Image
Complete Citation:
Moldenhauer, Hans. Anton von Webern: A Chronicle of His Life and Work, 379, 671. New York, NY: Alfred A. Knopf, 1979.
Bibliography
Genres
Moldenhauer, Hans
Year: 1979
Notes:
Reproduces the program of an American music concert—1932 February 21—on which songs by Ives, Copland, and Caturla were performed by Ruzena Herlinger and either Paul A. Piskor or Eric Simon, piano. Cites a letter in the Moldenhauer Archives from Ives to Adolph Weiss suggesting Schoenberg, Berg, and Webern as “Honorary European-American” for the honorary board of directors of the Pan American Association of Composers (671).
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Moldenhauer, Hans, and Rosaleen Moldenhauer
Year: 1979
Complete Citation:
Moldenhauer, Hans, and Rosaleen Moldenhauer. Anton von Webern: Chronik seines Lebens und Werkes. Zurich, Switzerland: Atlantis Verlag, 1979.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Monelle, Raymond and Robert Hatten
Year: 2000
Complete Citation:
Monelle, Raymond and Robert Hatten. “Allegory and Deconstruction.” In The Sense of Music: Semiotic Essays, 196-226. Princeton, NJ: Princeton University Press, 2000.Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Moor, Paul
Year: 1950
Complete Citation:
Moor, Paul. “Two Titans.” Theatre Arts XXIV/ii (February 1950): 49-51, 94-95.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Morgan, Robert P.
Year: 1973
Complete Citation:
Morgan, Robert P. “Rewriting Music History: Second Thoughts on Ives and Varèse.” Musical Newsletter 3, no. 1 (January 1973): 3-12, and 3, no. 2 (April 1973): 15-23, 28.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1976
Complete Citation:
Morgan, Robert P. “American Music and the Hand-Me-Down Habit.” High Fidel-ity, June 1976, 70-72.Source: Magazine
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Year: 1978
Complete Citation:
Morgan, Robert P. “Ives and Mahler: Mutual Responses at the End of an Era.” 19th-Century Music Vol. 2 (1978), pp. 72-81.Source: Journal
Reprints:
Morgan, Robert P. “Ives and Mahler: Mutual Responses at the End of an Era.” In <i>Charles Ives and the Classical </i>Tradition, edited by Geoffrey Block and J. Peter Burkholder, 75-86. New Haven, CT: Yale University Press, 1996. * Morgan, Robert P. “Morgan, Robert P. “Ives and Mahler: Mutual Responses at the End of an Era.” In <i>Music Theory, Analysis, and Society: Selected Essays</i>, 171-180. Surrey, England: Ashgate, 2015.
VI. Topical Studies
Year: 1990
Complete Citation:
Morgan, Robert P. “Charles Ives und die europäische Tradition.” In Bericht über das Internationale Symposion "Charles Ives und die amerikanische Musiktradition bis zur Gegenwart," Köln 1988, edited by Klaus Wolfgang Niemöller, Manuel Gervink, and Paul Terse, 17--36. Kölner Beiträge zur Musikforschung, 164. Regensburg, Germany: Gustav Bosse, 1990.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1991
Complete Citation:
Morgan, Robert. "Charles Ives and American Music." In 20th-century Music. New York, NY: W.W. Norton, 1991, 137-148.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 2015
Complete Citation:
Morgan, Robert P. ““The things our fathers loved”: Charles Ives and the European tradition.” In Ives Studies, edited by Philip Lambert. Cambridge, UK: Cambridge University Press, 1997.Source: Chapter in Book
Reprints:
Morgan, Robert P. ““The things our fathers loved”: Charles Ives and the European tradition.” In <i>Music theory, analysis, and society: selected essays</i>. Surrey, England: Ashgate, 2015.
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Morgan, Robert P., Jan Swafford, Gayle Sherwood, Tom C. Owens.
Year: 1998
Complete Citation:
Panel: Robert P. Morgan (chair), Jan Swafford, Gayle Sherwood, Tom C. Owens. Panel at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Festival Panel
Reprints:
<i>College Music Symposium</i> 39 (1999) 39: 27--42.
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Mortenson, Gary Curtis
Year: 1987
Complete Citation:
Mortenson, Gary C. “Father to Son: The Education of Charles Ives.” Music Educator's Journal 73/7 (March 1987): 33-37.Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Morton, Lawrence
Year: 1945
Complete Citation:
Morton, Lawrence. “Jerome Moross; Young Man Goes Native.” Mod-ern Music 22/2 (January-February 1945): 111--114.Notes:
A review of an all -Ives program with some songs (October 30, 1944: Los Angeles. “Evenings on the Roof”; Elizabeth Vermeulen, voice; Frances Mullen, piano).
Source: Journal (Concert Review)
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1950
Complete Citation:
Morton, Lawrence. “American Culture and the Serious Composer.” Score [Los Angeles] 4/3 (May 1950): 4-9.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Müller, Hermann Christoph
Year: 2004
Complete Citation:
Müller, Hermann- Christoph. “Natur wozu? Zwei Anmerkungen zur nordamerikanischen Musik und zu Charles Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 106-115. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Mundy, Rachel
Year: 2013
Complete Citation:
Mundy, Rachel. “The ‘League of Jewish Composers’ and American Music.” The Musical Quarterly, vol. 96, no. 1 (2013): 50-99.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Musgrave, Thea
Year: 1973
Complete Citation:
Musgrave, Thea. “A New Viola Concerto.” The Musical Times 114/1566 (1973): 790-791.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Myrick, Julian S.
Year: 1930
Complete Citation:
Myrick, Julian S. “What the Business Owes to Charles E. Ives.” Eastern Underwriter, Life Insurance Salesmanship Edition (September 19, 1930): 18.Source: Journal
VI. Topical Studies
D. Insurance
D. Insurance
Nagano, Kent
Year: 2019
Complete Citation:
Nagano, Kent et al. “Bernstein and Ives: Whither America?” In Classical Music: Expect the Unexpected, 217-232. Montreal, Canada: McGill-Queen's University Press, 2019.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, and John Kirkpatrick
Year: 1977
Complete Citation:
“On performing the Violin Sonatas (Diskussion with Nancy Mandel, Alan Mandel, Eugene Gratovich, Regis Benoit, Daniel Stepner, John Kirkpatrick).” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 127-140. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing