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Bibliography

Kirkpatrick, John

Year: 1960
Complete Citation:
Kirkpatrick, John. “The Religious Perspective of a Musician.” Lecture, Anabel Taylor Hall, Cornell University, November 30, 1960.
Source: Lecture
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1961
Complete Citation:
Kirkpatrick, John. “Ives as Revealed in His Marginalia.” Cornell University Music Review, Vol. 4 (1961).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1965
Complete Citation:
Kirkpatrick, John. “Preface.” In Charles Ives — Symphony No. 4. New York, NY: Associated Music Publishers, 1965.
Source: Preface
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1968
Complete Citation:
Kirkpatrick, John. “The Evolution of Carl Ruggles: A Chronicle Largely in His Own Words.” Perspectives of New Music (Spring-Summer, 1968): 146-166.
Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 1973
Complete Citation:
Kirkpatrick, John. “Editor's Note.” In Charles E. Ives, Turn Ye, Turn Ye, edited by John Kirkpatrick, 2-4. Bryn Mawr, PA: Mercury Music, 1973.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1973
Complete Citation:
Kirkpatrick, John. “Comparison of Sources.” In Charles E. Ives, Central Park in the Dark, edited by John Kirkpatrick and Jacques- Louis Monod, 32. Hillsdale, NY: Boelke- Bomart, 1973.
Source: Essay in Score
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1975
Complete Citation:
Kirkpatrick, John. “Editor’s Notes.” In Charles E. Ives, Study No. 21: Some South--Paw Pitching!, edited by John Kirkpatrick, 7-12. Bryn Mawr, PA: Mercury Music, 1975.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1976
Complete Citation:
Kirkpatrick, John. “Ives as Prophet.” In South Florida's Historic Ives Festival, 1974-1976, 59. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1984
Complete Citation:
Kirkpatrick, John. “Critical Commentary.” In Charles E. Ives, Trio for Violin, Violoncello, and Piano, edited by John Kirkpatrick. New York, NY: Peer International, 1984.
Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1990
Complete Citation:
Kirkpatrick, John. “Critical Commentary.” In Charles Ives, Study No. 23 for Piano, edited by John Kirkpatrick, 11--13. Bryn Mawr, PA: Merion Music, 1990.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Kirkpatrick, John.

Year: 1973
Complete Citation:
Kirkpatrick, John. “Comparison of Sources.” In Charles E. Ives, The Pond, 8. Hillsdale, NY: Boelke--Bomart, 1973.
Source: Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1975-76
Complete Citation:
Kirkpatrick, John. “Thoughts on the Ives Year.” Student Musicologists at Minnesota 6 (1975-1976): 218-224.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Kirkpatrick, Ralph

Year: 2014
Complete Citation:
Kirkpatrick, Ralph. “Elliott Carter.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 120-122. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.
Source: Chapter in Book
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers
Year: 2014
Complete Citation:
Kirkpatrick, Ralph. “John Kirkpatrick.” In Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar, edited by Meredith Kirkpatrick, 89-94. Eastman Studies in Music. Woodbridge, United Kingdom: Boydell & Brewer, 2014.
Source: Chapter in Book
VI. Topical Studies
P. Ives Collaborators and Colleagues

Kitto, Gloria de Feo

Year: 1982
Complete Citation:
Kitto, Gloria de Feo. “Abstract: Charles Ives, Robert Henri, and the Art Spirit.” The Sonneck Society for American Music Bulletin 8 (Fall 1982): 70-71.
Notes:

A paper read at the joint meeting of the Sonneck Society, Midcontinent American Studies Association, Midwest Chapter of the American Musicological Society, and the History Special Research Interest Group of the Music Educators National Conference (1982 April 3: Lawrence, KS; University of Kansas).

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Klemm, Eberhardt

Year: 1977
Complete Citation:
Klemm, Eberhardt. “Musikalischer Neuererund Demokrat: Der Komponist Charles Ives.” Musik und Gesellschaft 27/12 (1977): 731-735.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy

Knussen, Sue

Year: 1996
Complete Citation:
Knussen, Sue. “Elliott Carter in Interview.” Tempo 197 (July 1996): 3-4.
Notes:

Recounts Carter’s early acquaintance with Ives and his music (e.g., he knew the <i>Concord Sonata </i>in 1924). Also relates Ives’s influence.

Source: Journal
VI. Topical Studies
E. Comparisons and Relationships with Other Composers, Artists, and Writers

Koch, Gerhard R.

Year: 1973
Complete Citation:
Koch, Gerhard R. “Charles Ives. Musik als reale Utopie.” HiFi-Stereophonie 12/7 (July 1973): 689-698.
Source: Journal
VI. Topical Studies
A. Transcendentalism or Philosophy
Year: 1975
Complete Citation:
Koch, Gerhard R. “Das Pardies liegt hinter Danbury.” Frankfurter Allgemeine Zeitung für Deutschland, February 19, 1975, 23.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood

Kohs, Ellis B.

Year: 1952
Complete Citation:
Kohs, Ellis B. “Violin Sonata No. 2.” Notes 9, no. 2 (March 1952): 329-330.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions