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Bibliography

Mead, Rita H.

Year: 1982
Complete Citation:
Mead, Rita H. “Henry Cowell’s New Music.” The Journal of Musicology 1, No. 4 (October 1982).
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1983
Complete Citation:
Mead, Rita H. “The Amazing Mr. Cowell.” American Music 1/4 (Winter 1983): 63-89.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Meelberg, Vincent

Year: 2006
Complete Citation:
Meelberg, Vincent. 2006. New Sounds, New Stories: Narrativity in Contemporary Music. Amsterdam, Netherlands: Leiden University Press, 2006.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Méfano, Paul

Year: 2011
Complete Citation:
Méfano, Paul. “Méfano, Paul (1937).” In Three Questions for Sixty-Five Composers, edited by Bálint András Varga, 174-176. Woodbridge, United Kingdom: Boydell and Brewer, 2011.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Mehring, Frank

Year: 2002
Complete Citation:
Mehring, Frank. “‘Unpremeditated Music’: Thoreaus Avantgardistische Vorstöße in Eine Neudefinition Von Musik.” Amerikastudien/ American Studies 47/1 (2002): 39-54.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 2003
Complete Citation:
Mehring, Frank. “Sphere melodies: die Manifestation transzendentalistischen Gedankenguts in der Musik der Avantgardisten Charles Ives und John Cage.” Series: M & P Schriftenreihe für Wissenschaft und Forschung. Stuttgart, Germany: Metzler, 2003.
Source: Book
VI. Topical Studies
Year: 2004
Complete Citation:
Mehring, Frank. “Kontextualisierte Kreativitat: Charles Ives’ Ver-bindungen zum amerikanischen Transzendentalismus aus der Perspektive seiner Biographen.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 179-187. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy

Melady, Mark

Year: 1975
Complete Citation:
Melady, Mark. “Inns, Ives Win Prizes for Books.” The Hartford Courant, May 11, 1975, 3A.
Source: Newspaper
VI. Topical Studies
V. Awards

Mellers, Wilfrid

Year: 1939
Complete Citation:
Mellers, Wilfrid. “Music in the Melting Pot: Charles Ives and the Music of the Americas.” Scrutiny 7 (March 1939): 390-403.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
Year: 1943
Complete Citation:
Mellers, Wilfrid. “American Music (An English Perspective).” Kenyon Review 5/3 (Summer 1943): 357-375.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1950
Complete Citation:
Mellers, Wilfrid. “American Music and an Industrial Community.” In Music and Society, 191-203. New York: Roy Publishers, 1950.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1957
Complete Citation:
Mellers, Wilfrid. “Postlude: Charles Ives and the new world.” In Romanticism and the 20th century, from 1800. Fair Lawn, NJ: Essential Books, 1957.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 1965
Complete Citation:
Mellers, Wilfrid. "Realism and transcendentalism: Charles Ives as American hero.” In Music in a new found land; themes and developments in the history of American music. New York, NY: A.A. Knopf, 1965.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1975
Complete Citation:
Mellers, Wilfrid. “The Sound of Democracy.” The Times Literary Supplement (January 24, 1975): 81.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Mellers, Wilfrid H.

Year: 1957
Complete Citation:
Mellers, Wilfrid H. “Postlude: Charles Ives and the New World.” In Romanticism and the 20th Century (from 1800), 218-225. Fair Lawn, NJ: Essential Books, 1957.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Year: 1964
Complete Citation:
Mellers, Wilfrid H. “Jottings of Charles Ives” [Appendix I]. In Music in a New Found Land: Themes and Developments in the History of American Music, 441-443. London, United Kingdom: Barrie and Rockliff, 1964.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
Year: 1964
Complete Citation:
Mellers, Wilfrid H. “Realism and Transcendentalism: Charles Ives American Hero.” In Music in a New Found Land: Themes and Develop merits in the History of American Music. London, United Kingdom: Barrie and Rockliff, 1964.
Notes:

See also Appendix I.

Source: Chapter in Book
Reprints:

Mellers, Wilfrid H. “Realism and Transcendentalism: Charles Ives American Hero.” In <i>Music in a New Found Land: Themes and Develop merits in the History of American Music</i>, 38--64. New York, NY: Alfred A. Knopf, 1965.

VI. Topical Studies
A. Transcendentalism or Philosophy

Mendel, Arthur

Year: 1932
Complete Citation:
Mendel, Arthur. “Music: The American Composer.” Nation 134. May 18, 1932, 579.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Menter, Marcia

Year: 1981
Complete Citation:
Menter, Marcia Menter. “Brilliant Eccentrics: Five American Composers.” Virtuoso 2/2 (March-April 1981): 13-14.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Merriam, Alan P.

Complete Citation:
Merriam, Alan P. “Music in American Culture.” American Anthropologist, vol. 57, no. 6. (December 1955): 1173-1181.
Source: Journal
VI. Topical Studies
L. Ives and America