Image
Complete Citation:
Pozzi, Raffaele, and Louise Forster. “Elliott Carter Talking.” Tempo, no. 167 (1988): 14-17.
Bibliography
Genres
Pouzzi, Raffaele, and Louise Forster
Year: 1988
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Prendergast, Mark J.
Year: 2003
Complete Citation:
Prendergast, Mark J. “Charles Ives.” In The Ambient Century: from Mahler to Moby: the Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury, 2003.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
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Year: 1968
Complete Citation:
Price, Jonathan. “The Rough Way up the Mountain.” Yale Alumni Magazine (April 1968): 28-37.Source: Journal
Reprints:
Price, Jonathan. “The Rough Way up the Mountain.” <i>Music Educator's Journal</i> 55/2 (October 1968): 38-45.
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Pütz, Werner, Peter Virnich, and Peter Winz-Luckei
Year: 1987
Complete Citation:
Putz, Werner, Peter Virnich, and Peter Winz-Luckei. “Neue Musik handelnd erfahren: Eine Unterrichtsreihe zu Charles Ives und John Cage.” Musik und Bildung 19/5 (1987): 350-358.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rabinowitz, Peter J.
Year: 1981
Complete Citation:
Rabinowitz, Peter J. “Fictional Music: Toward a Theory of Listening.” In Theories of Reading, Looking, and Listening, edited by Harry R. Garvin, 193-208. Bucknell Review, vol. 26, no. 1. Lewisburg, PA: Bucknell University Press, 1981.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Ramey, Phillip
Year: 1978
Complete Citation:
Ramey, Phillip. “A Talk with Samuel Barber.” Liner notes for Songs of Samuel Barber and Ned Rorem. New World Records 229, 1978, 33.3 RPM.Source: Liner notes
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rao, Nancy Yunhwa
Year: 2014
Complete Citation:
Rao, Nancy Yunhwa. “Allegro Scorrevole in Carter’s First String Quartet: Crawford and the Ultramodern Inheritance.” Music Theory Spectrum 36/2 (2014): 181-202.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Rappaport, Howard
Year: 2005
Complete Citation:
Rappaport, Howard. “The Infinite Variety of Listening Logs: Your Students May Astound You.” Music Educators Journal 91/3 (2005): 29-33.Source: Journal
VI. Topical Studies
T. Ives in Music Education
T. Ives in Music Education
Rasmussen, Karl Aage
Year: 1977
Complete Citation:
Rasmussen, Karl Aage. “Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 251-252. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Rasmussen, Karl Aagi
Year: 1975
Complete Citation:
Rasmussen, Karl Aagi. “Music on Music — a study of quotation and college.” Lecture, First American Music Conference, Keene University, England, April 18-21, 1975.Source: Lecture
VI. Topical Studies
B. Musical Quotation or Borrowing
B. Musical Quotation or Borrowing
Rathert, Wolfgang
Year: 1983
Complete Citation:
Rathert, Wolfgang. “Musik als Philosophie—Ives und Cage in der Nachfolge des Transzendentalismus.” In Der Hang zum Gesamtkunstwerk: Europäische Utopien seit 1800, 53-59. Berlin, Germany: Berliner Künstlerprogramm des DAAD, 1983.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1987
Complete Citation:
Rathert, Wolfgang. “Philosophische Grundlagen der Musik von Charles Ives.” In Entgrenzungen in der Musik, edited by Otto Kolleritsch, 123-137. Studien zur Wertungsforschung, Vol. 18. Vienna, Austria: Universal Edition, 1983.Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Year: 1989
Complete Citation:
Rathert, Wolfgang. “Aspekte Asthethik Modernität bei Ives und Mahler.” In Das Gustav-Mahler-Fest: Bericht über der Internationalen Gustav Mahler Kongress, edited by Matthia Theodor Vogt, 333-444. Kassel, Germany: Bärenreiter, 1991.Source: Chapter in Book/Conference Paper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1990
Complete Citation:
Rathert, Wolfgang. “Mahler und Ives: Gibt es eine 'geheime Zeitgenossen- schaff?” Neue Zeitschrift für Musik 151/10 (October 1990): 7-12.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1991
Complete Citation:
Rathert, Wolfgang. “Aspekte asthetischer Modernitat bei Mahler und Ives.” In Das Gustav-Mahler-Fest Hamburg 1989, edited by Matthias Theodor Vogt, 333-343. Kassel, Germany: Barenreiter, 1991.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1993
Complete Citation:
Rathert, Wolfgang. “Charles Ives und der Beginn der nordamerikanischen Musik.” In Geschichte der Musik, Vol. 4, edited by Michael Raeburn, 67-81. Munich, Germany: Kindler, 1993.Source: Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 1995
Complete Citation:
Rathert, Wolfgang. Der Amerikanische Transzendentalismus. In Musik und Religion, edited by Helga de la Motte-Haber, 189-214. Lilienthal, Germany. Laaber-Verlag, 1995.Source: Book
VI. Topical Studies
A. Transcendentalism or Philosophy
A. Transcendentalism or Philosophy
Year: 1997
Complete Citation:
Rathert, Wolfgang. “The idea of potentiality in the music of Charles Ives.” In Ives Studies, edited by Philip Lambert, 105-132. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Reale Und Imaginäre Landschaften: Charles Ives' Musikalische Exkursionen Und Ihre Folgen.” Neue Zeitschrift Für Musik, vol. 165, no. 2 (2004): 42-47.Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
J. Extra-Musical Themes in Ives’s Compositions
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Ives’ Vermächtnis.” In Musik-Konzepte 123 — Charles Ives, edited by Ulrich Tadday, 5-24. Munich, Germany: Edition Text und Kritik, 2004.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship