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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Swed, Mark

Year: 1992
Complete Citation:
Swed, Mark. “Henry Brant and His Space-Time Music.” The Wall Street Journal, 1992.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Tangeman, Robert

Year: 1945
Complete Citation:
Tangeman, Robert. “The Songs of Theodore Chanler.” Modern Music (May-June 1945) 22/4: 227.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Tanner, Michael

Year: 2019
Complete Citation:
Tanner, Michael. “Classical: Lili and Nadia Boulanger/ Charles Ives.” The Spectator (2019).
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Taruskin, Richard

Year: 1975
Complete Citation:
Taruskin, Richard. “To the Editor.” Current Musicology 19 (1975): 33-40.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1975
Complete Citation:
Taruskin, Richard. “Letter in reply to Hans G. Helms’ ‘Ives—Ideal American or Social Critic?’” Current Musicology, no. 20 (1975): 33-40.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 2000
Complete Citation:
Taruskin, Richard. “Corralling a Herd of Musical Mavericks.” The New York Times, July 23, 2000, sec. B, 1.
Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
B. Concert Series
Year: 2000
Complete Citation:
Taruskin, Richard. “Corralling a Herd of Musical Mavericks.” The New York Times, July 23, 2000.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2004
Complete Citation:
Taruskin, Richard. “Underneath the Dissonance Beat a Brahmsian Heart.” The New York Times. May 16, 2004, sec. 2: 26, 28.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2009
Complete Citation:
Taruskin, Richard. “Corraling a Herd of Musical Mavericks.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 153-160. Berkeley, CA: University of California Press, 2009.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2009
Complete Citation:
Taruskin, Richard. “Underneath the Dissonance Beat a Brahmsian Heart.” In The Danger of Music: And Other Anti-Utopian Essays, 1st ed., 186-190. Berkeley, CA: University of California Press, 2009.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Taubman, Howard

Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives, An Interview.” New York Times Magazine, October 23, 1949.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1949
Complete Citation:
Taubman, Howard. “Posterity Catches Up with Charles Ives.” The New York Times, October 23, 1949, sec. 6, 15, 34-36.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1958
Complete Citation:
Taubman, Howard. “Forget Posterity.” The New York Times. November 23, 1958, sec. 2, 11.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Tawa, Nicholas E.

Year: 1984
Complete Citation:
Tawa, Nicholas E. Serenading the Reluctant Eagle: American Musical Life, 1925-1945. New York, NY: Schirmer [Macmillan], 1984.
Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1996
Complete Citation:
Tawa, Nicholas E. “Ives and the New England School.” In Charles Ives and the Classical Tradition, edited by Geoffrey Block and J. Peter Burkholder, 51-72. New Haven, CT: Yale University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2001
Complete Citation:
Tawa, Nicholas E. “Amy Beach and Charles Ives.” In From Psalms to Symphony: A History of Music in New England, 213-226. Boston, MA: Northeastern University Press, 2001.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Taylor, Davidson

Year: 1938
Complete Citation:
Taylor, Davidson. “Why Not Try the Air?” Modern Music 15 (January-February, 1938): 87.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Teachout, Terry

Year: 1997
Complete Citation:
Teachout, Terry. “Cross Over, Beethoven.” Time 149/13, March 31, 1997.
Source: Magazine
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1997
Complete Citation:
Teachout, Terry. “The Anti-Modern Modernist.” Commentary 103/5 (May 1997): 55-59.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles