Image
Complete Citation:
Bolcom, William. “The Old Curmudgeon’s Corner.” Musical Newsletter 4/4 (1976): 20-21.
Bibliography
Genres
Bolcom, William
Year: 1976
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Bond, Victoria
Year: 1991
Complete Citation:
Bond, Victoria. “Towards Creating a Composer-Friendly Environment.” Journal of the Conductors' Guild 12/1-2 (Winter-Spring 1991): 64-70.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Bonham, Robert John
Year: 1981
Complete Citation:
Bonham, Robert John. “Some Common Aesthetic Tendencies Manifested in Examples of Pioneer American Cabins and Old Harp Music and in Selected Works of H.H. Richardson and Charles E. Ives.” Ph.D. diss., Ohio University, 1981.Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bonighton, Ian and Richard Middleton
Year: 1979
Complete Citation:
Bonighton, Ian and Richard Middleton. Ives and Varèse. London, United Kingdom: Open University Press, 1979.Source: Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Boody, Charles G; Snell, Margaret
Year: 1971
Complete Citation:
Boody, Charles G; Snell, Margaret. “Minneapolis: The Charles Ives Festival, Spring 1970 - Reflections.” Current Musicology, no. 11 (January 1, 1971): 57.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Booth, Earl Walter
Year: 1974
Complete Citation:
Booth, Earl Walter. “New England Quartet: E.A. Robinson, Robert Frost, Charles Ives and Carl Ruggles.” Ph.D. diss., University of Utah, 1974.Source: Ph.D. Dissertation
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Borroff, Edith
Year: 1988
Complete Citation:
Borroff, Edith. Review of ‘Internationale Symposium’: “International Symposium on American Music, 1988: Charles Ives and the American Music Tradition up to the Present.” Sonneck Society for American Music Bul-letin 14/2: 69-72.Source: Bulletin/Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Year: 1988
Complete Citation:
Borroff, Edith. “American Music since Charles Ives.” Sonneck Society for American Music Bulletin 14/1 (1988): 11-12.Source: Journal
VI. Topical Studies
L. Ives and America
L. Ives and America
Year: 2003
Complete Citation:
Borroff, Edith. “Charles Ives.” In Music melting round: a history of music in the United States. Lanham, MD: Scarecrow Press, 2003.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
L. Ives and America
Borum, Poul
Year: 1996
Complete Citation:
Borum, Poul. “Musikkens Borum.” Dansk Musik Tidsskrift, Vol. 70, No. 5 (1996): 160-166.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Botstein, Leon
Year: 1996
Complete Citation:
Botstein, Leon. “Innovation and Nostalgia: Ives, Mahler, and the Origins of Modernism.” In Charles Ives and His World, edited by J. Peter Burkholder, 35-74. Princeton, NJ: Princeton University Press, 1996.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2005
Complete Citation:
Botstein, Leon. “Copland Reconfigured.” In Aaron Copland and His World, edited by Carol J. Oja and Judith Tick, 439-484. Princeton, NJ: Princeton University Press, 2005.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bourdon, Buzz
Year: 2008
Complete Citation:
Bourdon, Buzz. “Dean of Canadian Film Composers Wrote More than 300 Movie Scores.” Globe & Mail, September 23, 2008, S10.Source: Newspaper
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
C. Reviews and Announcements of Festivals, Conferences, and Concert Series
Bowden, Charles
Year: 2015
Complete Citation:
Bowden, Charles. “On the edge with Edward Abbey, Charles Ives, and the Outlaws.” In Abbey in America: a philosopher's legacy in a new century. Albuquerque, NM: University of New Mexico Press, 2015.Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Bowen, Meirion
Year: 1979
Complete Citation:
Bowen, Meirion. “On the long misunderstanding of Charles Ives.” The Guardian, April 17, 1979, 8.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Boziwick, George
Year: 2000
Complete Citation:
Boziwick, George. “Henry Cowell at the New York Public Library: A Whole World of Music.” Notes 57, no. 1 (September 2000): 46-58.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Brady, Tim
Year: 1995
Complete Citation:
Brady, Tim. “Death of a Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.Notes:
Closes with a quotation from the “Epilogue” of Essays Before a Sonata.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Year: 1995
Complete Citation:
Brady, Tim. “Death of the Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Brandt, Maarten
Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Brant, Henry
Year: 1957
Complete Citation:
Brant, Henry. “Henry Cowell—Musician and Citizen.” Etude (February 1957): 15, 47, 58-59; (March, 1957): 20, 60-61; (April 1957): 22, 60-61.Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
E. Comparisons and Relationships with Other Composers, Artists, and Writers