
Complete Citation:
Mauceri, John, moderator. “Conductors’ Experiences (Discussion with John Mauceri, Gunther Schuller, Lehman Engel, Nicolas Slonimsky, Arthur Weisberg, James Sinclair, Gregg Smith, Roque Cordero.” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 113-126.
Source: Chapter in Book
VI. Topical Studies
R. Performance Approaches