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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
(-) VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
(-) X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Denhoff, Michael

Year: 1988
Complete Citation:
Denhoff, Michael. “Stille und Umkehr. Betrachtungen zum Phanomen Zeit.” MusikTexte 24 (1988): 27-38.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Deri, Otto

Year: 1968
Complete Citation:
Deri, Otto. Exploring-Century Music. New York, NY: Holt, Rinehart and Winston, 1968.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Dervan, Michael

Year: 2019
Complete Citation:
Dervan, Michael. “Getting to Know One of the most Unknown of the Unknown Composers: A Peer of Charles Ives and George Gerswhin, Irish-American Pianist and Composer Swan Hennessy has almost been Written Out of Music History.” The Irish Times, March 27, 2019.
Source: Newspaper
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Deutsch, Lawrence

Year: 1989
Complete Citation:
Deutsch, Lawrence. “Overstimulation by a Father: An Alternate View of Charles Ives.” In Fathers and Their Families, edited by Stanley H. Cath, Alan Gurwitt et al., 327-336. Hillsdale, NJ: Analytic Press, 1989.
Source: Chapter in Book
VI. Topical Studies
N. Ives’ Childhood

DeVenney, David P.

Year: 1999
Complete Citation:
DeVenney, David P. “The End of the Century: Impressionism and the Flowering of Roman-ticism.” In Varied Carols: A Survey of American Choral Literature, 105-109. Westport, CT: Greenwood Press, 1999.
Notes:

In Chapter 5, “The End of the Century: Impressionism and the Flowering of Roman-ticism,” some details are given about General William Booth Enters into Heaven, Psalm 90, Psalm 24, Psalm 54, Psalm 135, The Celestial Country, and Three Harvest Home Chorales.

Source: Chapter in Book
VI. Topical Studies
K. Stylistic Influences on Ives

Dickinson, Peter

Year: 1968
Complete Citation:
Dickinson, Peter. “Charles Ives.” Music in Education 32/331 (May--June 1968): 138--140, 157.
Notes:

Includes seven musical examples (139). Closes with the infamous misquotation of Schoenberg (157).

Source: Journal
VI. Topical Studies
T. Ives in Music Education
Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” The Musical Times 115 (September 1974): 836-8-38.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1979
Complete Citation:
Dickinson, Peter. “The Achievement of Ragtime: An Introductory Study with Some Implications for British Research in Popular Music.” In Proceedings of the Royal Music Association 105, 63-76. Oxford, United Kingdom: Oxford University Press, 1979.
Notes:

Ives is in-cluded in list of composers influenced by ragtime.

Source: Chapter in Book
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1984
Complete Citation:
Dickinson, Peter. “Ives Source. Country Band March for Theatre Orchestra [Review of Country Band March by Charles Ives.]” Musical Times 125/1695 (May 1984): 278.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1986
Complete Citation:
Dickinson, Peter. “Reviewed Works: Apparition: Elegiac Songs and Vocalises for Soprano and Amplified Piano by George Crumb; Songs by Charles Ives.” American Music 4, No. 2 (Summer, 1986): 233-235.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1989
Complete Citation:
Dickinson, Peter. “Style-Modulation: An Approach to Stylistic Pluralism.” The Musical Times, vol. 130, no. 1754 (1989): 208-211.
Source: Journal
VI. Topical Studies
B. Musical Quotation or Borrowing
Year: 1996
Complete Citation:
Dickinson, Peter. “Style-modulation as a compositional technique: an inaugural lecture.” London, United Kingdom: Goldsmiths, University of London, 1996.
Source: Book/Lecture
VI. Topical Studies
G. Music Theory Analyses
Year: 2006
Complete Citation:
Dickinson, Peter. “Hitchcock's Ives: A New Edition of 129 Songs.” Music & Letters, vol. 87, no. 4 (2006): 606-613.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2011
Complete Citation:
Dickinson, Peter. Review of The Third Symphony of Charles Ives, by Mark Zobel. Music & Letters, Vol. 92, No. 1 (2011): 168-171.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2013
Complete Citation:
Dickinson, Peter. “Charles E. Ives, Symphony No. 4. Edited by William Brooks, James B. Sinclair, Kenneth Singleton, and Wayne D. Shirley. Charles Ives Society Performance Edition, 2011. Realized and edited by Thomas M. Brodhead…” Music & Letters, Vol. 94, No. 2 (2013): 360-362.
Source: Journal (edition review)
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2016
Complete Citation:
Dickinson, Peter. “Charles Ives and Aaron Copland.” In Words and Music. Woodbridge, United Kingdom: The Boydell Press, 2016.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

DiMaggio, Kenneth

Year: 2013
Complete Citation:
DiMaggio, Kenneth. “Charles Ives: making noise.” In Every page should explode: a genealogy of romantic and post-romantic theory of creativity. Champaign, IL: Common Ground Publishing, 2013.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

DiYanni, Robert

Year: 1981
Complete Citation:
DiYanni, Robert. “In the American Grain: Charles Ives and the Transcendentalists.” Jazz and Culture 4 (1981): 139-151.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Dobos, Lora Gingerich

Year: 1986
Complete Citation:
Dobos, Lora Gingerich. “A Technique for Melodic Motive Analysis in Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.
Notes:

Uses Sonata No. 4 for violin and piano for her example.

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Domin, Wolfgang

Year: 1997
Complete Citation:
Domin, Wolfgang. “Unterricht: Schülerinnen und Schüler gehen eigene Wege: Charles Ives: “The Unanswered Question” in einem 9. Schuljahr.” Musik in der Schule, Vol. 10, No. 5 (1997): 240-244.
Source: Journal
VI. Topical Studies
T. Ives in Music Education